太平有象三足香爐
銅香爐是中國明清時期銅制品中最重要的門類之一。精心冶煉的銅香爐,造型古樸典雅,深受世人的重視。香爐是一種非常有文化背景的工藝品,香爐在室內(nèi)可做香薰器皿之用,在室外又可以做佛家祭器之用。很多文學(xué)詩句中都有香爐的影子。香爐的歷史文化韻味和做工精細(xì)的材質(zhì)把銅香爐烘托的很有詩情雅氣,現(xiàn)今的香爐成為古玩收藏家的寵兒。
Copper incense burner is one of the most important categories of copper products in Ming and Qing Dynasties. The copper censer, which is elaborately smelted, has a simple and elegant shape and is deeply valued by the world. Incense burner is a kind of handicraft with a very cultural background. It can be used as incense utensils indoors and as Buddhist sacrificial utensils outdoors. Many literary poems have the shadow of incense burner. The historical and cultural charm and fine workmanship of the incense burner make the copper incense burner poetic and elegant. Today's incense burner has become the favorite of antique collectors.
香爐的生長歷史上,泛起了諸多形形色色的名目,著名的有宣德爐及萬歷年間盛行的青花爐、南北朝時期生產(chǎn)自三大瑤池之一博山的博山香爐、北宋時期象征對佛祖敬畏的陶蓮花香爐以及同樣撒播于明代的漆器香爐,還有大清乾隆年制的虎頭雙耳三足香爐都是珍藏界的寵兒。當(dāng)一個民族進(jìn)入高度成熟、處在生命力最興旺的階段,全身洋溢著蓬勃生氣和高度自信,就迫切需要尋找一種形式去表達(dá)、去寄托、去宣泄、去張揚自己高昂甚至亢奮的精神和情緒,香爐就是中華民族體現(xiàn)這種情緒收支的載體。
In the history of the development of incense burners, there are many kinds of names, such as Xuande furnace and blue and white stove prevailing in Wanli period, Boshan incense burner produced in Boshan, one of the three yaochi pools in the northern and Southern Dynasties, taolian flower incense burner symbolizing the awe of Buddha in the Northern Song Dynasty, and lacquer incense burner also spread in the Ming Dynasty, In addition, the incense burner with tiger head, two ears and three feet, which was made in Qianlong year of Qing Dynasty, is the favorite of the collection circle. When a nation enters a highly mature and prosperous stage of vitality, full of vitality and high self-confidence, it is urgent to find a form to express, repose, vent, and publicize their high and even excited spirit and emotion. Incense burner is the carrier of the income and expenditure of Chinese people's emotions.
從工藝造型來看,一些皇帝御賜的銅香爐由于其精細(xì)的工藝而提升了其價值。因此,年代久遠(yuǎn)、雕工精美的銅香爐價值不菲。另外,由于明清銅爐歷史上經(jīng)歷諸多劫難,損失慘重,造成后仿爐和私款爐也已成為珍罕的歷史文物。
From the perspective of process modeling, some copper censers given by the emperor enhanced their value due to their fine craftsmanship. Therefore, the bronze censer with a long history and exquisite carving is of great value. In addition, due to many disasters and heavy losses in the history of the Ming and Qing Dynasties copper furnaces, the latter imitation furnaces and the private ones have become rare historical relics.
此藏品為清代香爐,香爐的歷史在我國由來已久。銅爐也需要常年“火養(yǎng)”,在溫火的烘烤之 下,銅爐的皮殼也會慢慢發(fā)生變化,變得越來越溫潤,越來越耐看,這往往是一個緩慢的漸變的過程。此藏品為清代香爐,爐體呈圓形,爐口有折沿,上有兩個對稱的立耳,爐底有三個乳足。在爐底正中間鑄有結(jié)構(gòu)嚴(yán)謹(jǐn)、字體規(guī)整的正方形“乾隆年制”款。此爐表面光潤細(xì)滑,撫之若嬰兒肌膚。不論從整體還是從口沿、雙耳,以及三足等局部看,它的造型給人以流暢圓潤、生動自然的和諧美感,不失為一件珍品。
This collection is the incense burner of Qing Dynasty, which has a long history in China. The copper furnace also needs to be "kept by fire" all the year round. Under the warm fire baking, the shell of the copper furnace will gradually change, becoming more and more warm and more durable. This is often a slow gradual process. The collection is a Qing Dynasty incense burner. The furnace body is round, with a folding edge at the mouth, two symmetrical vertical ears on the top and three milk feet at the bottom. In the middle of the furnace bottom, there is a square
"Qianlong year system" with strict structure and regular font. The surface of the stove is smooth and smooth, and it is like baby's skin. No matter from the whole or from the mouth edge, ears, and three feet and other parts, its shape gives people a smooth, vivid and natural harmonious beauty, which can be regarded as a treasure.
此太平有象三足香爐是孟先生收藏的珍品,此對香爐造型繁復(fù)絢麗,爐頸高聳,滿飾纓絡(luò),背負(fù)聚寶盆,奇珍漫溢,寶光四射。爐身通體透雕纏枝蓮花紋,輾轉(zhuǎn)交疊,枝葉錯縱盤繞,蓮花盛開其間,主題紋飾剔地浮雕雷紋纏枝,下承象首三足,面容飽滿憨厚,纓絡(luò)垂掛,富貴高雅,巧以象鼻作支撐,力鼎千斤。香爐造型敦厚雄渾,氣度非凡,爐身上佛身,回紋,雷紋纏枝各一周,本身黃銅色皮殼相映成趣,整器造型規(guī)整,精工細(xì)作,手感上佳,頗有古意,且包漿亮麗,乃清早期精美之作,該時期作為清代經(jīng)濟、文化發(fā)展的最高峰,國力強盛,四海咸服,八方進(jìn)貢,海內(nèi)外文化交流頻繁,故這種蠻夷獻(xiàn)寶也成為宮廷藝術(shù)的常見題材,此式香爐可為一例證
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