【藏.薦】欄為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.
【名稱】： 大明盛世圖（袁江）
【類型】： 字 畫
【年代】： 明 代
【規格】： 長：415.4 cm 寬：26.8 cm
[name]: The picture of Ming Dynasty (Yuan Jiang)
【類型】： 瓷 器
[type]: Calligraphy and painting
【年代】： 清晚期
[time]: the Ming dynasty
[Specification]: Long: four hundred and fifteen point four Cm wide: twenty-six point eight CM
【規格】： 口徑：18.5mm 底徑：100mm 高度：185mm
大明盛世圖是一幅影響畫壇600百年的古畫原作者是明代畫圣戴進，真跡只有這一幅。這副古畫目前藏在博物館中，從明代到現代均有無數名家追捧臨摹，這其中數明代界畫大家袁江，以及光緒皇帝的老師翁同龢臨摹最好，所以我們經常在古畫的前面后面發現壬戊三秋袁江落款和光緒九年翁同龢題字，并且此畫產地一般多為云貴川等地，后期臨摹品數量比較多，收藏價值頗大。
The painting of Ming Dynasty is an ancient painting that has influenced the painting world for 600 years. The original author is Dai Jin, the painter of Ming Dynasty. This is the only true painting. At present, this ancient painting is hidden in the museum. From Ming Dynasty to modern times, there are numerous famous painters who have sought to copy it. Among them, Yuan Jiang, the famous painter of Ming Dynasty, and Weng Tonghe, the teacher of Emperor Guangxu, have the best copy. Therefore, we often find that Yuan Jiang's signature in the third autumn of Renwu and Weng Tonghe's inscription in the ninth year of Guangxu in the front and back of the ancient painting, and the origin of this painting is generally yunguichuan and other places. Later copies are made The quantity is relatively large, and the collection value is quite large.
《大明盛世》畫的主要內容是：公元1433年，以南京夫子廟為中心的明朝秦淮風光。明宣宗宣德八年春，南京久旱。七歲的皇太子朱祁鎮，即后來的明英宗，隨父皇明太孫宣宗朱瞻基、生母孫皇后，其弟朱祁鈺即后來的代宗，御使振恤，巡游南京夫子廟。明朝四世三位皇帝（朱祁鎮兩次出任皇帝），英宗的母親孫皇后皇太后，同時出現在一幅畫中。畫中還有其他未考的皇親國戚。成畫的時間是公元1442年、明英宗正統七年壬戌。其時英宗朱祁鎮已十六歲，親政的年齡。
The main content of the painting is: in 1433 A.D., the Qinhuai scenery of the Ming Dynasty centered on Nanjing Confucius Temple. In the spring of Xuande, Xuanzong of Ming Dynasty, there was a long drought in Nanjing. Zhu Qizhen, the seven-year-old crown prince, was the later emperor Yingzong of Ming Dynasty. Zhu Zhanji, the father of Emperor Xuanzong of Ming Dynasty, and empress sun, the mother of the emperor, followed Zhu Qiyu, his younger brother, the later emperor Daizong, the Royal envoy Zhenxiang, and toured Nanjing Confucius Temple. Three emperors of the Ming Dynasty (Zhu Qizhen was the emperor twice) and empress sun, the mother of emperor Yingzong, appeared in a painting at the same time. There are other relatives in the painting that have not been examined. The painting was completed in 1442 A.D. and in the seventh year of Ming Yingzong orthodoxy. At that time, Zhuqi Town, Yingzong, was sixteen years old and was in charge of the government.
畫題篆書大字，大明盛世，壬戌袁江。作品完成于明英宗正統七年，公元1442年。其時，戴進五十四歲。明宣宗一家人，御使南京秦淮河九年以后，太子朱祁鎮已經登基明英宗皇帝七年。 主畫面手卷，絹本，墨筆，415.4?26.8公分，鐵線描和暈葉描。描繪南京通濟門，直到聚寶門即今天的中華門，十里秦淮河明代民情風物，十處景觀。夫子廟大成殿、天下文樞、文德橋、貢院等，564年前景觀歷歷在目。畫面上五百二十多位明代人物，皇帝皇后太子皇子等、明朝其他皇族，社會各界軍民百姓，栩栩如生，秦淮河畔熙熙攘攘熱熱鬧鬧，好一幅明朝太平盛世圖。
The main content of the painting is: in 1433 A.D., the Qinhuai scenery of the Ming Dynasty centered on Nanjing Confucius Temple. In the spring of Xuande, Xuanzong of Ming Dynasty, there was a long drought in Nanjing. Zhu Qizhen, the seven-year-old crown prince, was the later emperor Yingzong of Ming Dynasty. Zhu Zhanji, the father of Emperor Xuanzong of Ming Dynasty, and empress sun, the mother of the emperor, followed Zhu Qiyu, his younger brother, the later emperor Daizong, the Royal envoy Zhenxiang, and toured Nanjing Confucius Temple. Three emperors of the Ming Dynasty (Zhu Qizhen was the emperor twice) and empress sun, the mother of emperor Yingzong, appeared in a painting at the same time. There are other relatives in the painting that have not been examined. The painting was completed in 1442 A.D. and in the seventh year of Ming Yingzong orthodoxy. At that time, Zhuqi Town, Yingzong, was sixteen years old and was in charge of the government.
畫上方有行書介紹作者及此畫的畫鏡，行書與畫卷同始終。運筆松勁有度，字體如龍飛騰，似鳳飛舞，仿若行云流水一般，極具觀賞性。
There is a running script above the painting to introduce the author and the painting mirror of the painting. Running script and painting scroll are the same all the time. The pen is flexible, the font is like a dragon flying, like a phoenix flying, like clouds and flowing water, very ornamental。
中國的書畫收藏歷史悠久，書畫作為一種陶冶情操的精神文化產物，可以極大的提高投資者的藝術修養和欣賞能力，具有很高的收藏與鑒賞價值。隨著藝術品市場的興起，中國的書畫市場一片繁榮，未來行情看好，收藏前景非?？捎^。
Chinese painting and calligraphy collection has a long history. As a spiritual and cultural product of edifying sentiment, painting and calligraphy can greatly improve the artistic cultivation and appreciation ability of investors, and have a high collection and appreciation value. With the rise of the art market, the Chinese painting and calligraphy market is booming. The market is promising in the future and the collection prospect is very promising.
此件藏品為本次新加坡拍場核心推薦藏品，歡迎各位藏友蒞臨新加坡拍場咨詢競拍，機會難得！
This collection is the core recommended collection of this Singapore Auction. Welcome to come to Singapore Auction for consultation and auction. It's a rare opportunity!
