四川中寶元拍賣有限公司【藏.薦】欄為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.
【名稱】:王鐸書法《佛》
【類型】: 字畫
【規格】:/
【Name】:Buddha in Wang Duo's Calligraphy
【Tybe】:Calligraphy and painting
【Specifications】:/
王鐸(1592--1652)字覺斯,一字覺之。號十樵,孟津(今河南孟津)人。鐸博學好古,工詩文。尤其以書法獨具特色,行草宗二王,正書師鐘繇,亦多自出胸臆,世稱“神筆王鐸”。他的書法與董其昌齊名,明末有“南董北王”之稱, 他書法用筆,出規入矩,張弛有度,卻充滿流轉自如,力道千鈞的力量。王鐸擅長行草,筆法大氣,勁健灑脫,淋漓痛快,戴明皋在《王鐸草書詩卷跋》中說:“元章(米芾)狂草尤講法,覺斯則全講勢,魏晉之風軌掃地矣,然風檣陣馬,殊快人意,魄力之大,非趙、董輩所能及也。”
Wang Duo (1592--1652) styled Jue si, styled Jue Zhi. No. Shiqiao was born in Mengjin (now Mengjin, Henan). Duo learned good ancient, gongshiwen. Especially its unique calligraphy, the two Kings of Wandering grass and the master of zhengshu, Zhong You, are known as the King of magic brush. His calligraphy is as famous as Dong Qichang and is called "The King of the South dong and the North" at the end of Ming Dynasty. His calligraphy is written with regularity, relaxation and relaxation, but full of the power of free circulation and thousands of jun. Wang Duo was good at driving, writing with great style, vigorous and free, and full of fun. In Dai Ming Gao's Book Postscript of Wang Duo's Cursive poetry, he said: 'Mi Fu (Mi Fu) was very careless and eloquent, while Mi Fu was full of words. The wind blew the horses in Wei and Jin Dynasties, but the wind was so impressive that it was more powerful than Zhao or Dong could ever have been.'
明代中葉,以蘇州為中心的祝允明、文徵明、王寵等吳門名家各有所擅,多以行草書稱勝,能并蓄前賢之長,或娟美清雅,或樸拙疏簡,不一而足。及至晚明書壇,董其昌遠追晉唐名家,行筆運墨能得古法之美,而形成疏秀平淡、風華自足的藝術特征。然而,部分書家并不滿足于其時妍美流變的書風,而是思考如何求新、求變,欲以雄強奇崛的氣勢與縱橫開闔的筆墨另辟蹊徑,獨樹一幟。于是,以怪為美、追求視覺效果的風潮蔓延開來,張瑞圖、黃道周、王鐸、倪元璐等為其代表。
In the middle of The Ming Dynasty, zhuyunming, Wenzhengming, Wang Chong and other famous Wumen with Suzhou as the center were different from each other. Most of them were famous for their cursive writing, and they were able to draw on the strengths of their predecessors, ranging from beautiful and elegant to simple and simple. In the late Ming Dynasty, Dong Qichang pursued the famous writers in Jin and Tang Dynasties. He could get the beauty of the ancient method by writing and ink, and thus formed the artistic characteristics of being plain, graceful and self-sufficient. However, some calligraphers are not satisfied with the changing style of the time, but think about how to seek for novelty and change, and want to create a new way with the powerful and extraordinary style and the open and open ink. Then, it is beautiful with strange, the agitation that pursues visual effect spreads, Zhang Ruitu, Huang Daozhou, Wang Duo, Ni Yuan Lu waits for its delegate.
王鐸書法的個性化極強,筆墨濃重,線條恣肆,結體險峻,在明末清初的書壇可謂標新立異。彭而述《擬山園選集·序》載:“四十年來,薦紳士大夫罘罳綺疏,無先生一字,則以為其人鄙不足道。”由此可見,是否庋藏王鐸的書跡已然成為彼時衡量為人清雅與否的一個標準。或許,此言有夸張的成分,但王鐸書法深得時人贊譽與喜愛應該是毫無疑問的。王鐸生活的年代去今不過四百余年,存世的書法作品頗多,就內容而言可以大致分作臨古與詩文應酬兩類。從臨古的作品中,能夠見到他求法先賢的刻苦精神和汲取古人筆法、體勢優長的態度。從詩文應酬的作品中,能夠見到他勇于突破藩籬、自領風標的藝術面目。
Wang Duo's calligraphy is highly individualistic, with strong ink and brush strokes, bold lines, and precipitously finished. According to The basi collection by Pengqi-Shu, "In the past 40 years, the gentlemen have been good, and the compartments have no compartments. Therefore, it is regarded as nothing." It can be seen that whether the books of Wang Duo are collected has become a standard to judge whether a person is elegant or not. Perhaps, there is an exaggeration in this, but wang Duo's calligraphy is well received by the people praise and love should be no doubt. Wang Duo lived only over 400 years ago, and there are a lot of calligraphy works in existence, which can be roughly divided into two categories, ancient and poetic entertainment. From the works of Lingu, we can see his assiduous spirit of seeking for the law of the ancients and his attitude of drawing from the calligraphy of the ancients. From the works of poetry and literary entertainment, we can see that he was brave to break through barriers, from the style of the artistic face.
對于王鐸臨古,龔鼎孳曾評云:“文安公書法妙天下,真得晉人三昧。”這道出了王鐸書法的一個源頭——求源晉人。王鐸臨古的主要對象是東晉王羲之、王獻之父子,旁及王筠、郗愔等書家。在晉人之外,王鐸取法古人的范圍有限,其小楷源自曹魏的鐘繇,大楷宗學唐代顏真卿、柳公權,行書最重宋代米芾。王連起先生在論述王鐸學古以羲獻為宗之際指出,在體味晉人法度嚴謹之外,王鐸對其時書體自古草向今草、隸書向楷書的轉化,筆法與行氣章法的空前豐富與創新意識更為重視,其“認準羲獻,就是認準了書法藝術發展的正確方向。……晉唐以后,王鐸只學米芾一人,也是因為米書有縱肆奇險、筆勢凌厲、鋒開八面而沉著痛快的雄強之風”。不難感受到,王鐸臨古是要借古開今,以塑造自己的藝術風格、成就個人的書法藝術。
For Wang Duo lingu, Gong Dingzi once commented: "Wen Angong calligraphy wonderful world, really jin Sanbeni." This tells a source of Wang Duo's calligraphy - seeking source jin people. The principal objects of Wang Duo's ancient art were Wang Xizhi, Wang Xianzhi and his son, as well as Wang Jun and Supercosmic scholars. Outside the Jin dynasty, Wang Duo's scope of drawing art from the ancients was limited. Its minor Masterpiece came from Zhong You of Cao Wei, Dacao School Yan Zhenqing and Liu Gongquan of the Tang Dynasty, and Mi Fu of the Song Dynasty was the most important. Mr Wang Lianqi on offer for the cases of the edition study ancient in xihe, points out that in appreciate JinRen testimonies is rigorous, edition of ancient style when grass to jincao, official script, regular script to convert, brushwork and gas composition to be more of unprecedented rich and innovation consciousness, the "look for the xihe offered, is to look for the correct direction of the calligraphy art development. ... After the Jin and Tang Dynasties, Wang Duo only learned Mi Fu alone, also because mi Shu has vertical adventure, writing style sharp, the front open eight sides and calm and happy strong wind. It is not difficult to feel that Wang Duo lingu is to borrow the ancient to open up the present, to shape their own artistic style, the achievement of personal calligraphy art.
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