苗再新，1953年生，山東棲霞人。中國美術家協會理事、第五屆中國書法家協會理事、中國美協中國畫藝委會委員﹑中國畫學會常務理事、北京美術家協會理事、北京美協中國畫藝委會副主任、中國國家畫院研究員、中國藝術研究院中國畫院研究員、國家中華文明歷史題材創作指導委員會委員、清華大學美術學院研修班（北京大學藝術學院）導師、解放軍美術書法研究院藝委會委員、中國人民武裝警察部隊總部文藝創作室副主任，武警部隊美術書法研究院副院長、國家一級美術師。
Miao Zaixin was born in Qixia, Shandong Province in 1953. Director of Chinese Artists Association, the 5th Chinese Calligraphers Association, member of Chinese Painting Art Committee of Chinese Artists Association, executive director of Chinese Painting Society, director of Beijing Artists Association, deputy director of Chinese Painting Art Committee of Beijing Artists Association, researcher of China National Painting Academy, researcher of China Academy of Art, member of National Steering Committee for Creation of Historical Theme of Chinese Civilization, tutor of Tsinghua University Academy of Fine Arts (Peking University Art College), member of Art Committee of PLA Academy of Fine Arts and Calligraphy, and deputy director of Art Workshop of Chinese People's Armed Police Force Headquarters
苗再新連續20年蟬聯4屆全國美展金獎、銀獎；3次擔任全國美展評委；7次負責國家重大歷史題材美術創作；15項全國專業美展繪畫類大獎、5項全國書法展大獎；11次代表國家出訪他國。
Miao Zaixin won the gold and silver awards of the 4 th National Art Exhibition for 20 consecutive years; He has served as a judge of the National Art Exhibition for 3 times; 7 times responsible for national major historical theme art creation; 15 national professional art exhibition painting awards and 5 national calligraphy exhibition awards; 11 visits to other countries on behalf of the country.
苗再新作品題材廣泛，意韻深刻，技法多樣，筆墨嫻熟。為求此功，他對中國水墨畫的傳統技法進行了大膽創新和技術改造，作品場面宏大，氣魄雄渾，層次分明，輕重得當，使刻畫更為深入，表現也更具力度，體現了當代中國水墨畫的發展傳承與創新關系，有明顯的時代特征。
Miao Zaixin's works have a wide range of subjects, profound meanings, diverse techniques and skillful writing. In order to do this, he made bold innovations and technical transformations on the traditional techniques of Chinese ink painting. His works were grand, bold, well-structured, and proper in weight, which made the depiction deeper and stronger, and reflected the relationship between the development, inheritance and innovation of contemporary Chinese ink painting, with obvious characteristics of the times.
據藝術品市場大數據分析，目前不少投資都游向了藝術品收藏市場，越來越多的人開始投資書畫，而且近幾年在全國各地掀起一股書畫“收藏熱“，書畫市場前景一路走俏!比如身價過億的藏家中，劉益謙花2.7億港元買張大千的《桃源圖》，王健林花1.72億元買畢加索的《兩個小孩》。
According to the big data analysis of the art market, at present, many investments have gone to the art collection market, and more and more people have started to invest in painting and calligraphy. In recent years, there has been a "collection fever" of painting and calligraphy in all parts of the country, and the market prospect of painting and calligraphy is always popular! For example, among Tibetans with a value of over 100 million yuan, Liu Yiqian spent HK$ 270 million to buy Zhang Daqian's Taoyuan Map, and Wang Jianlin spent 172 million yuan to buy Picasso's Two Children.
人們常說“畫如其人”“書如其人”。畫是人格的顯現，人格是修養的結果。如果一個畫家畫得很好，修養也高，那他就一定是潛力股。綜合修養的提高，需要讀萬卷書和行萬里路。尤其是中國古典文學方面的知識，要融會貫通，并在情感生發之時，配合意象訴諸筆端，形成獨特的面貌。
People often say that "painting is like a person" and "books are like a person". Painting is the manifestation of personality, and personality is the result of cultivation. If a painter paints well and has high self-cultivation, he must be a potential stock. To improve comprehensive cultivation, we need to read thousands of books and travel thousands of miles. In particular, the knowledge of Chinese classical literature should be thoroughly integrated, and when the emotion grows, it should appeal to the pen with images to form a unique appearance.
名家與非名家，是衡量藝術價值和投資價值的重要界限。在某種程度上，藝術品投資就是投資名家的作品。這里名家也分大名家和小名家。一些影響力和知名度特別大的書畫家作品，雖然收益比較高，但投資成本也高。
Famous artists and non-famous artists are important boundaries for measuring artistic value and investment value. To some extent, art investment is to invest in the works of famous artists. Famous artists here are also divided into famous artists and small famous artists. Some works of painters and painters with great influence and popularity have higher income but higher investment cost.
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