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乾隆時期,掐絲琺瑯工藝全面興盛,并達到巔峰,形成了內府造辦處、廣州、揚州、蘇州等幾個工藝中心。乾隆朝除了繼續仿制前朝的各種器皿外,還從事仿古銅器和宗教儀典方面所用的佛像、佛龕、佛塔、滿達、七珍八寶等供具之制作,更另辟蹊徑,燒制各種動物造型的實用兼陳設的器皿。一般日常生活用具,例如飲食用器、文房用具、日用的花瓶、花盆、轎瓶、香薰、臉盆、渾天儀、暖手爐、渣斗、鏡子、掛屏、燈座、帽架、魚缸、如意、齋戒牌、鼻煙壺、鐘表、及翎管、班指、指甲套、發簪等裝飾品等,不勝枚舉。其裝飾繁縟,紋樣采用傳統的螭龍、獸面、吉祥紋飾、蓮塘、山水、番蓮及蓮瓣、菊瓣和各種西洋式花朵。而且乾隆常把古代書畫名跡巧妙地運用到掐絲琺瑯的紋飾中,以追求繪畫藝術與琺瑯工藝的完美結合。掐絲的技術更;為嫻熟,粗細均勻而流暢,色釉種類多樣,釉色艷麗、潔凈,但大多數缺透明溫潤的質感。同時結合鏨胎和畫琺瑯之制作技巧于一體,使掐絲琺瑯工藝之發展臻于極境。

During the Ganlong period, cloisonné enamel technology flourished in an all-round way and reached its peak, forming several technological centers such as the Office of Internal Affairs, Guangzhou, Yangzhou and Suzhou. In addition to continuing to copy various vessels of the previous dynasty, the Ganlong Dynasty also engaged in the manufacture of antique bronze wares and religious ritual vessels such as Buddha statues, shrines, pagodas, manta, seven treasures and eight treasures. It also blazed a new trail to make practical and furnished vessels of various animal shapes. General daily life appliances, such as food utensils, stationery, daily vases, flowerpots, car bottles, aromatherapy, washbasins, armillaries, hand warmers, slag hoppers, mirrors, hanging screens, lamp holders, hat holders, fish tanks, Ruyi, fasting cards, snuff bottles, clocks and watches, as well as decorations such as feather tubes, shift fingers, nail covers, hairpins, etc., are numerous. The decoration is complicated, and the patterns are traditional dragon sting, animal face, auspicious patterns, lotus pond, landscape, lotus and lotus petals, chrysanthemum petals and various western flowers. Moreover, Ganlong often skillfully applies the famous ancient paintings and calligraphy to the decoration of cloisonné enamel to pursue the perfect combination of painting art and enamel technology. The technology of wire pinching is even better. For skilled, uniform and smooth thickness, color glaze variety, glaze color is gorgeous, clean, but most lack of transparent and warm texture. At the same time, the development of cloisonné enamel technology has reached an extreme stage by combining the techniques of carving and painting enamel.

銅胎掐絲琺瑯是一種特種工藝品,是用細扁銅絲做線條,在銅制的胎上捏出各種圖案花紋,再將五銫琺瑯點填在花紋上,經燒制、上釉鍍釒而成。外觀晶瑩潤澤,鮮艷奪目。清代的景泰藍工藝已聞名天下,乾隆年間的銅胎掐絲琺瑯彩工藝達到了頂峰。

Copper filigree enamel is a kind of special handicraft. It is made of thin flat copper wire, which makes various patterns on the copper tire, and then fills the five cesium enamel dots on the patterns, which are fired, glazed and plated. The appearance is crystal clear and lustrous. Cloisonne technology in Qing Dynasty is well-known all over the world. During the Qianlong period, the enamel technology of copper tire silk cutting reached its peak.

 

這個掐絲琺瑯彩的制作過程非常復雜麻煩,以至于做出來的每一件藏品都價值不菲!先由銅器燒成后,在銅器上面拿銅絲掐出輪廓之后,在輪廓里面鑲入瑪瑙等一些寶石的一些粉料進去,然后燒制成之后再鑲入琺瑯彩。所以這件藏品經過專家幾次鑒定為到代藏品,價值非常難得。

The process of making the filigree enamel is so complicated and troublesome that every collection made is valuable! First, after the copper ware is burned, the copper wire is used to cut out the outline of the copper ware, and then some powder materials such as agate are inlaid in the outline, and then the enamel color is inlaid after it is made. Therefore, this collection has been identified by experts for several times as a modern collection, and its value is very rare.

 

此件清-銅胎掐絲琺瑯彩-纏枝花紋筆筒,完全符合清乾隆年間的工藝特點,應為當時之典型器物。采用延伸性更好的純銅,胎質地精良,厚重,包漿自然老熟,品相完美無缺。琺瑯釉料銫澤鮮明,蓮花栩栩如生,外壁枝葉輾轉自如,掐絲上填紅,藍,黃,白等各銫琺瑯釉銫,亮澤繽紛,大紅如雞血,嬌黃似姜汁,白銫近凝脂,更顯得整器富麗繁皇,優美。掐絲技藝更是絲流暢婉,銅絲細薄均勻,紋飾靈活精巧,造型唯美。整體既運用了青銅工藝,又融合了瓷器工藝,同時又體現出了傳統繪畫技藝。底部雕刻楷書"乾隆年制"四字方框款。此類上等的佳品存世量極為稀少。具有極高的歷史收藏價值!

This Qing bronze filigree enamel color twirling brush holder is fully in line with the technological characteristics of the Qianlong period of the Qing Dynasty, and should be a typical utensil at that time. It adopts pure copper with better extensibility, with fine texture and heavy weight. The coating is naturally mature and the product is perfect. The enamel glaze cesium is bright, the lotus is lifelike, the branches and leaves of the outer wall rotate freely, the red, blue, yellow, white and other cesium enamel glaze cesium is filled on the filigree, bright and colorful, bright red like chicken blood, delicate yellow like ginger juice, white cesium nearly coagulates, which makes the whole device more colorful and beautiful. The technology of pinching silk is more fluent and euphemistic, the copper wire is thin and even, the pattern is flexible and exquisite, and the shape is beautiful. As a whole, it not only uses bronze technology and porcelain technology, but also embodies the traditional painting skills. At the bottom, there is a four character box with regular script "made in Qianlong". There are very few excellent products of this kind. With a high value of historical collection!

 

 

 

 

 

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