GPPMB-202005180434 2020.5.18
元青花魚(yú)藻紋罐
Yuan Dynasty blue and white fish algal jar
規(guī)格：口徑：18cm 高：29cm 底徑：15.7cm
Specification: caliber: 18cm, height: 29cm, bottom diameter: 15.7cm
簡(jiǎn)介：瓶唇口，短頸，溜肩，上部豐滿，腹下漸斂，寬圈足，胎底上有砂眼。此件元青花：器型厚重高大是元青花的突出特征。本品釉色青翠，發(fā)色濃艷光亮，青花色調(diào)非常濃艷，積釉處呈現(xiàn)鴨蛋青色澤，并有藍(lán)黑色彩濃聚斑點(diǎn)閃爍如鉛——即被文物界稱之為“蛤蜊光”，華麗無(wú)比。
Brief introduction: bottle lip mouth, short neck, shoulder slip, full upper part, lower abdomen gradually converging, wide circle foot, sand hole on tire bottom. This piece of Yuan blue and white: the shape is heavy and tall, which is the outstanding feature of Yuan blue and white. The glaze of this product is green, the hair color is rich and bright, the blue and white color is very colorful, the accumulated glaze shows duck egg blue color, and has blue and black color concentration, spots flash like lead - it is called "clam light" by the cultural relic circles, which is gorgeous.
通體青花繪飾，頸部一周繪制十字形靈芝云，肩部繪畫(huà)番蓮紋，皆為元青花經(jīng)典的邊飾。腹部以排列有序、根深葉茂的蓮池魚(yú)藻紋，將畫(huà)面自然分成四部分。近足處繪畫(huà)蓮瓣紋。鯉魚(yú)、鲇魚(yú)、鱖魚(yú)、鯽魚(yú)四種魚(yú)合繪于一組，以各自不同的姿態(tài)漫游其間，細(xì)致入微的畫(huà)筆將四種不同品種的游魚(yú)描繪的游姿翩躚，栩栩如生的游弋在蓮花水池中。
The whole body is decorated with blue and white paintings. The cross shaped Ganoderma lucidum cloud is painted around the neck, and the lotus pattern is painted on the shoulder. In the abdomen, there are orderly and deep-rooted algal patterns in the lotus pond, which naturally divides the picture into four parts. Draw lotus petal pattern near the foot. Carp, catfish, mandarin fish and crucian carp are painted together in a group. They roam in different postures. The meticulous brush will depict the swimming posture of four different species of swimming fish, and swim vividly in the lotus pool.
魚(yú)紋與歷代陶瓷器上的魚(yú)紋相比，具有十分鮮明的時(shí)代特色。蓮花水藻紋根細(xì)葉粗，排列整齊有序在器物腹部，迎風(fēng)搖曳呈現(xiàn)出滿池春色。畫(huà)法精熟，紋飾布局繁密華縟，繪畫(huà)的相當(dāng)精致，不似明代以后所繪水藻之章法紊亂。此件更見(jiàn)珍稀。有象征富足的吉祥物和祝福多子多孫的寓意。本品屬高質(zhì)量的元青花，在當(dāng)時(shí)不僅用于外銷，也為貴族所喜愛(ài)。同樣繪有魚(yú)藻紋的一件可參考日本大阪市立東洋陶瓷美術(shù)館藏“元 青花魚(yú)藻紋罐”， 筆觸、畫(huà)法均與本件高度相似，只是其頸部一周繪制番蓮紋，近足處繪畫(huà)蓮瓣紋，可供參考。
Compared with the fish patterns on ceramic wares of past dynasties, fish patterns have very distinctive characteristics of the times. The lotus water algal pattern root is fine, the leaf is thick, arranges orderly in the utensil abdomen, swaying in the wind, showing the spring color of the pool. The painting technique is skillful, the decoration layout is complicated and gorgeous, and the painting is quite exquisite, which is not like the disorder of the arrangement of algae drawn after the Ming Dynasty. This one is more rare. There is a symbol of wealth mascot and blessing many children and grandchildren. This product is a high-quality yuan blue and white, not only used for export at that time, but also loved by the nobility. A piece with the same fish and algae pattern can refer to the "Yuan blue and white fish and algae pattern jar" in the Toyo ceramic art collection of Osaka City, Japan. The brush strokes and painting techniques are highly similar to this one, but the fan lotus pattern is painted around the neck and the lotus petal pattern is painted near the foot, which can be used for reference.
