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黃云款<<神仙圖游魚>>
HuangYun style
【規格】長：97Cm
[Specification] length: 97cm
寬：45.5cm
Width: 45.5cm
【類別】：字畫
[category]: calligraphy and painting
【落款】：黃云款
[signature]: Huang Yunqian
【數量】：一幅
[quantity]: one
中國書畫藝術是中華優秀傳統文化的核心精華。在建設社會主義文化強國的大背景下，繼承和發展中國傳統書畫藝術尤為重要。中國書畫藝術由于其固有的記載歷史過程的特質和博大精深的藝術魅力，幾千年來深深地感染著人類 ，溫暖著人類。
Chinese calligraphy and painting is the core of China's excellent traditional culture. In the context of building a strong socialist culture, it is particularly important to inherit and develop the traditional Chinese painting and calligraphy art. For thousands of years, Chinese painting and calligraphy art has deeply influenced and warmed human beings because of its inherent characteristics of recording historical process and profound artistic charm.
黃云原名黃祖江，廣東新會人。1931年9月出生于廣東恩平。擅長國畫山水畫、壁畫，特點質樸深厚、清新雅逸、裝飾性強，富有生活氣息，被譽為“北墨南韻”的畫家，五十年代便有雕塑、宣傳畫、漫畫、版畫等作品發表和參加省市及全國美展。1959年進入中央工藝美術學院攻讀壁畫專業本科，1964年畢業留校任教。1972年應約為《光明日報》、《人民中國》等報刊撰寫評論文章。1974年調回廣州美術工作室任國畫組組長。1980年廣州中國畫會成立，選為副會長。1982年廣州畫院成立，為畫院專業畫家，院務委員兼國畫組組長。同時，在廣州美術學院兼教授。
Huang Yun, formerly known as Huang Zujiang, is from Xinhui, Guangdong Province. Born in September 1931 in Enping, Guangdong Province. He is good at traditional Chinese painting, landscape painting and mural painting, with simple and profound characteristics, fresh and elegant, strong decoration and rich life atmosphere. He is known as the painter of "northern ink and southern rhyme". In the 1950s, there were sculptures, posters, comics, prints and other works published and participated in provincial, municipal and national art exhibitions. In 1959, he entered the Central Academy of Arts and crafts to study mural, and in 1964, he graduated to stay in school. In 1972, he was invited to write review articles for Guangming Daily, people's China and other newspapers. In 1974, he was transferred back to Guangzhou Art Studio as the leader of the traditional Chinese painting group. In 1980, Guangzhou Chinese Painting Association was established and elected as vice president. In 1982, Guangzhou Academy of painting was established as a professional painter, academician and group leader of traditional Chinese painting. At the same time, he is also a professor in Guangzhou Academy of fine arts.
近年來，黃云在深入體悟前人審美精神的同時，他能勤于思考不僅在創作中傳承中國畫的藝術精神，同時又能不囿于前輩的筆墨圖式，他的作品不是表象上對古人的簡單摹仿，而是極力表現對大自然的超越——既是物質的，也是精神的，更是個體生命意形式的外化。賞讀黃云的作品，即可感受到傳統水墨的無窮魅力，又能探尋到他在融燴中西，執著創新方面所作出的不懈努力。他能把在作品中流露的細膩情感融入到大自然的微妙流轉之中，隨物宛轉，與心徘徊，通過其筆下的形象，營造出精神棲息的港灣，表述著凈化心靈的人文關懷。在筆墨語言的運用中，他以古拙的書法用筆入畫，遒勁厚重，蒼老雄健;用色古艷清新，艷而不俗;色墨對比強烈，極具視覺沖擊力和感染力。作品樸素生動，意趣盎然，洋溢著濃郁的生活氣息和現代審美情趣。
In recent years, when Huang Yun deeply understood the aesthetic spirit of his predecessors, he was diligent in thinking about not only inheriting the artistic spirit of Chinese painting in his creation, but also not limited to the brush and ink patterns of his predecessors. His works are not a simple imitation of the ancients on the surface, but a strong expression of the transcendence of the great nature -- both material and spiritual, but also the externalization of the form of individual life 。 Appreciating Huang Yun's works, you can feel the infinite charm of traditional Chinese ink and find out his unremitting efforts in blending Chinese and Western ink, and in persisting in innovation. He can integrate the delicate feelings revealed in his works into the subtle flow of nature, and wander with the heart as the things change. Through his images, he can create a harbor for spiritual habitat and express the humanistic care of purifying the soul. In the use of brush and ink language, he used the ancient calligraphy brush to draw, which is strong and thick, vigorous and old; the color is ancient and fresh, gorgeous and not vulgar; the contrast between color and ink is strong, with strong visual impact and appeal. The works are simple and vivid, full of interest, full of rich life atmosphere and modern aesthetic taste.
這幅<<神仙圖游魚>>能夠感受到一種不溫不火、淡泊深遠的清雅之氣，能夠體悟到一種不激不厲、和諧融通的靜美之氣，能夠收獲到一種不燥不枯、神采飛揚的俊朗之氣。工筆畫造型準確，設色逼真，描寫生動細膩，而寫意畫則取其神韻，筆簡意賅，野逸豪放，他的自如揮灑，氣息足、趣意多、神采逸、骨力硬，把骨力巧隱于淡泊之中，把俊逸巧隱于樸拙之中，把恣意巧隱于法度之中，古樸卻不失剛健，靈秀卻不失渾厚，端莊卻不失俊逸，雄強卻不失文靜。能從他的動情書寫中品讀出率真灑脫的情懷。其價值和未來的升值空間更是無法估量！
In this picture, you can feel a kind of calm and elegant air that is not warm, not fiery and far-reaching, a kind of calm and beautiful air that is not harsh, harmonious and harmonious, and a kind of handsome air that is not dry, not dry and not dry. Fine brushwork is accurate in modeling, lifelike in color, vivid and delicate in description, while freehand brushwork takes its verve. The brushwork is simple and comprehensive, wild and unrestrained. It is easy to swing, full of breath, interesting and meaningful, elegant and hard in bone. It conceals its bone in indifference, its beauty in simplicity and simplicity, and its wanton skill in law. It is simple but vigorous, smart but thick, dignified but not weak Lose handsome, strong but not quiet. Can read the frank and free feelings from his emotional writing. Its value and future appreciation space are immeasurable!
欲了解更多精品詳情聯系張總15010550039
For more details, contact Zhang Zong 15010550039
