在中國藝術品收藏領域，紅色收藏作為一門特殊的、最具中國特色的收藏門類，是經久不衰的話題和熱點。它承載著中國共產黨及共和國悠長歷程的回溯與傳承，還包含著一代中國人對往昔偶像形象與個人歲月烙印的緬懷與祭奠，匯集著歷史價值與集體情懷的交融。
In the field of Chinese art collection, red collection, as a special collection category with Chinese characteristics, is an enduring topic and hot spot. It carries the back and inheritance of the long history of the Communist Party of China and the Republic, and also contains a generation of Chinese people remembering and paying homage to the past idol images and personal time marks, bringing together the blending of historical values and collective feelings.
紅色影像作為紅色收藏重要分支，自影像收藏發端以來一直有著很好的表現，并成為影像收藏的重要脈絡之一。預計在2013年，毛澤東主席誕辰一百二十周年，紅色影像收藏將有所表現，借此，我們對其收藏脈絡和價格體系做一探究。
As an important branch of red collection, red image has performed well since the beginning of image collection, and has become one of the important veins of image collection. It is expected that in 2013, the 120th anniversary of Chairman Mao Zedong's birth, the collection of red images will show some performance. Therefore, we will explore its collection context and price system.
據不完全統計，早在抗日戰爭之前就有紅色攝影的記錄，聶榮臻、葉劍英、蘇靜、童小鵬等是目前已知最早的紅色攝影家，紅色攝影在抗日戰爭期間得到了大的發展，有上千名攝影工作者在十多年的解放區攝影歷程中，拍攝下了數以十萬計的紀實照片，僅《解放軍畫報》的資料室就保存有近十萬張的原始底片。
According to incomplete statistics, there were records of red photography as early as before the Anti-Japanese War. Nie Rongzhen, Ye Jianying, Su Jing and Tong Xiaopeng were the earliest known red photographers. Red photography made great progress during the Anti-Japanese War. Thousands of photographers took hundreds of thousands of documentary photos in the photography process of liberated areas for more than ten years. Only the reference room of the People's Liberation Army Pictorial kept nearly 100,000 original negatives.
建國之后至“文革”結束，毛澤東成為攝影最重要的拍攝對象。而以這些圖片為藍本的藝術創作，波及油畫、版畫、宣傳畫、雕塑，甚至戲曲、舞蹈、話劇等幾乎所有藝術門類，成就了紅色中國第一代攝影師及經典作品，在新中國的藝術史、美術史和攝影史占據了不可或缺的地位。同時，毛澤東影像作為視覺文本傳播的載體，還凝聚了新中國成立以來幾乎所有最先進、最獨特的攝影技術技法和后期制作工藝，而成為國內外藏家的寵兒。
From the founding of the People's Republic of China to the end of the Cultural Revolution, Mao Zedong became the most important subject of photography. The artistic creation based on these pictures has affected almost all art categories such as oil painting, printmaking, posters, sculptures, and even opera, dance, drama, etc., which has made the first generation of photographers and classic works in Red China and occupied an indispensable position in the art history, art history and photography history of New China. At the same time, Mao Zedong's image, as the carrier of visual text communication, also embodies almost all the most advanced and unique photographic techniques and post-production techniques since the founding of New China, and has become the darling of collectors at home and abroad.
鑒于收藏市場紅色影像繁多，可以粗略地分為原版老照片(包括長卷大合影)、紅色經典紀實性影像藝術品以及影像制作工藝等幾個方面，探討其收藏的價值。
In view of the large number of red images in the collection market, it can be roughly divided into original old photos (including long and large group photos), red classic documentary image works of art and image production technology, etc., and the collection value is discussed.
原版照片(vintage print)是近年來出現在國際攝影收藏領域的品種，意指拍攝后很短的時間里洗印出來的攝影作品，有“古董文物”的收藏屬性。
Vintage print, which appears in the field of international photography collection in recent years, means photographic works developed in a short time after shooting, and has the collection attribute of "antique cultural relics".
因遺留下來實物的稀缺加之一系列的政治歷史變故，使得這一時期原版照片十分罕見，是收藏市場的珍品。例如，一組13幅包括拍攝于延安的中共中央政治局會議合影和中共中央六屆六中全會主席團成員合影的中共早期歷史照片曾在2011年華辰影像秋拍中拍出24萬元的高價。
Due to the scarcity of left-over objects and a series of political and historical changes, the original photos in this period are very rare and are treasures in the collection market. For example, a group of 13 photos of the early history of the Communist Party of China, including a group photo of the Political Bureau meeting of the CPC Central Committee in Yan 'an and a group photo of the presidium of the Sixth Plenary Session of the Sixth Central Committee of the CPC Central Committee, had a high price of 240,000 yuan in 2011 Huachen Image Autumn Shooting.
據紅色攝影史專家顧棣新近出版的《中國紅色攝影史錄》介紹，抗戰期間除延安外，還有晉察冀地區、晉綏地區、晉冀魯豫地區、山東地區、冀熱遼地區、蘇皖地區(新四軍)、東北地區和華南地區；解放戰爭期間有西北軍區和一野；晉察魯冀軍區、中原軍區、二野和西南軍區；山東軍區、華東軍區和三野；東北軍區和四野；晉察冀、華北軍區和華北野戰軍等都擁有紅色攝影。目前出現在華辰影像拍賣的原版照片，有延安地區、晉察冀地區、二野、四野、晉察魯冀陳賡部隊和秦基偉部隊的史料，其中由衛福順等晉察魯冀攝影師拍攝的463張原版照片在華辰影像2012年春拍中以42萬元的高價成交。
According to the "History of Chinese Red Photography" recently published by Gu Di, a red photography history expert, during the Anti-Japanese War, there were Shanxi-Chahar-Hebei region, Jinci region, Shanxi-Hebei-Shandong-Henan region, Shandong region, Jire-Liao region, Jiangsu-Anhui region (New Fourth Army), Northeast China and South China; During the War of Liberation, there were Northwest Military Region and No.1 Field; Jincha Luji Military Region, Zhongyuan Military Region, Erye and Southwest Military Region; Shandong Military Region, East China Military Region and Sanye; Northeast Military Region and the Four Fields; Shanxi-Chahar-Hebei, North China Military Region and North China Field Army all have red photography. At present, the original photos appearing in Huachen Image Auction include the historical data of Yan 'an, Shanxi-Chaji, Erye, Siye, Shanxi-Chaluji Chen Geng Army and Qin Jiwei Army. Among them, 463 original photos taken by Wei Fushun and other photographers in Shanxi-Chaluji were sold at a high price of 420,000 yuan in Huachen Image Spring Auction in 2012.
對那些無從找尋到原始底片的影像，原版照片不僅具有“古董文物”的價值，還可以利用數碼高科技手段，從原版照片制作出高品質的展覽出版照片，挖掘影像的史料和藝術價值。
For those images whose original negatives can't be found, the original photos not only have the value of "antique cultural relics", but also can use digital high-tech means to make high-quality exhibition and publication photos from the original photos, and tap the historical data and artistic value of the images.
因此，紅色經典的原版照片，無論是黑白紙基、彩色染印、還是涂塑相紙，即使沒有藝術家的簽名，以其作為承載著一個時代中國攝影學科技術技法最高水平的實物，都成就為中國攝影收藏的珍品。
Therefore, the original photos of the red classics, whether they are black and white paper, color printing or plastic-coated photo paper, have become treasures of Chinese photography collection even without the signature of artists.
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