距今800年前的新時期時代，最早的人們就掌握了制陶技術，特別是到了商代，已經出現了瓷器的雛形。當時已出現一種最早的青釉器，燒紙的溫度可達到1200攝氏度左右，在釉下也刻有各種紋理紋飾，比如雷紋、水波紋、葉脈紋、圓點網紋等等。
In the new era 800 years ago, the earliest people had mastered the pottery making technology. Especially in the Shang Dynasty, the prototype of porcelain had appeared. At that time, a kind of earliest celadon ware appeared. The temperature of burning paper can reach about 1200 ℃, and there are various texture patterns under the glaze, such as thunder pattern, water wave pattern, leaf vein pattern, dot net pattern, etc.
直到隋唐時期，南、北方都有了青瓷的燒造，越窯瓷無論從胎釉、紋飾、種類和形制都遠遠超過了以往。其中湖南長沙窯燒成了釉下彩繪的瓷器，開了以后彩瓷的先河。宋代是我國瓷器發展的一個極盛時期，“汝、官、鈞、哥、定”五大名窖異彩紛呈，便形成了“南青北白”的局面，其中最為出名的便是鈞窯瓷器。
Until the Sui and Tang Dynasties, celadon was made in the north and the south. Yue Kiln porcelain, no matter from the fetal glaze, pattern, type and shape, is far more than before. Among them, Changsha kiln in Hunan Province has been burned into underglaze painted porcelain, which has become the first one for later colored porcelain. Song Dynasty is a peak period of China's porcelain development. The five famous cellars of Ru, Guan, Jun, GE and Ding are colorful, forming the situation of "South Green and North white", among which Jun kiln porcelain is the most famous.
鈞窯，也叫鈞臺窯，它是在柴窯和魯山花瓷的風格基礎上綜合而成的一種獨特風格，因道家思想深刻影響，在宋徽宗時期達到高峰，其工藝技術發揮到極致。無論是呈色和各種紋理的表現，做到窯變可控隨心所欲的表現技術，至今無人能仿造。宋代受到理學的影響，反應在瓷器上就是規整對稱，無論是造型或紋理都遵循這一原則，特別是北宋官造鈞瓷，不管是文房用具或大型祭器都嚴格遵守這一原則。規整對稱，高雅大氣，宮廷氣勢，一絲不茍。其勢沉重古樸，明亮而深沉。鈞窯，作為中國傳統瓷文化正宗，歷史悠久的風格傳承至今。放大鏡觀察，蚯蚓走泥紋，用氣泡一個個串連一體呈立體的爬行狀，青蛙卵紋包裹卵核一摞摞正欲孵化而出。還有牛血紋，血色深紅暗沉殺氣騰騰，莊重威嚴等等，都難以一一敘述。北宋官窯鈞瓷的發色和紋理大小和分布，都難以做到人為控制而恰到好處。
Jun kiln, also known as Juntai kiln, is a unique style based on the style of Chai kiln and Lushan Huaci. It reached its peak in the period of Huizong of Song Dynasty due to the profound influence of Taoism, and its technology reached its acme. No matter it's the performance of color and texture, it's the performance technology that makes the kiln change controllable and arbitrary. Up to now, no one can imitate it. Influenced by Neo Confucianism, the Song Dynasty reflected the regularity and symmetry of porcelain, which was followed in both modeling and texture, especially in Jun porcelain made by officials in the Northern Song Dynasty, which was strictly followed in both stationery and large sacrificial vessels. Regular symmetry, elegant atmosphere, court momentum, meticulous. It is heavy, simple, bright and deep. Jun kiln, as the authentic Chinese traditional porcelain culture, has a long history of style inheritance. Through magnifying glass observation, earthworms walk along mud lines, and use bubbles to form a three-dimensional climbing line. Frog egg lines wrap egg cores and stack them to hatch. There are also cattle blood lines, dark red blood, murderous, solemn and dignified, etc., which are difficult to describe one by one. The size and distribution of hair color and texture of Jun porcelain in the official kilns of the Northern Song Dynasty are difficult to be controlled properly.
鈞窯在其他窯口中最為突出的特點就是其窯口出的瓷器不定性，鈞窯不僅開創了我國窯變釉瓷器的先河，而且鈞窯器物的成型和高超的燒窯技術，一直為后世贊嘆不已，在各大拍賣場，只要出現鈞窯瓷器，都會被買家爭先搶購，早在2013年11月香港佳士得拍賣公司就曾拍賣過一款鈞窯玫瑰紫釉鼓釘三足洗，最終以123萬美金（USD）成交，折合人民幣757萬。
The most prominent feature of Jun kiln in other kilns is the uncertainty of the porcelains from its kilns. Jun kiln not only pioneered the transformation of China's glazes porcelains, but also the shaping of Jun kiln artifacts and superb kiln firing technology, which has been admired by later generations. In major auction houses, as long as Jun kiln porcelains appear, they will be snapped up by buyers. As early as November 2013, Christie's auction company in Hong Kong A Jun kiln rose purple glaze drum nail three-step washing was auctioned, and the final deal was $1.23 million (USD), equivalent to RMB 7.57 million.
由此可見，鈞窯瓷器在拍賣會上越來越搶手，并且其價值更是超過了“汝、官、哥、定”等窯口的其次，稱為瓷器中的“皇帝”。鈞窯瓷器最為突出的一點還是取決于每一件鈞窯都是"獨一無二"的，沒有相同的釉色，沒有相同的款式，更沒有相同的重量。
It can be seen that Jun kiln porcelain is more and more popular in the auction, and its value is more than that of "Ru, Guan, Ge, Ding" and other kilns. It is called the "emperor" of porcelain. The most outstanding point of Jun porcelain is that each piece of Jun porcelain is "unique", without the same glaze color, style or weight.
鈞窯的制作十分嚴格，鈞窯的稀少以及珍貴完全是緣于宋徽宗的“完美主義”，在宋徽宗在位期間，他將鈞窯定位御窯，專門生產貢瓷，但是為了追求完美的貢瓷及釉色，一方面不計成本的生產貢瓷，另一方面又嚴格規定著，每年御窯中只能生產36件絕品鈞窯。
The production of Jun kiln is very strict. The rarity and preciousness of Jun kiln is entirely due to the "perfectionism" of Huizong of Song Dynasty. During the reign of Huizong of Song Dynasty, he positioned Jun kiln as a royal kiln and specialized in producing tribute porcelain. However, in order to pursue perfect tribute porcelain and glaze color, on the one hand, he produced tribute porcelain regardless of cost, on the other hand, he strictly stipulated that only 36 unique Jun kilns can be produced in the Royal kiln every year.
根據文獻記載，當時鑄造鈞窯時，必須要有官員在場監看，在挑選出符合宮廷器物條件的宮廷制品后，其余的一律銷毀，就算是殘障斷片，也不允許流入民間，由此可見鈞窯的珍貴之處，更別提工藝鑄造之法和秘籍了。
According to the literature, when casting Jun kiln at that time, officials must be present to watch. After selecting the palace products that meet the requirements of the palace artifacts, the rest of them will be destroyed. Even the disabled fragments will not be allowed to flow into the people. This shows the value of Jun kiln, not to mention the process casting method and secret script.
此藏品口微斂、深弧腹，小圈足，端莊古雅，簡約自然。素面無紋飾，純以鈞釉為飾，口沿處釉色薄而呈淡淡的褐黃色，輪廓鮮明。代表著鈞窯延續宋代追求簡約自然，一色勻凈、不事雕琢的審美性格。近底露出淡黃胎體，厚實古拙。其釉色流動生輝，胎質細膩，釉層肥厚。窯變特征明顯，胎質堅實，器型端莊，較為罕見，極具收藏價值！鈞窯器型一直都規整嚴謹，比例協調合理，重心或多或少有下墜感。高貴大氣，相當震撼，更是難得一件的鈞瓷精品!整體造型規整，線條自然流暢，富有藝術價值，極具收藏意義。
This collection has a slightly convergent mouth, deep arc abdomen, small circle feet, dignified and elegant, simple and natural. There is no pattern on the plain surface. It is decorated with Jun glaze. The glaze along the mouth is thin and light brown yellow, with distinct outline. It represents Jun kiln's aesthetic character of pursuing simplicity and nature, uniform color and no carving. Pale yellow carcass is exposed near the bottom, thick and clumsy. Its glaze color is flowing and glowing, with fine texture and thick glaze layer. Kiln change features obvious, solid, elegant, rare, very valuable collection! Jun kiln has always been regular and rigorous, reasonable proportion, more or less the center of gravity has a sense of falling. Noble atmosphere, quite shocking, is a rare Jun porcelain boutique! The overall shape is regular, the lines are natural and smooth, rich in artistic value, and has great collection significance.
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