哥釉器，亦名碎釉瓷，始于宋代，是宋代五大名窯之一，但宋代哥釉傳世極少。哥釉瓷有一個重要的特征是釉面開片，這是瓷器釉面的一種自然開裂現象。明代時期，景德鎮成功燒制哥釉器。從永宣至成化，哥釉瓷已經達到了盡善盡美的程度，尤以成化仿哥釉瓷瓶、斗笠碗、爐等為主流，釉層瑩潤，光澤內斂，也成功燒出了金鉤鐵線。目前，成化仿哥釉瓷已經難覓蹤影。明晚期至清乾隆，哥釉瓷再一次達到頂峰。其細碎的紋片，肥厚的釉層成為當時瓷器爭相效仿的寵兒。哥釉青花龍紋是在玉質般的哥釉上面描繪鮮艷、明亮的青花，使古典的青花與皇室龍紋相得益彰，互為襯托，極為美觀。哥釉器青花紋飾一經推出，一時成為備受追捧的“香餑餑”。晚明至清代的哥釉青花被景德鎮大窯、名窯紛紛仿制。在眾多窯址中，一些為官燒制的青花瓷為與民間款以示不同，題“官”字以示區別，字體采用宋代常見的款識，也有些用淺刻紋，因此普遍出現小器大開片、大器小開片的哥釉瓷現象。
Ge Glaze ware, also known as broken glazed porcelain, started in Song Dynasty and is one of the five famous kilns in Song Dynasty, but Ge Glaze in Song Dynasty is rarely handed down. An important feature of Ge glaze porcelain is the opening of glaze, which is a natural cracking phenomenon of porcelain glaze. During the Ming Dynasty, Jingdezhen successfully fired Ge glaze ware. From Yongxuan to Chenghua, Ge glaze porcelain has reached perfection, especially Chenghua imitation Ge glaze porcelain bottle, hat bowl, furnace, etc. are the mainstream. The glaze layer is bright and moist, the luster is restrained, and the golden hook iron wire has been successfully burned. At present, Chenghua imitation Ge glaze porcelain is hard to find. From the late Ming Dynasty to Qingganlong, Ge glaze porcelain reached its peak again. Its fine grain and thick glaze layer became the favorite of porcelain at that time. Brother glaze blue-and-white dragon pattern depicts bright blue-and-white on jade-like brother glaze, which makes classical blue-and-white and royal dragon pattern bring out the best in each other and set off each other. Once the blue-and-white ornamentation of Ge Glaze ware was launched, it became a sought-after "hot cake". From the late Ming Dynasty to the Qing Dynasty, the blue and white glaze of his brother was copied by Jingdezhen big kilns and famous kilns. Among many kiln sites, some blue-and-white porcelain fired for the official is different from folk ones, and the word "official" is used to show the difference. The fonts are common in Song Dynasty, and some are shallow engraved. Therefore, the phenomenon of glaze porcelain with small pieces and big pieces is common.
此對清代中期哥釉手繪開片花卉大碗，此碗韻味十足，造型古拙，修口，弧腹，圓足。制器有度，典雅秀美，其胎骨緊致細膩，釉質瑩潤自然，且繪工嫻熟，線條流暢，穩重，通體施仿哥釉，釉水極為肥厚，釉色古樸典雅，自然開金絲鐵線紋片，大小交織，深淺相間，相互輝映，天然成趣，典型“金絲鐵線”。藏品從制作工藝、胎質、包括上釉、都十分講究，也更為完美。由于其工藝方法的多樣化，加之紋飾和花樣更為繁雜，甚至看著就像一幅完整的畫作，因其所承載的藝術內容更加豐富。因其存世數量極少而難得，故此對花卉開片大碗從其歷史價值、科學價值、藝術價值上講，均具有相當高的收藏價值。
This is a hand-painted flower bowl for elder brother glaze in the mid-Qing Dynasty. This bowl is full of charm, with Gu Zhuo, trim mouth, arc belly and round feet. The system is well-made, elegant and beautiful, with compact and delicate fetal bones, natural enamel, skillful painter, smooth and steady lines, imitation of elder brother glaze, extremely thick glaze water, simple and elegant glaze color, natural gold and iron lines, interwoven in size, alternating in depth and color, reflecting each other, naturally becoming interesting, and typical "gold and iron lines". The collection is exquisite and more perfect in terms of production technology, fetal quality, including glazing. Because of the diversity of its technological methods, and the complexity of decorative patterns and patterns, it even looks like a complete painting, because it carries more rich artistic content. Because it is rare to survive in the world, the flower opening bowl has high collection value in terms of its historical value, scientific value and artistic value.
清朝時期陶瓷文化，漢族勞動人民瓷器燒造水平可謂登峰造極。數千年的經驗，加上景德鎮的天然原料，督陶官的管理，清朝初年的康熙、雍正、乾隆.嘉慶四代，因政治安定，經濟繁榮，皇帝重視，瓷器的成就也非常卓越，皇帝的愛好與提倡，使得清初的瓷器制作技術高超，裝飾精細華美，成就不凡，充分體現了古代漢族勞動人民的卓越才能和和藝術創造力。是悠久的中國陶瓷史上最光耀燦爛的一頁。
During the Qing Dynasty, the porcelain culture of Han working people reached its peak. Thousands of years' experience, together with Jingdezhen's natural raw materials, the management of overseers, Kangxi, Yongzheng, Ganlong and Jiaqing in the early Qing Dynasty, because of political stability and economic prosperity, the emperor attached great importance to porcelain and made outstanding achievements. The emperor's hobby and advocacy made porcelain production in the early Qing Dynasty superb in technology, fine and colorful decoration and extraordinary achievements, which fully reflected the outstanding talents and artistic creativity of the ancient Han working people. It is the most brilliant page in the long history of Chinese ceramics.
中國陶瓷經過千百年來的發展，到了“清三代”，瓷器燒制技術已經相當成熟，匠師們發揮智慧，精工巧制，很多精品更是彰顯出了其他朝代少有的那種高雅和富貴，使瓷器具有了極高的藝術價值。清三代的瓷器與前朝相比，材質，選料更加精細，畫工更加精細柔美，釉色鮮明，技術也更加精湛。所以，清三代的許多瓷器精品在擁有歷史價值，文化價值的同時，具有很高的藝術價值。
After thousands of years' development, Chinese ceramics reached the "Three Dynasties of Qing Dynasty". The firing technology of porcelain was quite mature, and the craftsmen used their wisdom and skillful workmanship. Many fine products showed the elegance and wealth that were rare in other dynasties, which made porcelain have extremely high artistic value. Compared with the previous dynasties, the porcelain of the Qing Dynasty was more refined in materials and materials, more delicate and feminine in painters, bright in glaze color and more exquisite in technology. Therefore, many fine porcelain products of the Qing Dynasty have high artistic value as well as historical value and cultural value.
此件藏品現在展賣于古玩行商城平臺中，據持寶人介紹說，這件瓷碗是祖上傳下來的。曾讓專家老師鑒定過，絕世精品。在本公司得知其有這件罕見珍品，特邀其持這件瓷碗參加，現持寶人因資金周轉困難原因。忍痛割愛愿將此件瓷碗委托本公司代其通過網絡媒體進行尋找買家。如對此藏品有興趣收藏者，可撥打企業聯系電話：400 686 3616進行洽談。
This collection is now displayed and sold on the platform of antique shops. According to the treasure holder, this porcelain bowl was handed down from ancestors. It has been appraised by experts and teachers, and it is a peerless boutique. When our company learned that it has this rare treasure, we invited it to take this porcelain bowl. The current treasure holder is in difficulty in capital turnover. I am willing to entrust this porcelain bowl to our company to find buyers through online media. If you are interested in collecting this collection, you can call the company's telephone number: 400 686 3616 for negotiation.
