生命之痕
馮相成抽象藝術(shù)沙龍展與藏家品鑒會(huì)
【主辦】
澳大利亞多元事務(wù)委員會(huì)
澳大利亞多元藝術(shù)基金會(huì)
【承辦】
馮相成藝術(shù)中心
蘇州梵融美術(shù)館
【協(xié)辦】
希茜的后花園畫廊
【展出地點(diǎn)】
中國 蘇州
梵融美術(shù)館
蘇州市通園路80號(hào)56文創(chuàng)園
【展出時(shí)間】
2020年7月18日——7月28日
【開幕酒會(huì)】
2020年7月18日晚7點(diǎn) 特邀VIP藏家
【公眾開放日】
2020年7月19日—7月28日上午9點(diǎn)至下午5點(diǎn)
Trace of Life
FENG Xiangcheng's Abstract Art Salon and Collectors' Appreciation
Organizer
Australian Multicultural Business Council
Australian Multi-Arts Foundation
Undertaker
Art Centre of Xiangcheng FENG
Fanrong Art Museum
Co-organizer
Sissi’s Back Garden Art Gallery
Location
Fanrong Art Museum
56 Cultural and Creative Park, No.80, Tongyuan Road, Industrial Zone, Suzhou, China
Duration
July 18th-28th, 2020
Opening Reception
7pm July 18th, 2020
Only VIP Collectors Invited
Public Days
9am-5pm, July 19th-28th, 2020
馮相成《生命之痕》系列展
前言
《生命之痕》系列是馮相成先生從事藝術(shù)創(chuàng)作的蝶變作品展。作為一個(gè)海外藝術(shù)家，獲得了不同于國內(nèi)藝術(shù)家的視野，發(fā)現(xiàn)了不同地域的文化特色，他用顏色和線條記錄那些不同的符號(hào)，并感受萬物之靈給繪畫帶來的變化，用自然營(yíng)養(yǎng)震撼著畫面。在長(zhǎng)期的摸索中，找到了屬于他的抽象藝術(shù)。
抽象畫藝術(shù)是一種哲學(xué)，這種哲學(xué)思想到底是什么？其實(shí)很簡(jiǎn)單，我們的祖先早己總結(jié)出陰陽五行學(xué)說的偉大哲學(xué)思想：無極生有極。五行中的五種元素及顏色相生相克，將無極的世界達(dá)到了繽紛色彩的平衡，給人一種美的享受。縱觀國內(nèi)外許多優(yōu)秀的藝術(shù)家，無一不是這一理論的最好實(shí)踐者。而馮相成先生在當(dāng)今的年青藝術(shù)家中也是這一理論的優(yōu)秀實(shí)踐者。
《生命之痕》應(yīng)用了中國道家＂水＂生萬物是生命之本的思想，即＂無為而為＂的理論，採用符號(hào)色彩表達(dá)天地萬物，揭示生命的起源。這種感覺只存在于畫家的內(nèi)心深處，用常人無法看到的東西，展示生命發(fā)展的痕跡。給人們帶來美的享受與似曾相識(shí)的感覺。在藝術(shù)上超越了寫實(shí)主義到達(dá)了更高的境界。
在當(dāng)今歐美當(dāng)代抽象藝術(shù)體系影響了現(xiàn)今中國藝術(shù)創(chuàng)作的途徑和思路之時(shí)，《生命之痕》即體現(xiàn)了西方當(dāng)代這一特征，但更多的是融入了許多中國元素，用中國式的顏色符號(hào)，形成了一種獨(dú)具匠心的藝術(shù)風(fēng)格。因此在世界范圍內(nèi)具備了收藏的價(jià)值。
最后，真誠的希望馮相成先生在未來的藝術(shù)生涯中創(chuàng)造出更好的作品。預(yù)祝在蘇州舉辦的《生命之痕》系列畫展圓滿成功。
胡印夏 （主席）
澳大利亞多元文化事務(wù)委員會(huì)
Feng Xiangcheng's "Trace of Life" Series Exhibitions
Preface
The "Trace of Life" series are exhibitions of butterfly transformation of Mr FENG Xiangcheng's artistic creation. As an overseas artist, he has obtained a vision different from that of domestic artists and found the cultural characteristics of different regions. He recorded those different symbols with colors and lines, and felt the changes of painting brought by the spirit of all creations. He shocked the picture with natural nutrition. After a long-term exploration, he found his abstract art.
Abstract art is a kind of philosophy. What is this philosophy? In fact, it is very simple. Our ancestors have already summed up the great philosophical thought of the theory of Yin-Yang and Five Elements: The limitless(Wuji) produces the delimited. The five elements and colors in the five elements mutually reinforce and neutralize each other to achieve the balance of colors in the limitless world and give people a kind of enjoyment of beauty. Throughout many excellent artists domestic and abroad, none of them is not the best practitioner of this theory. Mr FENG Xiangcheng is also an excellent practitioner of this theory among young artists today.
The "Trace of Life" applies the idea of Chinese Taoism that "water“ produces everything and is the foundation of life, that is, the theory of "action through inaction", which uses symbolic colors to express all things in the world and reveals the origin of life. This feeling only exists in the artist's heart, and shows the development of trace of life with things that ordinary people can't see. It brings people the enjoyment of beauty and the feeling of deja vu. It has surpassed realism and reached a higher level in the art world.
During a time when the contemporary abstract art system in Europe and the United States has influenced the ways and ideas of contemporary Chinese art creation, "Trace of Life" embodies the characteristics of western contemporary times, but it is more integrated with many Chinese elements and forms a unique artistic style with Chinese color symbols. Therefore, it has the value of collection all over the world.
Finally, I sincerely hope that Mr FENG Xiangcheng will create better works in his future artistic career. I wish the series of "Trace of life" exhibition in Suzhou a complete success.
HU Yinxia(Chairman)
Australian Multicultural Business Council
自述
關(guān)于《生命之痕》抽象作品闡述
生命無處不在和痕跡無處不留，藝術(shù)家在于發(fā)現(xiàn)這些生命的跡象，并通過繪畫還原那些看到的和想到的痕跡，不斷體會(huì)那些生命涌動(dòng)的過程和存在的意義。
本次展覽，內(nèi)容非常整一，基本算一個(gè)時(shí)間段的作品，這里我從三個(gè)方面來解釋這些作品的創(chuàng)作思路和動(dòng)力來源。
一，從自然中挖掘靈感讓作品同生命同在
用內(nèi)心的觀察去體悟自然性及萬物的變化，我游走于世界各地，穿梭于森林、海洋、城市之中，不斷用心去記憶那些可以撞擊我內(nèi)心的形和色，它們和我的期望同步，同我的生命同步，同我心靈感應(yīng)同步，在不斷的感受和記憶中獲得動(dòng)力和能量，這是自然給我們的力量和驅(qū)動(dòng)，我不能忘卻。
二，運(yùn)用繪畫技術(shù)性實(shí)現(xiàn)藝術(shù)的精神價(jià)值
一個(gè)從事現(xiàn)代藝術(shù)的工作者，無非在于用我們所學(xué)的知識(shí)和手段完成這一傳遞精神的使命，用自我藝術(shù)的圖式去平衡那些感受，用高超的響亮的語言反應(yīng)那種激情和狀態(tài)，繪畫性本身沒有存在的意義，而更重要的功能是你通過那些繪畫材料和線條述說了一種自我的精神性和獨(dú)特品格，所以實(shí)則虛之，虛則實(shí)之，無法而有法，終得心源。
三，實(shí)現(xiàn)藝術(shù)創(chuàng)作的自由狀態(tài)和自然同一性
自由的藝術(shù)創(chuàng)作是反復(fù)磨煉的結(jié)果，我同自然起舞，自然而然，揮灑自如，尋找那種天人合一，終覺其中的感覺，作品成為我突破的狀態(tài)和過程，我不斷破壞和重置，讓我的藝術(shù)同自然一樣具有生命力的頑強(qiáng)精神。當(dāng)然這是一種藝術(shù)的高度，是能力的極致。每一次的成功都是一次毀滅的重生，我拋棄那些束縛的思想和學(xué)術(shù)規(guī)定，在畫布上大行其道，多次的偶然性促成作品成功的必然。
每個(gè)藝術(shù)家都或多或少的具備自我作畫的理論，當(dāng)然我也不例外，每次的作品都需要集結(jié)半年到一年時(shí)間的內(nèi)心沉淀，然后擇時(shí)爆發(fā)，我很希望出現(xiàn)在畫面的那些痕跡，能真正觸動(dòng)觀者對(duì)生命情結(jié)的冥想與藝術(shù)共舞。
馮相成
2020/6/12
寫在中國巡展之前
Self-Statem
About the Abstract Artworks of "Trace of Life"
Life is everywhere and traces are left everywhere. The artist is to find the signs of life, restore the traces of seeing and thinking by painting, and constantly experience the process of life surging and the significance of existence.
The content of this exhibition is very integrated. It is basically the artworks of one period. Here I will explain the creative ideas and power sources of these works from three aspects.
1. Excavate inspiration from nature and let works live with life
Observing by heart and experience the changes of nature and everything, I travel around the world, shuttling through forests, oceans and cities, and constantly memorize the shapes and colors that can impact my heart. They are synchronized with my expectations, with my life, with my telepathy, and gain power and energy from constant feelings and memories. This is the power and drive what nature gives us. I can't forget.
2. Use the technique of painting to achieve the spiritual value of art
A worker engaged in modern art is nothing more than to complete the mission of transmitting spirit with the knowledge and means we have learned, to balance those feelings with self art schema, to reflect that passion and state with superb and loud language. The painterliness itself has no significance, but the more important function is that you describe a kind of spirituality and unique character of oneself by the painting materials and lines, so reality is emptiness, emptiness is reality, using no way as way, finally one has the origin of heart.
3. Achieve the free state and natural identity of artistic creation
Free artistic creation is the result of repeated tempering. I danced with nature, naturally and freely, looking for the feeling of the unity of man and nature and finally had the feeling. The work become the state and process of my breakthrough. I constantly destroyed and reset, making my art with strong spirit of life force as the nature. Of course, this was the height of art and the extreme of ability. Every success was a rebirth of destruction. I abandoned those restrained ideas and academic regulations, and painted freely on the canvas. Many occasionalities contributed to the inevitability of the success of my works.
Every artist has more or less the theory of self painting. Of course, I am no exception. Everytime I needed to gather half till a year's inner precipitation for my works, and then burst out at the right time. I hope deeply those traces in the paintings can really touch the viewer's meditation of life complex and dance with art.
FENG Xiangcheng
2020 / 6 / 12
Before China Tour Exhibition
部分參展作品賞析
Appreciation of part of the artworks
布面油畫丙烯 Oil and Acrylic on Canvas 40x50cm2 019
布面油畫丙烯 Oil and Acrylic on Canvas 40x50cm 2019
布面油畫丙烯 Oil and Acrylic on Canvas 45x45cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 45x45cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 100x80cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 68x46cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 40x50cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 50x40cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 40x50cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 45x90cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 68x46cm 2020
布面油畫丙烯 Oil and Acrylic on Canvas 46x68cm 2020
