清雍正 寶石藍粉彩描金夏趣圖盤
Qing Yongzheng Gem Blue Pink Drawing Gold Summer Drawing
此藏品來自于一位藏友收藏，此圖盤四件一套，春夏秋冬四季圖盤，目前征得藏友同意之后，夏趣及冬韻盤，宣傳展示。盤口徑12.2cm，保存相當完好，雍正藍料楷書四字款，胎薄晶瑩剔透，施釉飽滿。寶石藍釉，釉上加彩，盤口及所有紋飾描金，單色釉的基礎上施粉彩。荷花紋飾圖案栩栩如生，一筆一透，肉眼能見，工藝極其復雜，成品精美程度達到了極高的水準。器型及工藝都符合雍正時期的特征，經鑒定為雍正當代官窯瓷具。
This collection comes from a collection of Tibetan friends, this plate four pieces a set, spring, summer, autumn and winter four seasons atlas, now with the consent of Tibetan friends, summer interest and winter rhyme plate, publicity display. Disk caliber 12.2 cm, quite intact, Yongzheng blue regular script four-character, thin crystal clear, full glaze. Gem blue glaze, glaze color, plate mouth and all ornaments painted gold, monochrome glaze on the basis of powder. Lotus patterns lifelike, a stroke, visible to the naked eye, extremely complex technology, exquisite finished products reached a very high level. The shape and technology are in line with the characteristics of Yongzheng period, identified as Yongzheng contemporary official kiln porcelain.
粉彩始創于康熙，極盛于雍正。康熙晚期在琺瑯彩瓷制作的基礎上，景德鎮窯開始燒制粉彩瓷，但制作較粗，僅在紅花的花朵中運用粉彩點染，其他紋飾仍沿用五彩的制作。主要發現有兩個品種：一是白地粉彩器；一是綠、黃、紫三彩瓷上加有胭脂紅（金紅）彩。到了雍正朝，無論在造型、施釉和彩繪方面，粉彩瓷均得到了空前的發展。
Pink color was founded in Kangxi, extremely prosperous in Yongzheng. In the late Kangxi period, on the basis of enamel porcelain, Jingdezhen kiln began to burn pink porcelain, but the production was thicker, only in the flowers of safflower use pink spot dyeing, other ornaments still use multicolored production. There are two main varieties found: one is white powder, the other is green, yellow, purple three-color porcelain with carmine (gold) color. To Yongzheng dynasty, no matter in modeling, glaze and painting, pink porcelain has been unprecedented development.
寶石藍創燒于元代景德鎮窯，明代宣德年間與祭紅、甜白并列為當時顏色釉的上品。屬于高溫失透釉，以氧化鈷為呈色劑，在生坯上掛釉，成色穩定。康熙時寶石藍釉釉面有桔皮棕眼和氣泡，分布比較均勻。也有的釉面出現垂流狀。康熙和雍正年間的藍釉都是仿明代宣德的品種，以盤、碗為仿制品。乾隆前期與康、雍差不多。而后期卻更精致了。
Gem blue was created in the kiln of Jingdezhen in Yuan Dynasty. During the period of Xuande in Ming Dynasty, red and sweet white were listed as the top products of color glaze at that time. It belongs to high temperature impermeable glaze, with cobalt oxide as color agent, hanging glaze on raw billet, stable color. During Kangxi, the blue glaze of gemstones had orange peel brown eyes and bubbles, and the distribution was more uniform. There are also glaze vertical flow. Kangxi and Yongzheng years of blue glaze are imitation of the Ming Dynasty Xuande varieties, dishes, bowls as imitation. Qianlong period and Kang, Yong similar. And later is more refined.
釉上粉彩，陶瓷加彩裝飾的一種。又稱“爐彩”。所謂釉上彩，就是先燒成白釉瓷，或者燒成單色釉瓷，也可以燒出多色彩瓷，在這樣的陶瓷上進行彩繪后，再入窯經600攝氏度至900攝氏度溫度烘烤而成。釉上彩繪瓷歷史久遠。北齊武平六年（公元575年）范粹墓就曾出土相當精美的白彩綠彩器，在許多晉青器上也能看到赫彩點飾。其后宋代磁州窯又將這一工藝技術發揚光大，創作出許多不朽的曠世杰作。金至元代磁州窯紅綠彩開創了明代五彩瓷的先河，到了明中、晚期的成化、嘉靖、萬歷時期，五彩瓷的制作達到了極高水準。但是真正精細且又具有美感的彩器仍要數清代康、雍、乾三朝的五彩及粉彩器了。
Glazed pink, ceramic color decoration of a kind. Also known as "furnace color ". The so-called glaze color, is first burned into white glaze porcelain, or burned into monochromatic glaze porcelain, can also burn out multicolor porcelain, in such ceramics for painting, and then into the kiln after 600 degrees Celsius to 900 degrees Celsius temperature baking. The painted porcelain on glaze has a long history. In the six years of Wuping in the Northern Qi Dynasty (AD 575), Fan Quintui's tomb was unearthed with quite exquisite white color and green color, and be seen on many Jin Qing artifacts. After the Song Dynasty, the Cizhou kiln carried forward this technology and created many immortal masterpieces. From Jin to Yuan Dynasty, the red and green color of Cizhou kiln opened the Ming Dynasty The first multicolored porcelain, to the middle and late Ming Dynasty, Jiajing, Wanli period, the production of multicolored porcelain reached a very high level. But the real fine and aesthetic color still has to count the Qing Dynasty Kang, Yong, Qian three dynasties multicolored and pink color.
這件藏品集粉彩，寶石藍釉 ，粉彩描金三種工藝于一身，目前在所記載的資料中，還沒有發現類似藏品，其珍惜度可見非一般藏品所能比擬，這也是第一次公開面世參與的拍賣活動銷售，收藏價值及增值空間可見一般。
The collection consists of three processes: pink, gem blue glaze and pink gold. At present, no similar collection has been found in the recorded materials. This is also the first public participation in the auction sales, collection value and value-added space can be seen in general.
