中國古代有幾千年的“飲茶”“飲酒”文明，其中使用最頻繁的莫過于“杯具“。“杯”字起源于“抔”，雙手合捧之意。最早的杯是橢圓形的，兩側有耳，又名耳杯，要雙手持耳捧起來，喝酒。耳杯又名羽觴，當年蘭亭修禊時，王羲之寫“曲水流觴”，用的就是耳杯。耳杯裝上酒，還能漂在水上，陶瓷不行，青銅不行，要用木胎漆器，所以“杯”字從“木”。
There are thousands of years of "drinking tea" and "drinking wine" civilization in ancient China, among which the most frequently used is "Cup". The word "Cup" originated from "Bi", which means holding hands together. The earliest cup is oval, with ears on both sides, also known as ear cup. You should hold your ears in both hands and drink. Ear cup, also known as Yu cup, was used by Wang Xizhi to write "flowing wine cup with curved water" when Orchid Pavilion was repairing. When wine is put into the ear cup, it can still float on the water. Ceramics and bronze can't do it. Wood based lacquerware should be used, so the word "Cup" comes from "wood".
漢唐時，漆器被瓷器取代，瓷杯不再做成耳杯的橢圓形，而是圓的。這是因為瓷器是在輪車上拉制成形，做成圓的方便。茶始于漢，盛于唐，天下飲茶多用瓷杯，從此茶與瓷結下了不解之緣。
In the Han and Tang Dynasties, lacquer ware was replaced by porcelain. The porcelain cup was no longer made into an oval ear cup, but a round one. This is because the porcelain is drawn on the wheel car to form a circle. Tea began in the Han Dynasty and flourished in the Tang Dynasty. Porcelain cups were often used to drink tea in the world. From then on, tea and porcelain became inseparable.
粉彩瓷是琺瑯彩之外，清宮廷又一創燒的彩瓷。在燒好的胎釉上施含砷物的粉底，涂上顏料后用筆洗開，由于砷的乳蝕作用顏色產生粉化效。早在清康熙年間，粉彩作為瓷器釉上彩繪藝術已開始了萌芽;到雍正時期，已趨成熟，并形成粉彩裝飾的獨特風格;乾隆時期粉彩已非常興盛。粉彩的藝術效果，以秀麗雅致，粉潤柔和見長，這與潔白精美的瓷質分不開，它們相互襯托，相映成趣，有機地結合起來。
Besides enamel, famille rose porcelain is another kind of porcelain created by the Qing court. On the burnt glaze, apply the arsenic containing foundation, paint it and wash it with a pen. The color of the glaze will be powdered because of the emulsion effect of arsenic. As early as the Kangxi period of Qing Dynasty, famille rose as the art of porcelain glaze painting began to sprout; in the Yongzheng period, it became mature and formed a unique style of famille rose decoration; in Qianlong period, famille rose rapidly. The artistic effect of famille rose is characterized by its beauty, elegance, softness and softness, which is inseparable from the white and exquisite porcelain. They set off each other and become interesting and organically combined.
粉彩瓷裝飾畫法上的洗染，吸取了各姐妹藝術中的營養，采取了點染與套色的手法，使所要描繪的對象，無論人物，山水，花卉，鳥蟲都顯得質感強，明暗清晰，層次分明。采用的畫法既有嚴整工細刻畫微妙的工筆畫，又有滲入淋漓揮灑，簡潔洗練的寫意畫，還有夸張變形的裝飾畫風。甚至把版畫，水彩畫，油畫以及水彩畫等姐妹藝術都加以融匯運用，精微處，絲毫不爽;豪放處，生動活潑。粉彩的繪制，一般要經過打圖，升圖，做圖，拍圖，畫線，填色，洗染等工序。其中從打圖到拍圖，是一個用墨線起稿，進行創作構思，如繪瓷決定裝飾內容與形象構圖的階段。正式繪制時的定稿叫'升圖'，把描過濃墨的圖樣從瓷器上拍印下來叫'做圖'。接著把印有墨線的圖紙轉拍到要正式繪制的瓷胎上去即'拍圖'，這樣就可進行繪瓷。
The washing and dyeing of the decorative painting of Famille Rose Porcelain absorbed the nutrition of the sisters' art, and adopted the techniques of spot dyeing and color matching, so that the objects to be depicted, no matter the figures, mountains and rivers, flowers, birds and insects, all have strong texture, clear light and dark, and clear levels. The painting methods adopted include not only the meticulous and meticulous depiction of delicate brushwork, but also the penetrating, concise and concise freehand brushwork, as well as the exaggerated and deformed decorative painting style. Even print, watercolor, oil painting, watercolor and other sister art are used to blend, subtle, not happy; bold and unconstrained, lively. The painting of famille rose usually goes through the process of drawing, ascending, drawing, photographing, line drawing, coloring, washing and dyeing. From drawing to taking pictures, it is a stage of drawing with ink lines and making creative ideas, such as painting porcelain to decide the decoration content and image composition. The final draft of a formal drawing is called 'shengtu', and it is called 'drawing' to photograph and print the pattern with thick ink from porcelain. Then transfer the drawing printed with ink lines to the porcelain body to be formally drawn, i.e. "pat drawing", so that porcelain can be painted.
此件來自清同治時期的花卉粉彩小杯，杯高6cm，口徑8.5cm杯底有同治年制四字落款表明了它高貴的出身和制作的年代，為同治年間皇室御用之器，粉彩瓷器是官窯中的貴族，自創燒以來一直深受皇家喜愛。整個器型端正，圖案設計喜慶吉祥，畫工精致，薄款，異常精美，胎質細膩，釉色溫潤，品相完美，異常珍惜。珍惜程度不言而喻。極具投資收藏價值！
This is a small flower cup from Tongzhi period of Qing Dynasty. The cup is 6cm high and 8.5cm in diameter. There are four characters on the bottom of the cup, indicating its noble origin and production time. It is used by the royal family in Tongzhi period. Famille rose porcelain is the aristocrat in the official kiln and has been loved by the royal family since it was founded. The whole shape is upright, the pattern design is auspicious, the painting is exquisite, the thin style is extremely exquisite, the embryo quality is exquisite, the glaze color is warm, the product appearance is perfect, extremely cherished. The degree of cherishing is self-evident. Great investment and collection value!
企業聯系電話:400-681-6118
