《清明上河圖》是一副影響畫壇近千年的古畫自張擇端作品問世以來，歷代都有臨摹本，且大小繁簡不同。據(jù)統(tǒng)計，目前國內(nèi)外公私所藏的《清明上河圖》摹本有30幅。單趙孟頫就有臨摹數(shù)幅精品流傳于世。
清明上河圖寬26.5厘米，長388厘米，畫心距離，絹本設(shè)色。描繪當時清明時節(jié)的繁榮景象，是汴京當年繁榮的見證，也是北宋城市經(jīng)濟情況的寫照。這在中國乃至世界繪畫史上都是獨一無二的。在五米多長的畫卷里，共繪了814個各色人物，牛、騾、驢等牲畜73匹，車、轎二十多輛，大小船只二十九艘。房屋、橋梁、城樓等各有特色，體現(xiàn)了宋代建筑的特征。具有很高的歷史價值和藝術(shù)價值。作品以長卷形式，采用散點透視構(gòu)圖法，生動記錄了中國十二世紀北宋汴京的城市面貌和當時社會各階層人民的生活狀況。是汴京當年繁榮的見證，也是北宋城市經(jīng)濟情況的寫照。《清明上河圖》描繪了北宋東京清明時節(jié)汴河及其兩岸的都市風(fēng)光,再現(xiàn)了古代開封人以"上河"為中心郊游踏青祭掃的全部活動,表現(xiàn)了"出郊"、"上河"、"趕集"、"掃墓"等內(nèi)容,生動地反映了千年前北宋京都地區(qū)的繁榮景象,顯示了當時人們在清明時節(jié)進行踏青休閑體育活動的盛況。
"The Riverside Picture on Qingming Festival" is an ancient painting that has influenced the painting world for nearly a thousand years. Since Zhang Zeduan's works came out, there have been copies of it in all dynasties, and they are different in size and complexity. According to statistics, there are currently 30 copies of "A Picture of Shanghe on the Qingming Festival" in public and private collections at home and abroad. Zhao Mengfu alone has copied several fine works that have been handed down to the world. Let's take Zhao Mengfu's Shanghe River during the Qingming Festival as an example to briefly introduce the content of this creation painting.
The picture of Shanghe River in Qingming Dynasty is 26.5 cm wide and 388 cm long, with distance from the center of the drawing, and color on silk. Depicting the prosperity of the Qingming Festival at that time is a testimony to the prosperity of Bianjing, and also a portrayal of the urban economic situation in the Northern Song Dynasty. This is unique in the history of painting in China and the world. In the five-meter-long scroll, there are a total of 814 figures of various colors, 73 cattle, mules, donkeys and other livestock, more than 20 carts and sedan chairs, and 29 large and small ships. The houses, bridges, and towers each have their own characteristics, reflecting the characteristics of Song Dynasty architecture. Has high historical value and artistic value. In the form of a long scroll, the work uses a scatter perspective composition method to vividly record the urban appearance of Bianjing in the Northern Song Dynasty in China in the 12th century and the living conditions of people of all strata of society at that time. It is a testimony to the prosperity of Bianjing, and a portrayal of the urban economic situation in the Northern Song Dynasty. "Shanghe on the Qingming Festival" depicts the urban scenery of the Bianhe River and its banks during the Qingming Period in Tokyo in the Northern Song Dynasty. It reproduces all the activities of the ancient Kaifeng people taking the "Shanghe" as the center of the outing and sweeping activities, showing "outside the suburbs", "hanging the river", The contents of "Going to Market" and "Sweeping Tombs" vividly reflect the prosperity of the Kyoto area in the Northern Song Dynasty thousands of years ago, and show the grand occasion of people's outing and leisure sports activities during the Qingming Festival.
