高足杯也稱馬上杯，它同于 高足碗 ，上為碗形，下有高柄。高足杯也稱把杯，外觀美麗，實用方便，是陶瓷中的典型器物。每個朝代的高足杯都有各自的 時代特征 。
基本特征是盤淺，口沿微向外撇，盤心平坦，常有陰圈紋，盤下承以喇叭狀高足。盤內有三、五、七個不等的支燒痕跡，飲酒用具。明代 景德鎮 窯盛燒高足杯。 宣德 （1426-1435）時有青花龍紋高足杯，成化（1465-1487）時有斗彩葡萄紋、 纏枝蓮紋 、花鳥紋高足杯，皆為出類拔萃的作品。清代仍燒青花名式高足杯，紋飾多樣。高足杯以元代最典型，之前的可以說是 高足碗 ，而廢高足杯。
明代 燒造的 青花瓷器，在中國陶瓷發展史上具有很重要的地位。它以其古樸，典雅的造型，晶瑩艷麗的釉色，多姿多彩的紋飾而聞名于世，與明代其他各朝的青花瓷器相比，其燒制技術達到了最高峰，成為我國瓷器名品之一，其成就被稱頌為“開一代未有之奇”。《 景德鎮陶錄 》評價瓷器：“諸料悉精， 青花 最貴。”
青花，在中國陶瓷發展史中占有十分重要的地位，它從一個側面反映了當時的社會、經濟、文化、藝術以致思想觀念。作為宮廷用瓷和精美的藝術品，具有獨特的藝術魅力，這與當時制度的完備與技術的成熟有很大關系，作品一直被后人推崇，為青花工藝的典范。自明代成化朝開始到晚清民國均大量燒制，最為成功的是清代康熙、雍正、乾隆三朝，以清宮舊藏的青花為藍本，去精心燒造，造型、尺寸、紋飾都十分酷似原作，具有青花的韻味，如康熙朝青花仕女紋碗、纏枝花紋缽缸，折枝花果紋花口碗，纏枝花紋魚簍尊，海水異獸紋高足杯；雍正朝仿青花竹石蕉葉紋玉壺春瓶、花果紋梅瓶、花卉紋書紋燈、團龍紋葵式洗、海水龍紋天球瓶、綬帶耳葫蘆瓶、牽牛花四方委角瓶；乾隆朝仿青花錦紋蓋罐、鳳穿花紋罐、松竹梅人物紋盤、把蓮盤、花果紋執壺等，都達到了相當高的水平。
青花用料有進口、國產兩種，以進口蘇麻離青料描繪為主。明萬歷年間王世懋《窺天外乘》一書記載：“我朝則專設于浮梁縣之景德鎮，永樂間內府燒造，迄今為貴，其時以腙眼甜白為常，以蘇麻離青為飾”。清代藍浦《景德鎮陶錄》也曾提到。繪制紋飾時既有單獨使用，也有混合使用，往往是根據紋飾的不同而決定使用那種鈷料描繪那個部位的紋飾。在繪制時常使用國產料淡描勾線，進口料渲染。
蘇麻離青這種進口青料，含鐵量特別高，含錳量低，故稱“高鐵低錳”料。蘇麻離青發色深沉濃艷，在爐火氣氛好的情況下能燒出寶石般的色澤；含鐵量高容易使發色呈現深藍色，色料凝聚厚處會形成黑褐色的結晶斑點，在一定光線下有錫光色，而且呈三角形結晶，用手撫摸釉面凹凸不平。如果此處釉層薄會出現干澀、無光的現象；國產鈷料呈現一種色澤藍中帶灰，沒有黑褐色鐵銹結晶斑點；另一種發色清淡，有暈散現象，色澤幽雅；在進口和國產兩種色料混合使用時，發色明快，呈色濃重與淡雅相間，具備兩種鈷料的特點。
此件藏品為大明制款青花龍紋高足杯，杯口外擴，內外口沿、執柄均有青弦紋裝飾，深弧腹，高圈足，底足外撇。外壁以青花留白龍紋裝飾，內壁底部繪一青花火云紋飾，繪畫手法嫻熟，線條流暢。釉面光澤，胎質堅硬，極具觀賞價值與收藏價值
The goblet is also called the immediate cup. It is the same as the goblet, with a bowl-shaped top and a high handle at the bottom. The goblet is also called the handle cup, which is beautiful in appearance, practical and convenient, and is a typical utensil in ceramics. The goblet of each dynasty has its own characteristics of the times.
The basic characteristic is that the disc is shallow, the edge of the mouth is slightly turned outward, the center of the disc is flat, and there are often negative circles. There are three, five or seven burn marks and drinking utensils in the plate. The Jingdezhen kiln in the Ming Dynasty burned a goblet. In Xuande (1426-1435), there was a blue and white dragon goblet, and Chenghua (1465-1487) had a bucket-colored grape pattern, a lotus pattern, and a flower-and-bird goblet. They are all outstanding works. The famous blue and white goblet was still burned in the Qing Dynasty, with various decorations. The high-foot cup is the most typical in the Yuan Dynasty. The previous one can be said to be the high-foot bowl, and the high-foot cup was discarded.
The blue and white porcelain fired in the Ming Dynasty has a very important position in the history of Chinese ceramics. It is famous for its simple, elegant shape, brilliant glaze color, and colorful decorations. Compared with the blue and white porcelain of other dynasties in the Ming Dynasty, its firing technology has reached the highest peak, becoming one of the famous porcelains in China. , Its achievement was praised as "the unparalleled wonder of a generation." "Jingdezhen Taolu" commented on porcelain: "Every material is fine, blue and white is the most expensive."
Blue and white occupies a very important position in the development history of Chinese ceramics. It reflects the society, economy, culture, art and even ideological concepts of the time from one aspect. As imperial porcelain and exquisite works of art, it has a unique artistic charm, which has a lot to do with the completeness of the system and the maturity of technology at that time. The works have been respected by future generations as a model of blue and white craftsmanship. From the Chenghua dynasty of the Ming Dynasty to the late Qing Dynasty and the Republic of China, they were fired in large quantities. The most successful ones were the Kangxi, Yongzheng, and Qianlong dynasties of the Qing Dynasty. They were carefully fired based on the blue and white collected from the Qing palace. The shape, size, and ornamentation are very similar. Original, with the charm of blue and white, such as Kangxi Dynasty blue and white ladies pattern bowl, twisted branch pattern bowl jar, folded branch flower and fruit pattern flower mouth bowl, twisted branch pattern fish basket statue, sea water exotic animal pattern goblet; Yongzheng Dynasty imitation blue and white bamboo and stone banana Leaf pattern jade pot spring vase, flower and fruit pattern plum vase, flower pattern book lamp, tuanlong pattern sunflower wash, sea water dragon pattern celestial bottle, ribbon ear gourd vase, morning glory square corner vase; Qianlong imitation blue and white brocade The patterned lid jar, the phoenix pattern jar, the pine, bamboo and plum figure pattern plate, the lotus plate, the flower and fruit pattern holding pot, etc., have reached a very high level.
There are two types of blue and white materials: imported and domestically produced, with imported Su Ma Liqing materials as the main description. In the Wanli period of the Ming Dynasty, Wang Shimao’s book "Geeping the Sky and Outer Vehicles" records: "My dynasty was set up in Jingdezhen, Fuliang County. It was built in the inner mansion of Yonglejian. It has been expensive so far. Li Qing is decorated". It was also mentioned in the "Jingdezhen Taolu" of Lampuo in the Qing Dynasty. When drawing a pattern, it can be used alone or in a mixture. It is often determined by the different patterns to use the cobalt material to describe the pattern of that part. When drawing, we often use domestic materials to draw the lines and import materials to render.
The imported green material of Su Ma Liqing has particularly high iron content and low manganese content, so it is called "high iron and low manganese" material. The hair color of Su Ma Liqing is deep and bright, and it can burn out a gem-like color when the fire atmosphere is good; the high iron content will easily make the hair color dark blue, and the thick color will form dark brown crystal spots. Under a certain light, there is tin light color, and it is triangular crystal, and the glaze is uneven. If the glaze layer here is thin, it will appear dry and dull; the domestic cobalt material shows a blue color with gray, no dark brown rust crystal spots; the other has a light color, halo phenomenon, and elegant color; When the imported and domestic two kinds of color materials are mixed and used, the color development is bright, the color is dense and elegant, and it has the characteristics of two kinds of cobalt materials.
This collection is a blue-and-white dragon-patterned goblet made by the Ming Dynasty. The mouth of the cup is flared, and the inner and outer edges and handles are decorated with blue string patterns. The abdomen is deep-curved, the feet are high, and the bottom feet are outside. The outer wall is decorated with a blue and white dragon pattern, and the bottom of the inner wall is painted with a blue and white fire cloud pattern. The painting technique is skillful and the lines are smooth. Glazed luster, hard body, great ornamental value and collection value.
