梅，花中四君子之一，傲而不俗。其色分紅白及綠，另有蠟梅，色黃如蠟，香氣濃郁，雖自成科屬，其風韻卻與梅有異曲同工之妙。梅壽可逾千載，枝干虬曲，身姿蒼古，其芳愈寒愈媚，臨風寒勁挺傲然鐵骨，遇冰雪更添飄然風儀，為歷代文人雅客所喜愛。明代李漁曾論賞梅之無奈：“風送香來，香來而寒亦至；雪助花妍，雪凍而花亦凍”。吾以為：梅不畏寒乃出自天然，而寒香俱來更是造化奇絕，踏雪尋梅，呵氣凝香，滿目嬌色，風雅至致哉！
圖中畫盛開的梅，構圖疏密有致，枝條穿插，富有韻味，具揚補之遺法，為補之傳派中上乘之作。圖繪老梅新枝，蓓蕾競綻，喧鬧熱烈的氣氛宣告春天來臨的消息，動人心魄。畫家以勁健和時帶飛白的筆觸皴寫粗干，梅花畫法奇特，既非用筆點染，亦非用線鉤勒，而用絹卷或線團蘸墨點成。作者以特寫鏡頭截取畫面，擅用疏與密、繁與簡、直與曲等對比手法布局，筆勢遒勁奔放，墨色濃淡參差，境界幽雅淡逸，是古代墨梅畫的杰作。
此圖梅枝橫斜而出，枝條簡疏。枝節交叉處梅花競相吐蕊開放，表現了王冕野梅的清絕韻致。筆墨精練蘊藉，主干以淡墨揮灑，濃墨點苔，蒼古老拙。分枝以中鋒勾撇，挺拔堅韌
此幅構圖別致，布局豪縱奇崛，氣象崢嶸而清勁可愛。枝干縱橫，以墨筆皴寫，濕筆中又呈飛白，枯健如蟠龍虬曲，再橫點重墨，更顯蒼老道勁。枝梢俏利，而嫩枝又筆直上伸，上下呼應。繁花散于嫩枝之間，只用簡潔的雙鉤，千斛萬蕊，冷艷寒香便撲面而來。妙在一縷煙霧橫遮梅梢，更添雋撥清逸之致。
Mei, one of the four gentlemen in the flower, is proud and not vulgar. Its color is divided into red, white and green. There is also winter plum, which is yellow as wax and has a strong aroma. Although it is a family genus, its charm is similar to that of plum. Meishou can be more than a thousand years old, its branches and squiggles, its appearance is ancient, its fragrance is getting colder and more charming, and it is proud of the wind and cold, and it is even more elegant when encountering ice and snow. In the Ming Dynasty, Li Yu once commented on the helplessness of plum appreciation: "The wind sends the fragrance, and the fragrance comes and the cold comes; the snow helps the flowers, and the snow freezes and the flowers are also frozen." I think: plums are not afraid of the cold from nature, and the fragrance of coldness is unique for good luck, walking in the snow to find plums, scenting the fragrance, full of tenderness, elegant and elegant!
The picture shows the plum blossom in full bloom, the composition is dense and dense, the branches are interspersed, and it is full of charm. The picture depicts old plums with new branches, buds blooming, and a noisy and lively atmosphere announcing the news of spring, which is heart-warming. The painter uses vigorous and whitish brushstrokes to write thick and dry. The plum blossom painting is peculiar. It is neither dyed with pen nor hooked with thread, but dotted with silk roll or thread ball. The author uses close-up shots to capture the pictures, and uses contrasting techniques such as sparseness and density, complexity and simplicity, and straightforwardness and melody. The strokes are bold and unrestrained, the ink color is uneven, and the realm is elegant and light. It is a masterpiece of ancient ink plum painting.
In this picture, the branches of plum blossoms are slanted horizontally, and the branches are simple and sparse. At the intersection of the branches, the plum blossoms compete with each other to bloom, showing the clear charm of Wang Mianye plum. The brush and ink are concise and condensed, the main body is slicked with light ink, and the thick ink is moss, ancient and clumsy. Branches are hooked at the center, upright and tough
The composition is unique, the layout is arrogant and vertical, the atmosphere is vigorous and fresh and lovely. The branches are vertical and horizontal, and the ink brush is used for writing, and the wet brush is white again, and it is as dry as a beard dragon. The shoots are pretty sharp, and the twigs stretch up straight, echoing up and down. The flowers are scattered among the twigs, using only simple double hooks, thousands of flowers and stamens, and the cold and cold fragrance will blow on your face. A wisp of smoke covers the plum shoots, adding a refreshing and refreshing touch.
