玉璧，是中國古代玉器中最為常見且流傳最為久遠的器類之一。其存在幾乎貫穿整個古代玉器制作史，在近七千年的漫長歲月之中，玉璧見證了中國古代社會政治、經濟、文化的演進。早在距今6000多年前的新石器時代良渚文化遺存中就有數量較多且制作較為精美的玉璧發現，其后綿延發展于殷商、兩周直至政治統一、經濟發展、玉文化繁榮的兩漢達到鼎盛。
Jade Bi is one of the most common and long-standing jade wares in ancient China. Its existence almost runs through the whole history of ancient jade making. In the long history of nearly 7000 years, jade Bi witnessed the evolution of politics, economy and culture in ancient China. As early as 6000 years ago, there were a large number of jade Bi found in the remains of Liangzhu Culture in the Neolithic age. Later, it developed in Yin and Shang Dynasties and two weeks until the two Han Dynasties, which were politically unified, economically developed and jade culture flourished, reached its peak.
漢代玉璧：重46.7克，厚0.8公分，直徑5.2公分
Yu Bi of Han Dynasty: 46.7g in weight, 0.8cm in thickness and 5.2cm in diameter
玉璧，是中國古代玉器中最為常見且流傳最為久遠的器類之一。其存在幾乎貫穿整個古代玉器制作史，在近七千年的漫長歲月之中，玉璧見證了中國古代社會政治、經濟、文化的演進。早在距今6000多年前的新石器時代良渚文化遺存中就有數量較多且制作較為精美的玉璧發現，其后綿延發展于殷商、兩周直至政治統一、經濟發展、玉文化繁榮的兩漢達到鼎盛。漢代的玉璧主要用于禮儀、陪葬，有的玉璧也可用來裝飾墻壁或作為嵌飾裝點銅枕和帶鉤；一些較小的玉璧用作組玉佩的一部分供佩系，亦被稱作系璧。
Jade Bi is one of the most common and most ancient jade wares in ancient China. Its existence runs through almost the entire history of ancient jade making. In the long years of nearly 7,000 years, jade has witnessed the evolution of politics, economy and culture in ancient China. As early as more than 6,000 years ago, there were a large number of well-made jade objects found in the Neolithic Liangzhu cultural relics, which developed continuously in the yin and Shang dynasties and reached its peak in the Han dynasties when politics was unified, economy developed and jade culture flourished. Jade in Han Dynasty was mainly used for etiquette and burial. Some jade could also be used to decorate walls or as inlays to decorate copper pillows and hooks. Some smaller jade pieces are used as a part of the group Yu Pei for wearing, also known as tie pieces.
此件漢代風格的浮雕龍紋玉璧。如上圖所示，此件玉璧重量為46.7g，質地細膩而溫潤，線條圓潤流暢，玉璧兩面琢刻谷紋，緣周起棱，紋樣精美，造型生動，是漢代玉器的珍品。此件玉璧形制規整，尺寸適中，紋飾刻畫精細而華美，壁面打磨精細，觸摸有圓滑、凸起之感，極具藝術品鑒價值和歷史文化考究價值。
This Han Dynasty style relief dragon jade. As shown in the above figure, this jade piece weighs 46.7g, is delicate and warm in texture, with smooth and round lines. The two sides of the jade piece are carved with grain patterns, with edges on the edges. The pattern is exquisite and the shape is vivid. It is a treasure of jade in the Han Dynasty. This jade piece is regular in shape, moderate in size, fine and colorful in ornamentation, fine in wall polishing, smooth and convex in touch, and has great artistic value and historical and cultural value.
沁色是指玉器在環境中長期與水，土壤以及其他物質相接觸，自然產生的水或礦物質風化侵蝕玉體，鐵，錳等氧化物緩慢地侵入玉器使其部分或整體顏色發生變化的自然現象，色質是玉的自然屬性，色即沁色，質指玉質，而沁色通常會成為一塊古玉的重要鑒定標準。
Qinse refers to the natural phenomenon that jade articles have been in contact with water, soil and other substances for a long time in the environment. Naturally occurring water or minerals weather and erode the jade body. Iron, manganese and other oxides slowly invade the jade articles to change part or the whole color. Color quality is the natural attribute of jade. Color is Qinse, and quality refers to jade quality. Qinse usually becomes an important identification standard for an ancient jade.
漢代玉璧發現之多，器型、紋飾之豐富，制作之精美為各帶玉璧之冠，是古代玉璧發展的鼎盛時期。此件藏品保存完好，紋飾豐富而繁榮，層次分明，相輔相成之間可見漢代高超的玉雕技藝和多彩文化。所以說，這件玉璧對于研究漢代玉器和古代玉文化演變有著重要的意義。
In Han Dynasty, there were many jade Bi found, various types of wares and patterns, and the exquisite production was the top of each jade Bi, which was the heyday of the development of jade Bi in ancient times. This collection is well preserved, rich and prosperous in ornamentation, with distinct layers, which complement each other with superb jade carving skills and colorful culture of the Han Dynasty. Therefore, this jade Bi is of great significance to the study of the evolution of the Han jade and ancient jade culture.
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