銅鏡是古人用來裝飾理容的一種日常生活用品。它制造得精美絕倫，集觀賞、實用、珍藏于一身，堪稱我國古代文化遺產中的瑰寶。當前古銅鏡的收藏比郵票、古錢幣、玉器等還要火熱，存世量稀少，罕見非常有投資價值。
Bronze mirror is a kind of daily necessities used by ancient people to decorate their appearance. It is made of exquisite, ornamental, practical, collection in a body, can be called China's ancient cultural heritage treasures. At present, the collection of ancient bronze mirrors is hotter than stamps, ancient coins, jade articles, and so on.
上圖這塊銅鏡就有明顯宋代銅鏡特征，品相9分品， 磨損少，人物故事雕刻技術非常清晰， 結合品相方面， 此銅鏡具有極高的收藏價值，宋代銅鑄故事銅鏡在任何一場拍賣會上都是聚集目光最高的藏品相信今年也不例。
The bronze mirror in the above picture has obvious characteristics of Song Dynasty bronze mirror. Its appearance is 9 points, with less wear and tear. The carving technology of character story is very clear. Combined with the phase, this bronze mirror has high collection value. The bronze mirror of Song Dynasty copper casting story is the highest collection in any auction. I believe this year is not an example.
這面宋代青銅鏡作為古代中國人照面的日常生活用品雖早已完成了它的歷史使命，但它所傳承的人文內涵，所記錄的鑄造技術、工藝美術、文化內涵、政治制度、商業(yè)關系、思想意識、對外交往以及社會風俗等信息已無聲地沉淀在方寸之間。它具有的不僅僅是收藏價值，還有著極大的藝術、觀賞價值，可作為投資青銅鏡的首選。
This bronze mirror of Song Dynasty, as a daily necessities of ancient Chinese, has already completed its historical mission, but its cultural connotation, casting technology, arts and crafts, cultural connotation, political system, commercial relations, ideology, foreign exchanges and social customs have been quietly precipitated in a square inch. It has not only collection value, but also great artistic and ornamental value. It can be used as the first choice for investment in bronze mirror.
宋代銅鏡注重實用，不崇華侈，器體輕薄，裝飾簡潔，形狀仍以圓形為主，亦有方形、弧形、菱形以及帶柄等多種形式。背面多鑄有 花鳥魚蟲、人物故事、山水樓閣等圖案紋飾，亦有光素無紋者。圖案處理常采取隱起、 陽線并用，以線的韻律、節(jié)奏來增強紋飾的起伏與重量，克服了因體薄而造成的輕浮單調的感覺。其中的動植物圖案，形象準確，姿態(tài)生動，構圖豐富多變。山水人物圖案的構圖處理富有繪畫效果。宋代銅鏡多產于湖州、撫州、成都等地。在冶鑄方面。宋代銅鏡的合金成分發(fā)生了變化，這帶來了銅鏡質地、色澤的變化。宋代銅鏡大部分為黃銅質，含錫量明顯減少，而含鉛量大增，這樣的合金成分一直影響著后世的銅鏡，這也成為鑒別宋代乃至以后各朝代鏡依據。
The bronze mirrors of the Song Dynasty paid attention to practicality rather than extravagance. They were light and thin, with simple decoration. They were mainly round in shape, and also in various forms such as square, arc, diamond and handle. On the back, there are many patterns such as flowers, birds, fish and insects, character stories, landscape pavilions and so on. Pattern processing often uses hidden lines and masculine lines to enhance the ups and downs and weight of patterns with the rhythm and rhythm of lines, which overcomes the frivolous and monotonous feeling caused by thin body. Among them, the animal and plant patterns are accurate and vivid, and the composition is rich and changeable. The composition processing of landscape figure pattern is full of painting effect. In Song Dynasty, bronze mirrors were mostly produced in Huzhou, Fuzhou, Chengdu and other places. In smelting and casting. The alloy composition of bronze mirrors in Song Dynasty changed, which brought about the changes of texture and color. Most of the bronze mirrors in Song Dynasty are made of brass, and the content of tin is obviously reduced, while the content of lead is greatly increased. Such alloy composition has always influenced the bronze mirrors of later generations, which has also become the basis for distinguishing mirrors of Song Dynasty and later dynasties.
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