譚樂丹，延安人，1965年出生，代表作為《五福臨門》。所畫之虎，用墨濃重，栩栩如生，作品先后入選第三、五屆全國美術作品展覽、第三屆陜西青年美術作品展、中日美術作品展等。現(xiàn)為中國美術家協(xié)會會員、西安市美術家協(xié)會副主席、中日國際文化交流中心陜西分會理事、商洛美協(xié)常務理事。現(xiàn)為中國畫虎界的領軍人物之一。
譚樂丹畫虎,筆蘸的是墨,心涌的是情.筆毫落紙,栩栩如生.說粗獷,大筆刷刷,則造型簡括,達意暢神.績墨處,干濕濃淡,意態(tài)動人;說細膩,小毫鉤折,其技法工整,筆致圓渾.白描時,色彩線條,烘神托韻.寫意后,文彩自然,畫盡意存.筆下的畫,畫中的虎,睛傳神,神帶風,風顯威,威猛獸王。
2001年出版《譚樂丹畫集》,其畫虎馬在充分吸取古代名家成就的基礎上,通過多年努力,反復研究前人法理和自然神韻,獨開蹊徑,自成一家,在虎馬畫的成就受到國內(nèi)外名家的高度贊譽.譚樂丹畫虎,筆蘸的是墨,心涌的是情.筆毫落紙,栩栩如生.說粗獷,大筆刷刷,則造型簡括,達意暢神.績墨處,干濕濃淡,意態(tài)動人;說細膩,小毫鉤折,其技法工整,筆致圓渾.白描時,色彩線條,烘神托韻.寫意后,文彩自然,畫盡意存.筆下的畫,畫中的虎,睛傳神,神帶風,風顯威,威猛獸王,在這勾勒點染中,抖擻著威風.一種精神一個生命便躍然紙上.譚樂丹不是能工巧匠,筆下的虎,所以傳達神情,實在是幾十年取眾家之長,苦心修煉的深厚功力,非如此,達不到這般境地.
譚樂丹作為國內(nèi)新生代畫家的代表多次在國內(nèi)舉行個人畫展.作品入選全國美術展,香港藝術雙年展,曾獲中國新人書畫大賽一等獎,很多作品被北京博物館,中國書畫院,奇寶齋等書畫行收藏.
Tan Ledan, a native of Yan'an, was born in 1965, represented as "Tiger". The tiger painted is rich in ink and lifelike. His works have been selected for the 3rd and 5th National Art Exhibition, the 3rd Shaanxi Youth Art Exhibition, and the Sino-Japanese Art Exhibition. He is currently a member of the Chinese Artists Association, the vice chairman of the Xi'an Artists Association, the director of the Shaanxi Branch of the China-Japan International Cultural Exchange Center, and the executive director of the Shangluo Artists Association.
Tan Ledan paints tigers, the pen is dipped in ink, and his heart is filled with emotion. The brush and the paper are lifelike. Speaking rough, large brushes, the shape is simple and expressive. The ink is dry and wet, and the mood is moving. ;Speaking of delicate, small hooks, the technique is neat, the brush is round and round. When drawing, the color lines are used to enhance the charm. After freehand, the text is natural and the painting is full of intention. The painting under the brush, the tiger in the painting, the eyes are vivid , God brings the wind, the wind shows its might, the mighty beast king.
Published in 2001, "The Collection of Paintings by Tan Ledan", on the basis of fully absorbing the achievements of ancient masters, his paintings of tigers and horses, through years of hard work, have repeatedly studied the legal principles and natural charm of the predecessors, opened a unique path, and became a family. Highly praised by famous artists. Tan Ledan paints a tiger, the pen is dipped in ink, and the heart is filled with emotion. The brush falls on the paper, and it is lifelike. Speaking rough, large brushes, the shape is simple and expressive. The ink is dry and wet. The intensity and the mood are moving; it is exquisite, with small hooks and twists, the technique is neat, and the brush strokes are round. When drawing in white, the color lines are used to enhance the charm. After freehand, the text is natural and the painting is full of meaning. The painting under the brush, in the painting The tiger, the eye is vivid, the god brings the wind, the wind is majestic, the mighty beast king, in this outline and dyeing, trembling with majesty. A spirit and a life are on the paper. Tan Ledan is not a craftsman, the tiger in the pen, so he conveys his expression, It is really the profound skill of taking the strengths of many families for decades and painstakingly cultivated, otherwise, it can't reach such a situation.
As a representative of the new generation of painters in China, Tan Ledan has held many solo exhibitions in China. His works have been selected into the National Art Exhibition, the Hong Kong Art Biennale, and won the first prize of the Chinese New Artist Painting and Calligraphy Competition. Many works have been awarded by the Beijing Museum, Chinese Academy of Painting and Calligraphy, Qibao Collection of painting and calligraphy shops.
