琺瑯彩創燒于紫禁城(今北京故宮),是歷史上唯一在宮廷燒造的瓷器。它起源于康熙晚期,發展于雍正時期,興盛于乾隆時期,以其瓷質細潤,彩料凝重,色澤鮮艷靚麗,畫工精致,備受清代帝王推崇,是我國彩瓷之首,被世人譽為“彩瓷皇后”,備受世界收藏家的追捧。
Enamel caichuang was fired in the Forbidden City (now the Forbidden City in Beijing). It is the only porcelain made in the palace in history. It originated in the late Kangxi period, developed in the Yongzheng period and flourished in the Qianlong period. It was highly praised by the emperors of the Qing Dynasty for its fine and smooth porcelain, dignified color, bright color and exquisite painting. It is the first color porcelain in China, known as the "Queen of color porcelain" and sought after by collectors all over the world.
乾隆時期,為了展現琺瑯彩巔峰技藝,乾隆皇帝親自督造,不惜工本燒造《清乾隆款琺瑯彩芍藥雉雞圖玉壺春瓶》和《清乾隆御制琺瑯彩花石錦雞圖雙耳瓶》作為見證。到了乾隆后期國力逐漸衰退,難以支撐皇家不惜工本的燒造方式,琺瑯彩開始斷燒,這項宮廷秘技也隨之失傳。到了民國時期,隨著故宮博物院的琺瑯彩展出,她第一次出現在世人面前。隨后近一個世紀里,無人敢復燒宮廷琺瑯彩,直到宮廷琺瑯彩的集大成者王輝大師成功復原琺瑯彩國寶。
During the Qianlong period, in order to show the peak skills of enamel, Emperor Qianlong personally supervised the production of "Qing Qianlong enamel peony pheasant painting jade pot spring vase" and "Qing Qianlong Royal enamel flower golden pheasant picture double ear bottle" as witness. In the late Qianlong period, the national strength gradually declined, and it was difficult to support the Royal firing method of sparing no effort. Enamel color began to burn off, and this imperial secret skill was lost. In the period of the Republic of China, with the enamel exhibition in the Palace Museum, she appeared in front of the world for the first time. Then, for nearly a century, no one dared to burn court enamel again, until Master Wang Hui, the master of court enamel, successfully restored the national treasure of enamel color.
琺瑯彩以工藝難、釉料貴、畫工絕而著稱于世。為了成功復原琺瑯彩,王輝大師查閱各種清宮典籍,了解琺瑯彩的制作工藝,動用國家封存30年,有著比金子都貴之稱的高嶺土,采用古法歷經172道手工工序燒制白胎。歷時數年,經過幾百次的嘗試,終于燒制出與《玉壺春瓶》瓷胎一樣細薄完美無瑕的白胎。
Enamel color is famous for its difficult technology, expensive glaze and unique painting skills. In order to successfully restore the enamel color, Master Wang Hui consulted various ancient books and records of the Qing Dynasty to understand the production technology of enamel color. He used kaolin, which has been sealed for 30 years by the state, and is known as more expensive than gold. He used the ancient method and went through 172 manual processes to make white fetuses. It took several years and hundreds of attempts to produce a white body as thin and perfect as the porcelain body of the jade pot spring vase.
琺瑯彩上的繪畫皆是由宮廷最頂級畫師繪制,稍有瑕疵即作廢。為了完美再現乾隆朝時期的絕頂畫工,王輝大師多次觀察、臨摹《玉壺春瓶》上的畫工,并進行對比,在歷經300次的易稿后,終于成功掌握宮琺瑯彩畫工奧秘,采用透視技法,在瓶身微繪作畫。琺瑯彩燒制完成后,用100倍的放大鏡觀看,仍然清晰可見,花有露珠,鮮艷纖細,蝶有茸毛,且頸頸豎起。
The paintings on the enamel were all painted by the top painters of the court. If there is any defect, it will be invalid. In order to perfectly reproduce the top painters of the Qianlong Dynasty, Master Wang Hui observed and copied the painters on the jade pot spring vase for many times, and compared them. After 300 times of changing manuscripts, he finally mastered the secret of the palace enamel painters and used perspective techniques to paint on the bottle body. After the enamel was fired, it was still clearly visible when viewed with a 100 times magnifying glass. The flowers were bright and slender, and the butterflies were hairy, and the neck was erect.
此對琺瑯雙絕《清乾隆款琺瑯彩芍藥雉雞圖玉壺春瓶》口徑：4cm底徑5cm通高：16.3cm《清乾隆御制琺瑯彩花石錦雞圖雙耳瓶》口徑：4cm底徑：5cm通16.3cm保存完好，是一件難得的精品，具有極高的收藏價值和文化價值，值得收藏！
This pair of enamel double Jue "Qing Qianlong enamel color peony pheasant painting jade pot spring bottle" diameter: 4cm, bottom diameter: 5cm, height: 16.3cm; diameter: 4cm; bottom diameter: 5cm; width: 16.3cm; well preserved, it is a rare boutique, with high collection value and cultural value, worthy of collection!
2011年在澳門舉行的“亞洲文化創意產業與藝術品投資交易會”上，一件當代琺瑯彩屏風“琺瑯彩國寶熊貓圖”被估值6000萬，這個價格遠遠超過了很多當代瓷器大師作品的拍賣價，直逼近幾年被熱捧的清三代瓷器價格。無疑更夯實了琺瑯彩在中國所有瓷器中佼佼者的地位。
At the "Asian cultural and creative industries and art investment fair" held in Macao in 2011, a contemporary enamel screen "enamel color national treasure panda map" was valued at 60 million, which was far higher than the auction price of many contemporary porcelain masters' works, and was close to the price of the three generations of Qing Dynasty porcelain which was popular in recent years. Undoubtedly, it has strengthened the position of enamel as the leader of all China's porcelain.
這件震驚瓷壇的作品，不禁讓人們的視線再一次關注到宮廷琺瑯彩，琺瑯彩瓷又名瓷胎畫琺瑯，始于康熙，盛于雍正、乾隆年間，至今已300余年，是唯一在紫禁城燒制，唯一由皇家壟斷的宮廷絕技，為清朝三代皇帝獨享的奢侈品，民間從未見過。在歷代瓷器中，琺瑯彩瓷工藝最為復雜、技術難度最高、釉料最為珍貴，清朝末年，連皇家都無法承擔它的巨額制作費用而停止燒造導致失傳。直到“琺瑯彩復原國寶第一人”王輝大師，經過12年的艱辛探索，成功復原國家博物館和天津博物館兩大琺瑯彩國寶“琺瑯雙絕”，作品更是被替代國寶文物在博物館永久展出，成為全面掌握宮廷琺瑯彩復原技藝世界第一人！
This work, which shocked the porcelain circle, can not help but draw people's attention to court enamel. Enamel porcelain, also known as porcelain body painting enamel, started in Kangxi and flourished in Yongzheng and Qianlong years. It has been more than 300 years. It is the only unique imperial skill that was fired in the forbidden City and monopolized by the royal family. It is a luxury enjoyed by the three emperors of the Qing Dynasty, which has never been seen by the people. In the past dynasties, the enamel color porcelain craft is the most complex, the most difficult technology, and the most precious glaze. In the late Qing Dynasty, even the royal family could not afford its huge production costs and stopped firing, leading to its loss. After 12 years of hard exploration, Master Wang Hui, the "first person to restore the national treasure of enamel", successfully restored the National Museum and Tianjin museum two national treasures of enamel, "enamel double wonders". His works were replaced by national treasures and exhibited permanently in the museum, becoming the first person in the world to fully master the restoration technology of palace enamel color!
王輝
唯一官方認可的琺瑯彩復原國寶第一人
唯一全面掌握宮廷琺瑯彩技藝的世界級大師
國際權威認證，中國奢侈品聯合會常務副會長
學術界權威認證，天津博物館、洛陽博物館名譽研究員
天津市工藝美術大師，天津工藝美術協會常務理事
2011年工藝美術“大師精品博覽會”金獎
2017年工藝美術“百花杯” 金獎
Wang Hui
The only officially recognized enamel restoration of national treasure
The only world-class master of court ENAMEL ART
International authority certification, executive vice president of China Luxury Goods Federation
He is an honorary researcher of Tianjin Museum and Luoyang Museum
Tianjin Arts and Crafts Master, executive director of Tianjin Arts and Crafts Association
Gold Award of 2011 arts and crafts "master's boutique exposition"
Gold Award of "Baihua Cup" of Arts and crafts in 2017
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