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黃花梨實(shí)為呈黃褐色的“花梨”或“花櫚”。是明清硬木家具的主要用材,以心材呈黃褐色者為好。明、清時(shí)考究的木器家具都選“黃花梨”制造,其紋理或隱或現(xiàn),色澤不靜不喧,被視作上乘佳品,備受明清匠人寵愛,特別是明清盛世的文人、士大夫之族對(duì)家具的審美情趣更使得這一時(shí)期的黃花梨家具卓而不群,無論從藝術(shù)審美、還是人工學(xué)的角度來看都無可挑剔,可稱為世界家具藝術(shù)中的珍品。

Huanghua pear is actually a yellow-brown "flower pear" or "flower palm". It is the main material of hardwood furniture in Ming and Qing Dynasties, and it is better to use the yellow-brown heartwood. The exquisite wooden furniture in Ming and Qing Dynasties was made of "Huanghua Pear". Its texture was hidden or present, and its color was not quiet or loud. It was regarded as a superior product, which was favored by craftsmen in Ming and Qing Dynasties. Especially, the aesthetic taste of literati and scholar-officials in Ming and Qing Dynasties made Huanghua Pear furniture outstanding in this period, which was impeccable in terms of artistic aesthetics and artificial science, and could be called a treasure in the world furniture art.

說明: 2020-07-08 09:26:20.149000

說明: 2020-07-08 09:26:43.851000

黃花梨木材的名貴程度僅次于紫檀木(因產(chǎn)地范圍比紫檀小得多,產(chǎn)量極少,又因市場炒作,黃花梨價(jià)格已遠(yuǎn)遠(yuǎn)將紫檀甩在之后,高其數(shù)十倍),是因?yàn)辄S花梨木的木性極為穩(wěn)定,不管寒暑都不變形、不開裂、不彎曲,有一定的韌性,適合作各種異形家具,如三彎腿,其彎曲度很大,惟黃花梨木才能制作,其它木材較難勝任。

The precious degree of huanghuali wood is second only to rosewood (because the producing area is much smaller than rosewood, the output is very small, and because of market speculation, the price of huanghuali has been far behind rosewood, which is dozens of times higher), because the wood property of huanghuali wood is extremely stable, no matter whether it is cold or hot, it does not deform, crack or bend, and it has certain toughness. It is suitable for all kinds of special-shaped furniture, such as three curved legs, which have great bending degree, but huanghuali wood.

 
   

黃花梨木色金黃而溫潤,心材顏色較深呈紅褐色或深褐色,有屢角的質(zhì)感。黃花梨木的比重較輕,可能比紅木(酸枝木)還要輕工一些,放入水中呈半沉狀態(tài),也就是不全沉入水中也不全浮于水面。黃花梨木的紋理很清晰,如行云流水,非常美麗。最特別的是,木紋中常見的有很多木癤,這些木癤亦很平整不開裂,呈現(xiàn)出狐貍頭、老人頭及老人頭毛發(fā)等紋理,美麗可人,即為人們常說的“鬼臉兒”。明代及清代早期制作高檔的家具大多是用黃花梨木所制,由于前朝過量采伐而使得清代中期以前黃花梨木材急劇減少及至瀕臨滅絕,所以后來采用紅木代替。從已出版的明清家具資料看,黃花梨木有大材,寬半米、長兩米的獨(dú)板平頭案都可以見到。

Huanghuali is golden and warm in wood color, and its heartwood is dark reddish brown or dark brown, with a texture of repeated corners. The specific gravity of huanghuali wood is lighter, which may be lighter than mahogany (rosewood), and it is semi-submerged when put into water, that is, it is not completely submerged or floating on the water surface. The texture of huanghuali wood is very clear, like flowing clouds and flowing water, which is very beautiful. The most special thing is that there are many wooden pits in the wood grain. These wooden pits are smooth and not cracked, showing the texture of fox head, old man's head and old man's head hair. They are beautiful and lovely, which is what people often call "grimace". Most of the high-grade furniture made in Ming Dynasty and early Qing Dynasty was made of huanghuali wood. Because of excessive logging in the former Dynasty, the huanghuali wood decreased sharply before the mid-Qing Dynasty, and was on the verge of extinction, so mahogany was used instead. According to the published furniture materials of Ming and Qing Dynasties, huanghuali wood has great timber, and the flat head case with a width of half a meter and a length of two meters can be seen.

說明: 2020-07-08 09:27:08.650000
 

此中堂有明顯明末清初的造型風(fēng)格,選優(yōu)質(zhì)黃花梨木精制而成,黃花梨紋理因其不為板狀而有掩麗質(zhì),烘托出了這件中堂文椅清雅的姿色。造型敦實(shí)厚重,沉穩(wěn)大方,繁縟纖細(xì),雕工細(xì)膩,紋飾伴底。透雕圖案玲瓏剔透,刀法精密,構(gòu)圖疏密有致,觀賞性極高。弧度夸張,線條流暢,給人以敦實(shí)牢固之感。將其陳設(shè)在廳堂上,格調(diào)高貴,氣派十足。此中堂材美工精,制作于明末文化氣息濃厚的頂峰時(shí)代,是一件具有極高的收藏與研究價(jià)值的黃花梨家具。

This nave has obvious modeling style in the late Ming Dynasty and early Qing Dynasty, which is refined from high-quality huanghuali wood. The texture of huanghuali is beautiful because it is not plate-shaped, which highlights the elegant appearance of this nave chair. The shape is solid and heavy, calm and generous, luxuriant and slender, the carver is delicate, and the decoration is accompanied by the bottom. The carved patterns are exquisitely carved, with precise knife cutting, dense composition and high ornamental value. The radian is exaggerated and the lines are smooth, giving people a sense of solidity and firmness. It is displayed in the hall with noble style and full style. This fine art of Tang materials was produced in the peak period of the late Ming Dynasty, and it is a piece of Huanghua Pear furniture with high collection and research value.

 

 

 

 

 

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