元青花瓷(又稱元青花)，即元代生產的青花瓷器。青花瓷生產于唐代，興盛于元代。成熟的青花瓷出現在元代的景德鎮，紋飾最大特點是構圖豐滿，層次多而不亂。元青花瓷大改傳統瓷器含蓄內斂風格，以鮮明的視覺效果，給人以簡明的快感。以其大氣豪邁氣概和藝術原創精神，將青花繪畫藝術推向頂峰，確立了后世青花瓷的繁榮與長久不衰。
Yuan blue and white porcelain (also known as Yuan blue and white), namely the blue and white porcelain produced in the Yuan Dynasty. Blue and white porcelain was produced in Tang Dynasty and flourished in Yuan Dynasty. Mature blue and white porcelain appeared in Jingdezhen of the Yuan Dynasty. The most important feature of the patterns is that the composition is full and the layers are not disordered. The blue and white porcelain of Yuan Dynasty changed from traditional porcelain to implicit and restrained style, which gave people a concise pleasure with distinct visual effect. With its heroic spirit and original spirit of art, blue and white painting art has been pushed to the peak, which has established the prosperity and long-term prosperity of blue and white porcelain in later generations.
元代 景德鎮 瓶、罐之類器型，采用分段制胎，然后再用胎泥粘合而成，粘接處器表往往突起，給人以不平之感，外壁接痕經打磨，但內壁接痕仍清晰可見，器物頸部內側略加切削，內壁均不修削，所以在器里的底、腹、口等處胎體接痕表現明顯。一般器物的足邊不規整，有彎曲現象，說明元代制胎時不講究修坯，因此顯得成型工藝較粗糙。但小型器物也有精致者，胎質顯得潔白細膩。削足處理方法常見底足足端外墻斜削一刀，大器足底寬厚多為挖足，挖足有深有淺。器物圈足不十分整齊，呈彎曲狀。器底可見螺旋狀的切削痕，大瓶、大罐的底部。旋削紋較粗、較疏，盤和碗的切削痕較細、較密。底部和圈足內外粘有窯砂，有些已熔入釉中。高足杯的高足與杯身以泥漿拼接，交接處可以看見黃色或漿色擠壓泥漿，杯把足端的圈足厚薄不一。子扣套合結構的蓋，采用子扣與器蓋先成型后粘接工藝，蓋上能清晰地看見接痕。碗的底部胎體較厚重，足內露胎，中心微微突起，俗稱"臍"狀，實為拉坯痕跡。瓶、罐等大型器物底部中心處常見一內凹的圓點，在燒制大器時，為防止塌底，需在底部中心或稍偏處放一個用耐火土做成的圓餅或圓圈作支點，圓點就是由此形成的。大罐底部多為寬圈足，不規整，有的底中心有較淺的螺紋痕跡。
In the Yuan Dynasty, Jingdezhen bottles and jars were made of segmented tires, and then bonded with tire mud. The surface of the bonding part was often protruding, giving a sense of unevenness. The outer wall joint mark was polished, but the inner wall was still visible. The inner side of the neck was slightly cut, and the inner wall was not trimmed. Therefore, the traces on the bottom, abdomen and mouth of the utensils were obvious. The foot edge of general utensils is irregular and has bending phenomenon, which shows that the tire making in Yuan Dynasty did not pay attention to trimming, so the molding process was rough. However, there are also delicate small objects, with white and delicate texture. The most common way to cut the foot is to cut the outer wall of the foot end with one knife. The width and thickness of the sole of the large vessel is to dig the foot, and the digging foot is deep or shallow. The circle feet of utensils were not very neat and curved. Spiral cutting marks can be seen at the bottom of the vessel and the bottom of large bottles and cans. The rotary cutting lines are coarse and sparse, and the cutting marks of plates and bowls are fine and dense. There are kiln sand on the inside and outside of the bottom and ring feet, some of which have been melted into the glaze. The high foot of the Gaozu cup and the cup body are spliced with mud. The yellow or slurry color squeezing mud can be seen at the junction, and the thickness of the circle foot at the foot end of the cup is different. For the cover of the sub button sleeve structure, the process of forming the sub buckle and the cover before bonding is adopted, and the connection mark can be clearly seen on the cover. At the bottom of the bowl, the carcass is thick, the fetus is exposed in the foot, and the center is slightly protruding, commonly known as "navel", which is actually a drawing trace. There is a concave dot in the center of the bottom of large utensils such as bottles and jars. In order to prevent the bottom from collapsing, it is necessary to place a round cake or circle made of refractory soil as the fulcrum in the center of the bottom or slightly deviated place when firing the large utensils. The bottom of large tanks is mostly wide and irregular, and some bottom centers have shallow thread marks.
此元青花人物獸耳大罐，雄壯雋秀。麻倉土，蘇麻瀝青料。五層工藝，青花下沉，著筆神來，一氣呵成。獸耳工藝絕妙。底部火石紅和一線紅，涂護胎汁。為四接五叚而成，器部外現接胎線。是元至正時的官窯，皇家及大官貴人的擺件或禮器，珍品之至。
The blue and white figures of the Yuan Dynasty are big pots with animal ears, which are majestic and meaningful. Hemp soil, Suma asphalt. Five layer craft, blue and white sink, pen God to, in one go. The technology of animal ear is excellent. The bottom is made of flint and a line of red, and coated with body care juice. It is made of four connected five pieces, and the tire line is connected outside the device. It is the official kiln of the Yuan Dynasty, the ornaments or ritual utensils of the royal family and the dignitaries.
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