明朝宣德時期，由景德鎮(zhèn)燒制的青花瓷器在中國的瓷器發(fā)展中具有重要的地位。明朝宣德官窯青花它以其古樸，典雅的造型，晶瑩艷麗的釉色，多姿多彩的紋飾而聞名于世，燒造數(shù)量上也是空前的，與明代其他各朝的青花瓷器相比，其燒制技術(shù)達到了最高峰，成為我國瓷器名品之一，其成就被稱頌為“開一代未有之奇”?！毒暗骆?zhèn)陶錄》評價宣德瓷器：“諸料悉精，青花最貴。”

宣德八年（1433年），朝廷一次就下達了要景德鎮(zhèn)燒造龍鳳瓷器四十四萬三千五百件的任務(wù)。其中青花占大多數(shù)，由此可見其燒造規(guī)模、數(shù)量之大。產(chǎn)品不僅供宮廷日常生活之需，而且也作為商品大量行銷海外，以及對國外入貢者的答贈，成為東西文化交流的見證。

宣德官窯青花，在中國陶瓷發(fā)展史中占有十分重要的地位，它從一個側(cè)面反映了當時的社會、經(jīng)濟、文化、藝術(shù)以致思想觀念。作為宮廷用瓷和精美的藝術(shù)品，具有獨特的藝術(shù)魅力，這與當時制度的完備與技術(shù)的成熟有很大關(guān)系，作品一直被后人推崇，為青花工藝的典范。

宣德青花與永樂青花一樣是繼元代之后青花瓷發(fā)展的一個髙峰期，歷史上將永宣時期的青花瓷并稱為黃金時代，由于永宣青花從紋飾、造型等諸多方面存在許多相似之處，且難以區(qū)別而又有"永宣不分"的傳說，事實上兩者之處在時代特征上稍作細致觀察，還是能夠分清的。宣德青花瓷的清新雅麗、質(zhì)樸率真的藝術(shù)風(fēng)格，最能體現(xiàn)中華民族含蓄而豪邁的民族氣質(zhì)，對它冠以國瓷是當之無愧的。

據(jù)了解，“清三代”的青花瓷年升值空間在10%至20%，而元青花的升值空間更大。但是，這里面還有更深的學(xué)問，屬于官窯的青花瓷可以說是價值連城，因為這些屬于皇家定制，其價格是民窯青花瓷的幾十倍。目前市面上交易量較多的還是明清兩代的青花瓷，私下交易的價格高，倘若拿到拍場上，其交易價格至少是私下交易的幾十倍。

During the Xuande period of the Ming Dynasty, blue and white porcelain fired in Jingdezhen played an important role in the development of Chinese porcelain. Ming Dynasty Xuande official kiln blue and white is famous for its simple, elegant shape, brilliant glaze color, and colorful decorations. The number of fired is unprecedented. Compared with other blue and white porcelain of Ming Dynasty, it is The firing technology has reached its peak and has become one of China's famous porcelain products, and its achievements have been praised as "the unparalleled wonder of a generation." "Jingdezhen Taolu" commented on Xuande porcelain: "Every material is fine, blue and white is the most expensive."

In the eighth year of Xuande (1433), the imperial court gave Jingdezhen the task of firing 443,500 pieces of dragon and phoenix porcelain. Among them, blue and white accounted for the majority, which shows the large scale and quantity of burning. The products are not only for the daily needs of the palace, but also sold overseas as a large number of commodities, and as gifts to foreign tributes, they have become a testimony of cultural exchanges between the East and the West.

Xuande official kiln blue and white occupies a very important position in the history of Chinese ceramics development. It reflects the society, economy, culture, art and even ideological concepts of the time from one aspect. As imperial porcelain and exquisite works of art, it has a unique artistic charm, which has a lot to do with the completeness of the system and the maturity of technology at that time. The works have been respected by future generations as a model of blue and white craftsmanship.

Xuande blue and white, like Yongle blue and white, was a peak period in the development of blue and white porcelain after the Yuan Dynasty. In history, the blue and white porcelain in the Yongxuan period was also called the golden age. Because of the many similarities in the decoration and shape of Yongxuan blue and white, In addition, it is difficult to distinguish and there is a legend of "forever proclaiming no distinction". In fact, the two can be distinguished by careful observation of the characteristics of the times. The fresh and elegant, simple and honest artistic style of Xuande blue and white porcelain can best reflect the implicit and heroic national temperament of the Chinese nation, and it is well-deserved to call it national porcelain.

It is understood that the annual appreciation of the blue and white porcelain of the Qing Dynasty is 10% to 20%, and the appreciation of Yuan blue and white is even greater. However, there is a deeper knowledge in this. The blue and white porcelain belonging to the official kiln can be said to be invaluable, because these belong to the royal custom, and the price is dozens of times that of the private kiln blue and white porcelain. At present, blue and white porcelain from the Ming and Qing dynasties is the most traded on the market. The price of private transactions is high. If it is sold at auction, the transaction price is at least several dozen times that of private transactions.