粉彩創于康熙中期，深受當時琺瑯彩影響。粉彩瓷是在粉彩內攙入鉛粉并加施玻璃白，使色彩濃艷程度減弱，用水淡洗法涂飾花紋，使層次由濃到淡呈現出繁多的層次，色調濕潤柔和，具有立體感。
康熙時粉彩風格簡樸，色料粗糙，施彩濃厚，官窯少有大器，紋飾多以云龍紋和花卉紋為主，常見器有云龍紋香爐、海燈、凈水碗等。還有人物類，如粉彩八仙人物塑像等。粉彩分為紅、黃、綠、黑、白等諸色。粉彩瓷新品種的出現，因受到人們的喜愛，很快就發展起來，到乾隆時基本上代替了五彩瓷器。
he pink color was created in the middle of Kangxi, deeply influenced by the enamel color at that time. Painted porcelain is mixed with lead powder in the pastel and added glass white, so that the degree of color intensity weakened, with water light washing method to paint patterns, so that the layers from thick to light show a variety of layers, moist and soft tone, with a three-dimensional sense.
Kangxi simple pink color style, rough color, thick color, the official kiln has few large, decorative mostly to cloud dragon grain and flower grain, the common apparatus has cloud dragon grain incense stove, sea lamp, water purification bowl and so on. There are also characters, such as pink eight fairy figures statue and so on. Pink is divided into red, yellow, green, black, white and other colors. The emergence of new varieties of pink porcelain, because of people's love, soon developed, when Qianlong basically replaced the multicolored porcelain.
雍正時大量燒制粉彩器，影響到民窯。圖案紋飾多為人物、花卉，花卉中又以“虞美人”為典型。牡丹的畫法，一改前時的那種雙犄形，而作圓形盛開狀。人物仕女畫甚為細致，以白釉為地施彩，加繪青花者極少。
乾隆時粉彩廣泛使用，品種除繼用白釉地粉彩與色地粉彩外，還有加繪釉下青花。在大件器物的上下部分為色地，腹部為白地或色地開光，繪出粉彩紋飾，并寫有乾隆御題詩句。最著名的白地粉彩器有百鹿尊、九桃天球瓶、九桃盤及三果、嬰嬉大碗等，其胎質厚薄均勻，輕重適度，釉面勻凈，釉色青白，色彩鮮亮，層次分明。色地開光器有紅、黃、紫、綠、藍、金、粉等釉地。器形有瓶類、加施螭耳、鳳耳、如意三果耳等。器足及器里施豆瓣綠釉，書有青花款和金彩款，官窯多施紅彩款。乾隆時期出現的新品種，是在色地上剔劃出較淺的忍冬蔓草紋和規矩圖案，工藝復雜，難度較大。乾隆時粉彩品種繁多，粉彩產品工藝之高已達到了高峰。
Yongzheng when a large number of powder color, affecting the kiln. Pattern decoration for the characters, flowers, flowers in the "Yu beauty" as a typical. Peony painting, a change before the kind of double-horn shape, and for the shape of a circle. Character lady painting is very meticulous, white glaze for the ground color, add blue and white painted very few.
Qianlong was widely used in pink, varieties in addition to the white glaze and color ground pink, but also painted under the blue and white glaze. In the upper and lower parts of the large objects for the color ground, the abdomen for the white ground or color to open light, painted white-colored ornaments, and write Qianlong imperial poem. The most famous white ground powder color apparatus is Bai Lu Zun, nine peach sky ball bottle, nine peach plate and three fruit, baby big bowl and so on, its tire quality is thin and even, the weight is moderate, the glaze is even, the glaze color is green and white, the color is bright, the layer is clear. There are red, yellow, purple, green, blue, gold, powder and other glaze. Apparatus have bottle type, add Chi ear, Feng ear, Ruyi three fruit ear, etc. Apply bean green glaze to the foot and vessel, The book has blue and white and gold color, official kiln more red color. The new varieties appeared in the Qianlong period were the shallow lines and regular patterns of Lonicera japonica on the color ground. There are many kinds of pink color in Qianlong, and the technological height of pink color products has reached the peak.
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在我國神話傳說中，道教中有八仙之說，分別是鐵拐李、漢鐘離、張果老、藍采和、何仙姑、呂洞賓、韓湘子、曹國舅。關于八仙的故事流傳甚廣，尤其是“八仙過海，各顯神通”的傳說幾乎家喻戶曉，膾炙人口。歷史上，很多文學、戲劇中融入了八仙的傳說，以八仙為素材的藝術作品亦層出不窮，陶瓷、繪畫、竹刻、刺繡、木雕以及文房器具上屢屢出現，賞心悅目，使八仙的故事得以綿延傳承并深入人心。
In the myths and legends of our country, there are eight Immortals in Taoism, which are Tiegu Li, Han Zhong Li, Zhang Guo Lao, Lan Cai he, he Xiangu, Lu Dongbin, Han Xiangzi, Cao Guo uncle. The story about the eight Immortals spread widely, especially the "eight Immortals across the sea, each show the spirit of the legend almost household name, popular. History, many literature, drama into the legend of the eight Immortals, with the eight Immortals as the material of the art works are endless, ceramics, painting, bamboo carving, embroidery, wood carving and stationery, often appeared, pleasing to the eye, so that the story of the eight Immortals can be passed on and deeply rooted in the hearts of the people.
此件“乾隆.粉彩八仙龍紋缽（一對）”口徑：15.2cm，高：8.2cm，色彩艷麗，碗壁圖畫以八仙人物為主，以紅、綠、藍等色彩描繪，畫面表現為“多子、多福、多壽”的寓意，整體構圖主次分明，錯落有致；繪畫細致工整，工藝精湛絕倫，碗底以“大清乾隆年制”三行六字，瓷質細密，釉色亮麗，渾然一體，無絲毫瑕疵，器型規整，讓人眼前一亮，值得珍藏。
this "qianlong. Pink eight fairy dragon grain bowl (a pair)" caliber :15.2 cm, high :8.2 cm, colorful, bowl wall picture to eight fairy characters, to red, green, blue and other color depiction, the picture is "many son, more blessing, more longevity" moral, the overall composition of the primary and secondary clear, scattered; painting meticulous, exquisite workmanship, bowl bottom to "Qing Qianlong years" three lines six characters, porcelain fine glaze, bright color, integrated, without any blemish, the shape of the device, let a bright, worthy of treasure.
