碗是人們日常必需的飲食器皿，碗的起源可追溯到新石器時代泥質陶制的碗，其形狀與當今無多大區別，即口大底小，碗口寬而碗底窄，下有碗足。高度一般為口沿直徑的二分之一，多為圓形，極少為方形。不斷變化的只有質料，工藝水平和裝飾手段。
Bowl is a daily necessary food vessel for people. The origin of bowl can be traced back to the Neolithic muddy pottery bowl. Its shape is not much different from today's, namely, large mouth and small bottom, wide bowl mouth and narrow bowl bottom with bowl feet underneath. The height is generally one-half of the diameter of the mouth edge, mostly circular and rarely square. The only things that are constantly changing are materials, workmanship and decoration.
“粉彩”是景德鎮窯在五彩的基礎上及“琺瑯彩”的影響下創制成功的又一種彩瓷。它的獨特之處，是在彩繪時攙加一種白色的彩料“玻璃白”。“玻璃白”具有乳濁效果，畫出的圖案可發揮渲染技法的特性，呈現一種粉潤的感覺，因此被稱為“粉彩”或“軟彩”。其作法是用經過“玻璃白”粉化的各種彩料，在燒成的白釉瓷器的釉面上繪畫，經第二次爐火燒烤而成。一般認為，粉彩初創于康熙晚期，盛燒于雍正、乾隆，成為清代瓷業生產的一個主要品種。直到現代，景德鎮的許多瓷廠仍繼續生產。
"famille rose" is another kind of colored porcelain successfully created by Jingdezhen kilns on the basis of colorful colors and under the influence of "enamel color". It is unique in that a white color material "glass white" is added to the colored drawing. "Glass White" has opacifying effect. The painted patterns can give full play to the characteristics of rendering techniques and present a feeling of powder embellishment. Therefore, it is called "pastel" or "soft color". The method is to use various colored materials pulverized by "glass white" to paint on the glaze surface of the fired white glazed porcelain, and then roast the porcelain by a second fire. It is generally believed that famille rose originated in the late Kangxi period, flourished in Yongzheng and Ganlong, and became a major variety of porcelain production in the Qing Dynasty. Until modern times, many porcelain factories in Jingdezhen continued to produce.
雍正時期被認為是清代盛世之一，其瓷器生產達到了歷史最高水平，制作之精冠絕于各代。總體風格輕巧俊秀，精雅圓瑩。雍正瓷器造型不同于前代，在于它一改康 熙時渾厚古拙之風，代之輕巧俊秀，典雅精致，外形線條柔和圓潤。其胎體選料極精，壁薄體輕，勻稱一致，仰光透視，略顯淡青，呈半透明狀，在紋飾上，釉下彩 中青花釉里紅的制作達到極盛階段，青花和釉里紅在同一種氣氛中燒成，兩種色澤都十分鮮艷。
Yongzheng period is considered to be one of the prosperous times of Qing Dynasty. Its porcelain production reached the highest level in history, and its production was the best in all generations. The overall style is light and elegant, elegant and round. Yongzheng porcelain is different from the previous generation in that it has changed from the vigorous Gu Zhuo style of Kang Xi's time to light, handsome, elegant and delicate, with soft and round lines. The matrix is extremely fine in material selection, thin in wall and light in body, symmetrical and consistent, Rangoon perspective, slightly pale green and translucent. On the decoration, the production of underglaze blue and underglaze red in underglaze color has reached its peak stage. Blue and white and underglaze red are burned in the same atmosphere, and both colors are very bright.
此粉彩樹鳥花紋碗，碗敞口，深腹，圈足。通體粉彩裝飾，底部印有落款。碗身以粉彩繪制精美圖案，繪畫益臻精妙，設色豐富華美，色階層次清晰。采用的畫法既有嚴整工細刻畫微妙的工筆畫，又有滲入淋漓揮灑，簡潔洗練的寫意畫，精微處，絲毫不爽；豪放處，生動活潑，底落“雍正年制”青花四字兩行篆書款。整器紋飾華麗，繪工精準。觀整體器型規整，釉色發色自然，字體工整，是不可多得精品觀賞瓷，具有極高的市場價值和收藏價值。
This famille rose bird pattern bowl has an open mouth, a deep belly and a full circle. Full-body pastel decoration with inscription printed on the bottom. The bowl body is painted with fine patterns in pastel colors. The painting is exquisite, with rich and colorful colors and clear gradation. The painting method adopted is not only meticulous and meticulous in depicting delicate fine brushwork, but also penetrating and scattering, concise and concise in writing and drawing, which is subtle and not at all satisfactory. Bold and unconstrained, lively and lively, the bottom falls "Yongzheng year system" blue and white four-character two-line seal script. The ornamentation of the whole device is gorgeous and the painting is accurate. With regular overall shape, natural glaze color and neat font, it is a rare high-quality ornamental porcelain with extremely high market value and collection value.
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