銅鏡原本是古人用來(lái)照面、飾容和驅(qū)邪的生活用品。如今的古銅鏡以其獨(dú)特的藝術(shù)魅力，濃縮文化、鑒證歷史、創(chuàng)造財(cái)富、陶冶情操，成為人們投資收藏的古代藝術(shù)品。好的珍品佳藏更是大家競(jìng)相追捧的對(duì)象，其升值潛力也是不可限量的。精品銅鏡有下列品種: 第一，早期銅鏡。第二，制作精美的銅鏡。第三，特種工藝鏡。第四，罕見(jiàn)鏡和存世量稀少的銅鏡。第五，較大的和較小的銅鏡。較大的銅鏡一般指直徑大于20公分的銅鏡，較小的銅鏡一般指直徑小于10公分的銅鏡。直徑小于10公分的銅鏡，我又把它叫做袖珍銅鏡，其存世量是比較少的。尤其是那些帶高浮雕工藝的更是少見(jiàn)……
The bronze mirror was originally used by the ancients to shine, decorate and exorcise. Today's bronze mirrors, with their unique artistic charm, concentrate culture, verify history, create wealth and cultivate sentiment, have become ancient works of art invested and collected by people. A good collection of treasures is the object of everyone's pursuit, and its appreciation potential is unlimited. There are the following kinds of fine bronze mirrors: first, early bronze mirrors. Second, make exquisite bronze mirrors. Third, special process mirror. Fourth, rare mirrors and rare bronze mirrors. Fifth, larger and smaller bronze mirrors. The larger copper mirror generally refers to a copper mirror with a diameter greater than 20cm, and the smaller one refers to a copper mirror with a diameter less than 10cm. The copper mirror with a diameter less than 10 cm, which I call pocket copper mirror, has a relatively small amount of life. Especially those with high relief technology are rare
銅鏡是我國(guó)古代人日常生活中梳裝整容的實(shí)用品，已有四千多年的悠久歷史，各朝各代均有制作。到了水銀鏡問(wèn)世以后，逐漸停止了制作。人們喜愛(ài)銅鏡，不但因它光面能照影，而背面的構(gòu)思主題更具有藝術(shù)的感染力。古代銅鏡上有的紋飾的寓意與配置，至今仍有許多解不開(kāi)的謎，如戰(zhàn)國(guó)山字紋鏡，漢代的規(guī)矩紋鏡，唐代的海獸葡萄鏡以及袖珍銅鏡，海獸葡萄鏡還被中外的學(xué)者稱(chēng)之為“多謎之鏡”唐代銅鏡的形式，沖破了幾千年來(lái)傳統(tǒng)的圓形模式，出現(xiàn)了菱花形、葵花形、方亞字形及有柄形等新的鏡式；鏡鈕雖多以圓形為主，但亦有獸形鈕、龜形鈕、花形鈕等；紋飾的內(nèi)容豐富多彩，各種珍禽異獸、奇花異草、神仙故事都鑄于鏡背；紋飾的布局也不再限制與內(nèi)外兩區(qū)，出現(xiàn)了跨區(qū)、整體高浮雕等多種方法；鑄造技法上出現(xiàn)了鍍金、貼銀、金銀平脫、螺鈿和寶石鑲嵌燈特種新工藝。
Bronze mirror is a practical product of combing and cosmetic surgery in the daily life of ancient people in China. It has a long history of more than 4000 years and has been made in every dynasty and every generation. After the mercury mirror came out, it gradually stopped making. People like bronze mirror, not only because it can shine, but also because the design theme on the back has more artistic appeal. There are still many unsolvable mysteries about the implication and configuration of some patterns on the ancient bronze mirrors, such as the Warring States mountain pattern mirror, the Han Dynasty regular pattern mirror, the Tang dynasty sea animal grape mirror and the pocket bronze mirror. The sea animal grape mirror is also called "the mirror of many mysteries" by scholars at home and abroad. The Tang Dynasty bronze mirror broke through the traditional circular pattern for thousands of years, and appeared the water chestnut shape, sunflower shape and fangya shape New mirror styles such as glyph and handle shape; although the mirror buttons are mostly round, there are also animal shaped buttons, tortoise shaped buttons, flower shaped buttons, etc.; the content of decorative patterns is rich and colorful, and all kinds of rare animals, flowers and plants, fairy stories are cast on the back of the mirror; the layout of decorative patterns is no longer limited to internal and external areas, and there are many methods such as cross area, overall high relief, etc.; there are gold plating and silver sticking in the casting techniques , gold and silver flat off, mother of Pearl and gem inlaid lamp special new technology.
唐代是我國(guó)及漢代之后封建社會(huì)發(fā)展的又一個(gè)高峰，無(wú)論是從它的經(jīng)濟(jì)規(guī)模、軍事實(shí)力，還是從它的外交影響、文化傳播來(lái)說(shuō)，唐代在中國(guó)整個(gè)封建社會(huì)都是首屈一指的。規(guī)模宏大的長(zhǎng)安城，綿延萬(wàn)里的疆土，流傳下來(lái)的萬(wàn)余首詩(shī)歌，八荒來(lái)服、四海無(wú)波的外交，七世紀(jì)至九世紀(jì)之間的大唐帝國(guó)，像一塊磁鐵一樣，牢牢地吸引著文明世界的注意力。強(qiáng)大的國(guó)力造就了燦爛的文化，燦爛的文化促進(jìn)了手工業(yè)的進(jìn)步，而這種進(jìn)步，在一枚枚小小的銅鏡上得到了集中地體現(xiàn)。
Tang Dynasty is another peak of the development of feudal society in China and after Han Dynasty. In terms of its economic scale, military strength, diplomatic influence and cultural communication, Tang Dynasty is the first in the whole feudal society of China. The large-scale Chang'an City, the territory of thousands of miles, more than ten thousand poems handed down, the diplomacy of eight wastelands to serve, the boundless seas, and the Tang Empire between the seventh and ninth centuries, like a magnet, firmly attracted the attention of the civilized world. The powerful national strength has created splendid culture, which has promoted the progress of handicraft industry, and this progress has been concentrated on a small bronze mirror.
此件銅鏡就是古代用銅做的鏡子唐代晚期紋飾袖珍銅鏡，此篇介紹的銅鏡主要著重紋飾、內(nèi)容、風(fēng)格等方面,時(shí)代分區(qū)是按照紋飾、風(fēng)格大致劃分的。如果作為銅鏡的真?zhèn)舞b別,還應(yīng)從銅鏡的金屬成分比例、沁色、形制、工藝等方面加以研究考證。熠熠古幽的銅鏡不僅留給我們“自知之明”的理性思考,“破鏡重圓”的哀怨纏綿,更留下“以正衣冠”的是非鑒別和“照人心境”的感人詩(shī)篇。銹跡斑斑的銅鏡如今早已退出了歷史舞臺(tái),成為珍貴的歷史文物,它獨(dú)特的藝術(shù)魅力,演繹著中國(guó)人對(duì)美的追求。在古代，銅鏡與人們的日常生活有著密切關(guān)系，是人們不可缺少的生活用具。銅鏡又是精美的工藝品。它制作精良，形態(tài)美觀(guān)，圖紋華麗，銘文豐富，是我國(guó)古代文化遺產(chǎn)中的瑰寶。
This bronze mirror is a mirror made of copper in ancient times. In the late Tang Dynasty, the bronze mirror is decorated with patterns. The bronze mirror introduced in this article mainly focuses on the decoration, content and style. The division of times is roughly divided according to the patterns and styles. If it is used to identify the authenticity of the bronze mirror, it should also be studied from the metal composition ratio, color, shape, technology and other aspects. The glittering bronze mirror not only leaves us with the rational thinking of "self-knowledge", but also the touching poems of "correct clothes" to distinguish right from wrong and "reflect people's mood". The rusty bronze mirror has now retired from the historical stage and become a precious historical relic. Its unique artistic charm reflects the Chinese people's pursuit of beauty. In ancient times, bronze mirror is closely related to people's daily life, and it is an indispensable tool for people's daily life. Bronze mirror is also a fine handicraft. It is well-made, beautiful shape, gorgeous patterns, rich inscriptions, is the treasure of ancient Chinese cultural heritage.
此件藏品現(xiàn)在展賣(mài)于藝品在線(xiàn)商城平臺(tái)中，據(jù)持寶人介紹說(shuō)，這件銅鏡是祖上傳下來(lái)的。曾讓專(zhuān)家老師鑒定過(guò)，絕世精品。在本公司得知其有這件罕見(jiàn)珍品，特邀其持這件銅鏡參加，現(xiàn)持寶人因資金周轉(zhuǎn)困難原因。忍痛割?lèi)?ài)愿將此件銅鏡委托本公司代其通過(guò)網(wǎng)絡(luò)媒體進(jìn)行尋找買(mǎi)家。如對(duì)此藏品有興趣收藏者，可撥打企業(yè)聯(lián)系電話(huà)：400 686 3616進(jìn)行洽談。
The collection is now on sale in the art online mall platform. According to the owner, the bronze mirror was handed down by the ancestors. It has been appraised by experts and teachers, and it is a masterpiece. We learned that he had this rare treasure and invited him to take part in it. Now the holder of the treasure has difficulty in capital turnover. We are willing to entrust this bronze mirror to our company to find a buyer through network media. If you are interested in this collection, you can call the enterprise contact number: 400 686 3616 for discussion.
