四川中寶元拍賣有限公司【藏.薦】欄為藏品強(qiáng)大的傳播效應(yīng)向各位買家推薦經(jīng)國(guó)家一級(jí)鑒定專家甄選的藝術(shù)珍品,為藏家牽線搭橋,讓千百件藝術(shù)珍品價(jià)值被發(fā)掘與重視,在拍賣會(huì)上得以高價(jià)成交。
[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.
【名稱】：董其昌書法
【類型】： 字 畫
【年代】： 清 代
【規(guī)格】：長(zhǎng)：370cm 寬：24.6cm
【Name】：Dong Qichang's Calligraphy
【Tybe】： Calligraphy and painting
【Years】： Qing Dai
【Specifications】： Length: 370cm width: 24.6cm
董其昌(1555-1636)明朝末年文人、書畫家，字玄宰，號(hào)思白、思翁，別號(hào)香光居士，官至禮部尚書，其著作《畫禪室隨筆》是明代最具代表性的繪畫論，對(duì)后世影響極大。董其昌出身貧寒之家，37歲中進(jìn)士后，仕途春風(fēng)得意，青云直上，先后當(dāng)過(guò)編修、講官，官至南京禮部尚書，太子太保等職；而他能在書法取得很大成就，竟純屬偶然。
Dong Qichang (1555-1636) was a scholar, calligrapher and painter at the end of Ming Dynasty. He was named Xuanzai, Sibai and siweng, also known as Xiangguang Jushi. He was the most representative painting theory in Ming Dynasty, and had a great influence on later generations. Dong Qichang was born in a poor family. When he was 37 years old, he became a successful scholar. He became an editor, a lecturer, a minister of rites in Nanjing, and a prince and Taibao. However, it was only by accident that he made great achievements in calligraphy.
明隆慶六年（1572），17歲的董其昌參加會(huì)考，松江知府衷貞吉在批閱考卷時(shí)，董其昌的文才本應(yīng)名列第一，因嫌其考卷上的字寫得太差，遂將第一改為第二，將字寫得較好的董其昌堂侄董源正拔為第一，這件事極大地刺激了董其昌，自此鉆研書法；董其昌《畫禪室隨筆·評(píng)書法自敘答》回憶說(shuō)：“吾學(xué)書在十七歲時(shí)，先是吾家仲子名傳緒，與余同試于郡，郡守江西衷洪溪以余書拙置第二，自是始發(fā)憤臨池矣。”“初師顏平原（真卿）《多寶塔》，又改學(xué)虞永興（世南），以為唐書不如魏晉，遂仿《黃庭經(jīng)》及鐘元常（繇）《宣示表》、《力命表》、《還示帖》、《丙舍帖》。凡三年，自謂逼古，不復(fù)以文征仲（征明）、祝希哲（允明）置之眼角。”他學(xué)習(xí)研究了絕大部分名家，因此，他的書法綜合了晉、唐、宋、元各家的書風(fēng)，自成一體。
In the sixth year of Longqing in the Ming Dynasty (1572), 17-year-old Dong Qichang took the HKCEE. When Songjiang Zhifu and Zhengji were reviewing the examination papers, Dong Qichang's literary talent should have been ranked first. Because he thought that the characters in the examination paper were too poor, he changed the first to the second, and the nephew of Dong Qichang, Dong Yuanzheng, who had better handwriting, was promoted to the first place. This greatly stimulated Dong Qichang and studied calligraphy since then "When I was seventeen years old, my family zhongzi Zhuanxu first tried with Yu in the county. Zhonghongxi, the governor of Jiangxi Province, placed Yu Shu clumsily in the second place. Since then, I was angry at linchi." In the beginning, he learned from the Duobao pagoda by Yan Pingyuan (Zhenqing) and changed his study to Yu Yongxing (Shinan). He thought that the book of the Tang Dynasty was inferior to that of the Wei and Jin Dynasties. In the past three years, it is said that he was forced to go back to the ancient times, and he no longer used literature to capture Zhong (Zhengming) and Zhu Xizhe (Yunming) He studied most famous writers, so his calligraphy integrated the styles of Jin, Tang, song and Yuan Dynasties.
董書最大的特點(diǎn)是風(fēng)飄逸空靈，風(fēng)華自足；筆畫圓勁秀逸，平淡古樸，用筆精到，始終保持正鋒，少有偃筆、拙滯之筆；在章法上，分行布局，疏朗勻稱，力追古法；用墨非常講究，枯濕濃淡，盡得其妙；書法至董其昌，可說(shuō)是集古法之大成，“六體”和“八法”在他手下無(wú)所不精，在當(dāng)時(shí)已“名聞外國(guó)，尺素短札，流布人間，爭(zhēng)購(gòu)寶之。”（《明史·文苑傳》）
The most important feature of Dong's calligraphy is its elegant, ethereal and self-sufficient style. The strokes are round, vigorous and elegant, plain and simple, and the strokes are exquisite, and they always keep the front. In terms of composition, the layout is sparse and symmetrical, and the efforts are made to catch up with the ancient methods. The ink is very exquisite, dry and wet, thick and light, which makes it perfect. The calligraphy to Dong Qichang can be said to be a collection of the great achievements of the ancient methods, "six styles" and "eight methods" At that time, he was "well-known in foreign countries, and his short letters spread among the world, competing for treasures." (Biography of Wenyuan, history of Ming Dynasty)
董其昌一生勤于書畫，又享高壽，傳世作品很多，可當(dāng)今董其昌的書畫流傳卻很少，由于康熙帝的鐘愛(ài)，致使董書得以風(fēng)靡一時(shí)，清代早期，天下人皆學(xué)董書的熱潮，一時(shí)追逐功名的士子，幾乎都以董書為求仕捷徑，在當(dāng)時(shí)，他的書法影響之深，是其他書法家無(wú)法比擬的。其書法的收藏價(jià)值和投資價(jià)值也是很可觀的。
Dong Qichang devoted himself to calligraphy and painting all his life, and enjoyed a long life. However, his calligraphy and painting are still rare nowadays. Due to the love of Emperor Kangxi, Dong's calligraphy became popular for a time. In the early Qing Dynasty, people all over the world followed the trend of learning from Dong Shu. Almost all scholars who pursued fame took it as a shortcut for official career. At that time, his calligraphy had a deep influence that other calligraphers could not Comparable. Its calligraphy collection value and investment value is also very considerable.
此件藏品為四川中寶元拍賣有限公司征集到新加坡拍場(chǎng)核心推薦藏品，歡迎各位藏友蒞臨新加坡拍場(chǎng)咨詢競(jìng)拍，機(jī)會(huì)難得！
This collection is the core recommended collection of this Singapore Auction. Welcome to come to Singapore Auction for consultation and auction. It's a rare opportunity!
