清康熙龍紋盤所謂"小"，只是相對而言，而且指的是同類器物的相比，這時的器物較之前朝作品的體積來得嬌小玲瓏;"巧"，是指雍正瓷器的造型包含著一種精細、靈秀的內(nèi)涵。雍正青花的胎體一般都比較薄，有些薄胎器物更是精巧到幾乎不見胎骨。雍正青花小件造型的精到，就在于細部處理得好，整體效果完整、精致，因而顯得造型有精神，使人感覺耐看。嚴格來說，雍正青花造型的形體比例關(guān)系不如康熙青花來得嚴謹，有些作品顯得單薄，但論精細則勝過康熙造型，雍正造型所追求的靈秀達到了理想效果。
清康熙龍紋盤的胎骨晶瑩潔白，在貳零倍放大下呈糯米飯狀。胎壁薄而堅硬，瓷化程度很高，用手指輕叩，發(fā)出清脆的金屬聲音。修胎壹絲不茍，看不見旋削痕。民窯瓷與官窯瓷胎基本接近，很難發(fā)現(xiàn)未粉碎的瓷石顆粒，即使有也是很微小的。
典型的官窯青花釉呈青白色，純凈潤澤。釉薄而精純，釉中密含氣泡，且大小氣泡混雜套疊，有的釉表見細橘皮紋。有些民窯青花為粉白釉，胎釉結(jié)合處無火石紅。部分民窯青花的圈足上涂抹壹層黃色護胎釉，與純凈潤澤的青白釉交映成輝。
清康熙龍紋盤。此盤敞口，弧壁，圈足，內(nèi)沿繪青花雙弦紋。盤內(nèi)雙圈，圈內(nèi)繪五爪龍紋，龍首前凸，龍眼圓睜，龍口微張，龍須飄逸，龍角及鬃毛后揚，四肢矯健有力，爪紋如輪，龍身矯健盤曲，鱗甲濃淡有序，周身火焰密布，一爪遙攝龍珠，形態(tài)威猛。盤外壁繪兩條火龍趕珠紋，雙龍形體曲張，充滿力感。盤底有“大清康熙年制”落款。胎質(zhì)細膩，釉面光潔瑩潤，色澤明艷，畫工細膩。品相完整，是不可多得佳品，值得收藏!
The so-called "small" of the Kangxi dragon plate in the Qing Dynasty is only relatively speaking, and it refers to the comparison of similar artifacts. The artifacts at this time are more petite and exquisite than the previous works; "Qiao" means that the shape of Yongzheng porcelain contains A fine and smart connotation. The carcass of Yongzheng blue and white is generally relatively thin, and some thin fetal artifacts are so delicate that there is almost no fetal bone. The precision of the small blue and white pieces of Yongzheng is that the details are handled well, and the overall effect is complete and exquisite, so it appears energetic and makes people feel good-looking. Strictly speaking, the proportions of the Yongzheng blue and white modeling are not as rigorous as the Kangxi blue and white. Some works appear thin, but the fineness is better than the Kangxi modeling. The gracefulness pursued by the Yongzheng modeling has achieved the desired effect.
The fetal bones of the Kangxi Dragon Plate of the Qing Dynasty are crystal clear and white, and look like glutinous rice under two-fold magnification. The tire wall is thin and hard, with a high degree of porcelain, tapping with your fingers, making a crisp metallic sound. Tire repair is meticulous, and no turning marks are visible. Civil kiln porcelain and official kiln porcelain are basically close to each other. It is difficult to find uncomminuted porcelain stone particles, even if they are there, they are very small.
The typical official kiln blue and white glaze is bluish white, pure and moist. The glaze is thin and pure. The glaze is densely packed with bubbles, and the large and small bubbles are mixed and nested. Some glazes have fine orange peel. In some folk kilns, the blue and white glaze is pink and white, and there is no flint red at the junction of the glaze. A layer of yellow tyre-protecting glaze is applied to the blue and white circle feet of some folk kilns, which complements the pure and moist blue and white glaze.
A plate with dragon patterns in Kangxi, Qing Dynasty. This disc is open, curved walls, circle feet, and blue and white double-string patterns on the inner edge. Double circles in the disc, with five-claw dragon pattern painted inside the circle, the dragon head is convex, the long eye is wide open, the dragon mouth is slightly open, the dragon beard is flowing, the dragon horns and mane are raised, the limbs are strong and powerful, the claws are like wheels, and the dragon body is vigorous. Coiled, the scales are light and orderly, the whole body is densely flamed, and the dragon ball is photographed remotely with one claw, and the form is mighty. The outer wall of the plate is painted with two fire dragons and bead patterns, and the double dragons are varicose, full of force. At the bottom of the plate, there is a signature of the "Kangxi Reign of the Qing Dynasty". The fetus is delicate, the glaze is smooth and shiny, the color is bright and the painting is delicate. Complete appearance, it is a rare good product, worth collecting!
