中國瓷器跨越千年。古人曾云：“五彩過于華麗，殊鮮逸氣，而青花則較五彩雋逸。”青花瓷雖色澤單一，但卻從不單調(diào)。在繪瓷藝人的生花妙筆下，濃妝淡施、粗細有致。或刻意求工，層次分明?；蛄攘葦?shù)筆，皆使人美不可言。美輪美奐的青花瓷萌芽于盛唐，厚積于宋，薄發(fā)于元，登峰造極于明清。
清朝是中國制瓷王國的顛峰時代。這一期的瓷器以其豐富多彩的品種與制作著稱于世，瓷藝精進，陶使者殫心竭慮，集歷代名窯之大成，括中外良器之精萃，藉以窯廠之能工巧匠。以瓷為胎，敷設(shè)彩釉，鑄就千古不遇之輝煌。其間既崇尚復古，亦勇于創(chuàng)新，所帶來的科技突破與藝術(shù)新姿采均在中國藝術(shù)史上寫下重要的一頁。
此青花碟直徑12cm，出自清代。撇口折沿，弧腹，圈足，胎體輕薄，釉質(zhì)瑩潤。碟內(nèi)外均以青花描繪，通俗講為壓花技藝。底部青花雙圈，鑄有柵欄款。此藏品色澤青翠艷麗，富余光澤，將由淺至深、各個色階的青色都表現(xiàn)得歡暢淋漓，引人入勝。此盤胎色潔白堅實，整體手法高妙，工細精巧，紋飾疏密有致，雅致宜人，為“青花”中之佼佼者。
到晚清時期，官窯青花瓷器也很少會流入民間。為了保證皇族獨享最高水平的陶瓷產(chǎn)品，在很長時間里，官窯所有的試制品，殘次品，甚至超過皇帝需求的合格品都要被統(tǒng)統(tǒng)打碎，細心挖坑掩埋。因此，官窯瓷器存世非常少。青花瓷經(jīng)歷了延續(xù)數(shù)百年乃至上千年的傳承，是歷代陶瓷藝人們長期摸索、創(chuàng)造發(fā)明的結(jié)果，經(jīng)過大量復制和不斷改進而形成各種定型的青花瓷。據(jù)了解，來自清代的青花瓷，是各大拍賣場上飚出數(shù)百萬甚至上千萬高價的佼佼者，收藏鑒賞價值之高，出乎我們意料，越來越受到廣大收藏愛好者的追捧。
Chinese porcelain spans thousands of years. The ancients Zeng said: "Colorful colors are too gorgeous and fresh and elegant, while blue and white is more colorful and elegant." Although blue and white porcelain has a single color, it is never monotonous. In the delicate brushwork of porcelain painters, heavy makeup is applied lightly, and the thickness is fine. Or deliberately seeking work, with clear levels. Or a few pens, all make people beautiful. The magnificent blue and white porcelain sprouted in the Tang Dynasty, accumulated in the Song Dynasty, thinly developed in the Yuan Dynasty, and reached its peak in the Ming and Qing Dynasties.
The Qing Dynasty was the peak era of China's porcelain-making kingdom. The porcelain of this period is famous for its colorful varieties and productions. The porcelain art is advanced and the pottery messengers have worked hard to collect the great achievements of the famous kilns of the past dynasties, including the essence of Chinese and foreign wares, and take advantage of the skills of the kilns. Using porcelain as the tire, laying colorful glaze, casts a glorious unprecedented glory. During this period, both advocating retro and daring to innovate, the technological breakthroughs and new artistic appearances brought about by them all wrote an important page in the history of Chinese art.
This blue and white plate has a diameter of 12cm and comes from the Qing Dynasty. The mouth is folded, the abdomen is curved, the feet are ringed, the carcass is thin and the enamel is shiny. Both the inside and outside of the disc are depicted in blue and white, which is the art of embossing. The bottom of the blue and white double circle is cast with a fence. The color of this collection is verdant and gorgeous, with surplus luster, and the cyan colors from light to dark and all gradations are expressed joyfully and fascinatingly. The color of this tire is white and solid, the overall technique is exquisite, the workmanship is exquisite, the pattern is dense and dense, elegant and pleasant, and it is the best in the "blue and white".
In the late Qing Dynasty, the official kiln blue and white porcelain rarely flowed into the folk. In order to ensure that the royal family exclusively enjoyed the highest level of ceramic products, for a long time, all the trial products, defective products, and even qualified products that exceeded the emperor's needs were all broken, and pits were carefully dug and buried. Therefore, there are very few official kiln porcelains. Blue and white porcelain has been passed down for hundreds of years or even thousands of years. It is the result of long-term exploration, creation and invention by ceramic artists of the past dynasties. After a large number of copies and continuous improvements, various types of blue and white porcelain have been formed. It is understood that the blue-and-white porcelain from the Qing Dynasty is among the best in major auctions with millions or even tens of millions of high prices. The high value of collection and appreciation is beyond our expectations, and it is becoming more and more sought after by collectors. .
