雍正一朝在位雖然只有短短的13年，陶瓷手工業的發展卻在康熙的從礎上 有了明顯的提高。圖案規整秀麗，工藝精益求精，制瓷技術達到了歷史上的較高水平。此時的景德鎮御密廠“每年要供御一萬六七千件”，生產則要達‘二萬五千件”之多。現藏于故宮的雍正斗彩，在距今近三百年的今天看來，造型規整、線條優美、釉色勻凈、色彩燦爛，在陶瓷史上有若較高的地位。
Although Yongzheng once reigned for only 13 years, the development of ceramic handicraft industry has improved obviously on the basis of Kangxi. The pattern is regular and beautiful, and the craft keeps improving. The porcelain making technology has reached a higher level in history. At this time, Jingdezhen royal secret factory "has to supply 16,700 pieces per year" and has to produce as many as 25,000 pieces. Yongzheng Doucai, now hidden in the Forbidden City, has a regular shape, graceful lines, even glaze and brilliant colors, and has a high status in the history of ceramics.
【藏品名稱】：大清雍正年制斗彩碗
"Name of Collection": Doucai Bowl Made in Yongzheng Year of Qing Dynasty
【規格】：口徑14.3CM 底徑10CM 高6.5CM
"Specification": diameter 14.3CM, bottom diameter 10CM and height 6.5CM
雍正在文化事業上，講究傳承，追求正統，完成易代修史的任務;在藝術創作上，他追求精致典雅，秀氣精細;在思想上，強調儒、佛、道三教并重，加以雍正帝自身精于書法，文采風流，結合宮廷畫師與詞臣，為雍正朝創作出大量精美且獨具特色的皇家藝術品。
Yongzheng paid attention to inheritance, pursued orthodoxy, and completed the task of replacing and revising history in cultural undertakings. In artistic creation, he pursues refinement, elegance and delicacy. In ideology, it emphasizes the equal importance of Confucianism, Buddhism and Taoism. With Yong Zhengdi's own expertise in calligraphy and literary grace, he created a large number of exquisite and unique royal works of art for the Yongzheng Dynasty by combining court painters and ci ministers.
雍正斗彩瓷器無論從造型設計。還是紋飾布局、色彩搭配以及填彩工藝，均進人了一個嶄新的階段。此時的斗彩繼續沿 用了填彩的裝飾方法，與從前的裝飾所不同的是，青花線內所峨彩料，填彩準確，工整細膩，不越邊線，亦無端填，在有限的青花框內，將彩料進行渲染和烘托，改變了明代雙線平涂的局限，使紋飾更加清逸秀麗。
Yongzheng Doucai Porcelain, regardless of its design. It is also the decoration layout, color matching and color filling process that have entered a brand-new stage. At this time, the fighting colors continued to be decorated with the method of filling colors. Different from the previous decorations, the blue and white lines were filled with accurate, neat and delicate color materials. They did not cross the border lines, and were filled without reason. In the limited blue and white frame, the color materials were rendered and set off by contrast, which changed the limitation of double-line flat painting in the Ming Dynasty and made the decoration clearer and more beautiful.
雍正斗彩的另一個貢獻，是把粉彩運用到斗彩的裝飾之中。此種填彩摒棄了傳統五彩的填彩工藝，采用康熙晚期出的釉L新彩—粉彩。粉彩是一種含有“玻璃白”的彩料。它是在進口琺瑯彩料的墓礎上，由清宮造辦處研制而成。“玻璃 白”是一種乳濁劑，與其他著色劑配合使用。可以使各色彩料呈現出一種深淺不一、層次分明的多種色階，給人以溫文爾雅的裝飾效果。
Another contribution of Yongzheng's fighting colors is to apply pastel colors to the decoration of fighting colors. This kind of color filling abandons the traditional colorful color filling process and adopts the new glaze L color-pastel color developed in the late Kangxi period. Pastel is a kind of color material containing "glass white". It was developed by the Qing Dynasty Palace Construction Office on the basis of the tomb foundation of imported enamel colored materials. "Glass White" is an opacifying agent used in combination with other colorants. Can make each color material present a variety of color levels with different shades and distinct levels, giving people a gentle decorative effect.
通過“玻璃白”的渲染，可以得到“一色多變”，因而大大地增加了色彩的品種。粉彩與青花拼色彩繪。其色料在燒成后，在瓷器的表而與傳統的五彩相比有一定的厚度，扮潤柔和、晶瑩光亮并具立體感。這種一改青花與五彩搭配，轉向青花與粉彩合繪的飾彩方法，將釉下青花與釉上粉彩融為一體，較之前代的斗彩瓷器更加清逸、淡雅。在雍正時期，斗彩瓷器址突出的成就是將青花與粉彩合繪千一身。使彩瓷進一步得到了發展，在此基礎上不斷提高制瓷工藝和繪畫技巧，造型與裝飾也有了許多新的開拓和創新，使斗彩瓷器更加繁榮興旺。
Through the rendering of "glass white", one can get "varied colors", thus greatly increasing the variety of colors. Pastel and blue-and-white mixed color painting. After being burnt, the pigment has a certain thickness on the surface of the porcelain compared with the traditional multicolored porcelain, and is soft, glittering and translucent, and has three-dimensional effect. This method changed the collocation of blue and white and changed to the decoration method of blue and white combined with pastel. It integrated underglaze blue and white with over-glaze pastel, which was much clearer and more elegant than the previous generation of bucket-colored porcelain. During the Yongzheng period, the outstanding achievement of the Doucai porcelain site was to combine blue and white with pastel. With the further development of colored porcelain, on this basis, the porcelain making technology and painting skills have been continuously improved, and many new developments and innovations have been made in the modeling and decoration, thus making the color-fighting porcelain more prosperous.
這件大清雍正年制斗彩碗，品相完好，胎質細膩，紋飾鮮艷精細，碗口為撇口，深腹，圈足，底款“大清雍正年制”六個字，清晰可見。斗彩碗的外壁繪有纏枝紋樣，紋樣清新疏朗，用筆灑脫用色純正，美觀大氣，品味高雅，意境深遠。制瓷工匠巧妙地用多彩的釉色相互結合、堆疊，將青花瓷胎上的空白部分充實起來，使整體畫面飽滿，也顯得生動活潑富貴之氣十足，除了碗身的圖案外，碗心也同樣被精心的塑造了花卉紋飾。寶貝造型考究，風格典雅，畫工細膩傳神，色彩鮮艷明麗，是雍正時期斗彩瓷器中的佳作。在瓷器藝術品中，獨樹一幟，成為眾多收藏愛好者鐘情的瓷器典范。
This bowl made in Yongzheng year of Qing dynasty has good appearance, fine embryo quality and bright and fine decoration. the bowl has a curled mouth, a deep belly and a full circle. the bottom six characters "made in Yongzheng year of Qing dynasty" are clearly visible. The outer wall of the color bowl is painted with twining patterns. The patterns are fresh and clear, and the colors are pure, beautiful and elegant, with profound artistic conception. Porcelain makers skillfully combined and stacked the blank parts on the blue-and-white porcelain tire with colorful glaze colors to make the overall picture full and vivid. Besides the design of the bowl body, the bowl heart was also carefully shaped with flower decorations. The baby has exquisite modelling, elegant style, exquisite and vivid painting, bright and beautiful colors, and is an excellent piece of fighting color porcelain in Yongzheng period. Among porcelain works of art, it is unique and has become a model of porcelain loved by many collectors.
古玩行 400 686 3616
