“唐卡”二字你一定不陌生，提到它說不定你還會聯想到藏傳佛教，不過對于咱們大多數人來說也就僅限于此了，如果要再深入下去可能就有點困難。面對一幅傳世唐卡，你或許也不知道該從哪里下手，該如何欣賞。
The word "Thangka" is no stranger to you. You may think of Tibetan Buddhism when you mention it, but it is limited to this for most of us. It may be a little difficult to go further. In the face of a Thangka handed down from ancient times, you may not know where to start or how to appreciate it.
唐卡（Thang-ga）也叫唐嘎，唐喀，是藏語的音譯，原意是指各種質地的卷軸畫，現在一般指用彩緞裝裱后懸掛供奉的宗教卷軸畫。
Thang-ga, also known as Tangga and Tangka, is a transliteration of Tibetan, which originally meant scroll paintings of various textures. Now it generally refers to religious scroll paintings which are hung and worshipped after being framed with colorful satin.
唐卡多畫于布上或者紙上，然后用彩緞縫制裝裱，是藏族文化中一種獨具特色的繪畫藝術形式。唐卡顏色鮮艷，以紅、黃、藍、綠、白為主色，內容以宗教題材為主。
Tangkado is a unique painting art form in Tibetan culture, which is painted on cloth or paper and then sewn and mounted with colorful satin. Thangka is brightly colored, with red, yellow, blue, green and white as the main colors and religious themes as the main content.
主要有佛、菩薩、護法、本尊守護神、壇城(即曼茶羅)、宗教人物（歷代祖師、達賴、班禪等)、雜類(繪天文、醫藥、歷史、民俗等)，被稱作“藏族的百科全書”。
There are mainly Buddhas, Bodhisattvas, protectors, patrons of this statue, Tancheng (namely Manchaluo), religious figures (ancestors of various dynasties, Dalai Lama, Panchen Lama, etc.), miscellaneous categories (painting astronomy, medicine, history, folk customs, etc.), which are called "Tibetan encyclopedia".
一幅唐卡，一般可以區分為中央的本尊、上方的空界和下方的地界三部分。本尊是信徒所供養的對象，一般由上師選擇指定。空界一般是佛、菩薩所在，所以也叫做圣界。地界一般為空行、護法或僧侶所在，所以也叫做凡界
A Thangka can generally be divided into three parts: the central deity, the upper empty boundary and the lower boundary. The deity is the object supported by believers, and is generally selected and designated by the master. The empty world is usually where Buddhas and Bodhisattvas are located, so it is also called the holy world. The boundary is generally empty, the guardian or the monk, so it is also called the boundary
唐卡是一種傳播文化的文化。”康·格桑益西用這樣一句話來總結自己研究多年的唐卡藝術，他認為，正是因為唐卡的這種特殊性質，所以在傳承唐卡文化的過程中要不斷創新，創造出更多符合時代節奏的作品。“隨著中國旅游產業的發展，唐卡的市場空間得以開拓，市場對唐卡的需求量越來越高，許多老百姓通過這項傳統文化實現了增收。”
Thangka is a culture that spreads culture. Kang Ge Sang Yixi summed up the art of Thangka that he had studied for many years with such a sentence. He thought that it was precisely because of this special nature of Thangka that he should constantly innovate in the process of inheriting Thangka culture and create more works in line with the rhythm of the times. "With the development of China's tourism industry, the market space of Thangka has been opened up, and the demand for Thangka in the market is getting higher and higher. Many ordinary people have increased their income through this traditional culture."
古玩行：400 686 3616
