鎮(zhèn)尺是放置在書桌案頭上的文房用品，又叫紙鎮(zhèn)或鎮(zhèn)尺。鎮(zhèn)紙，即指寫字作畫時用以壓紙的東西，現(xiàn)今常見的多為長方條形，因故也稱作鎮(zhèn)尺、壓尺。最初的鎮(zhèn)紙是不固定形狀的。有金、銀、銅、玉、木、竹、石、瓷等材質(zhì)，鎮(zhèn)紙的起源是由于古代文人時常會把小型的青銅器、玉器放在案頭上把玩欣賞，因為它們都有一定的分量，所以人們在玩賞的同時，也會興手用來壓紙或者是壓書，久而久之，發(fā)展成為一種文房用具——鎮(zhèn)尺。
A paperweight is a stationery placed on the desk, also called paperweight or paperweight. Paperweight, that is, something used to press paper when writing and painting, is usually rectangular, which is also called a weight and a pressure ruler for some reason. The original paperweights were not fixed in shape. There are gold, silver, copper, jade, wood, bamboo, stone, porcelain and other materials. The origin of paperweight is that ancient literati often put small bronzes and jade articles on their desks to play and appreciate them. Because they all have a certain weight, people will use their hands to press paper or books while enjoying them. Over time, they have developed into a kind of stationery-paperweight.
形態(tài)各異，唯求有一定的分量，便可壓紙。上面的雕刻有各種圖畫和詩詞名句。它們有的成對，有的單件；有的一字一畫，有的獨立成幅，書、畫、文辭、雕刻集于一身，使人愛不釋手，歷來是一種收藏珍品。
Different shapes, only a certain weight, you can press paper. There are various pictures and famous poems carved on it. Some of them are in pairs and some are in single pieces; Some of them are painted one by one, while others are independent. Books, paintings, words and sculptures are all in one, which makes people fondle admiringly and has always been a collection of treasures.
在紙鎮(zhèn)上的書畫家的作品，其實是書畫家本人作品的袖珍化，它的章法、筆法、氣韻應與大幅作品一致。應該指出，事實上有一部分書畫家不會作袖珍小品。所以一般能在若小的紙鎮(zhèn)上作書畫，又能得其神韻的必然功力深厚。待書畫家完工后便由鐫刻名家在其上按書畫的特點，一刀一刀屏心靜氣細心地鐫刻而成。雕刻家務須深諳書畫家的筆墨、個性，用手上的刀將書畫家作品的特征進行再創(chuàng)作，將它淋漓盡致地體現(xiàn)出來。因此小小的紙鎮(zhèn)凝聚了書畫名家和鐫刻名家的共同心血，也可說是他們的聯(lián)袂之作。這種聯(lián)袂不是隨意的，因為書畫的筆法、章法、氣韻，必須與雕刻的風格氣韻相匹配。
In fact, the works of painters and painters in paper towns are pocket-sized works of painters and painters themselves, and their composition, brushwork and charm should be consistent with those of large-scale works. It should be pointed out that in fact, some painters and painters can't make pocket sketches. Therefore, it is generally possible to make paintings and calligraphy in a small paper town, and the inevitable skill of its charm is profound. After the completion of the painting and calligraphy artist, it was carefully engraved by famous engravers according to the characteristics of painting and calligraphy. The sculptor must know the painter's pen and ink and personality well, and recreate the characteristics of the painter's work with the knife in his hand, so as to embody it vividly. Therefore, the small paper town embodies the joint efforts of famous calligraphers and engravers, and can also be said to be their joint work. This association is not random, because the brushwork, composition and charm of calligraphy and painting must match the style and charm of carving.
中國人使用鎮(zhèn)尺的年代可以上溯秦漢，不遜于硯臺和印章。歷經(jīng)漫長的歷史，鎮(zhèn)尺雕琢工藝分出了刻畫、刻書、浮雕、圓雕、光板等幾十個門類，因各地風俗、各朝代流行不同而異彩紛呈，風格迥異，以其工藝價值與人文價值，完全有資格進入高檔古玩的收藏范疇。
Chinese people use paperweights dating back to Qin and Han Dynasties, no less than inkstones and seals. After a long history, paperweight carving technology has been divided into dozens of categories, such as depiction, engraving, relief, round carving, and polished plate. Because of different customs and different dynasties, it is colorful and has different styles. With its technological value and humanistic value, it is fully qualified to enter the collection category of high-grade antiques.
此件清宮廷十二生肖足銀鎮(zhèn)尺雕工精美，是難得一見的精品。極具投資收藏價值！
This piece of the 12 Zodiac in Qing court is exquisite in paper carving in Yinzhen, which is a rare boutique. Great investment and collection value!
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