瓶高：25.3cm 口經：2.5cm 底徑:6.9cm。型體端莊，蒜頭口，細頸，削肩，壯腰，鼓腹，直圈足微撇。精修胎，圈足呈沉鰍背狀，手掂重量適中。胎質細膩，玉質感強，浮梁高嶺土制坯。內外施滿釉，酥雅潤澤，迎光見毛孔紋,氣泡均勻。斗彩裝飾，口沿及花描金。回紋、及纏枝菊花及口沿，頸部留白，變形蓮烽火紋披肩，回紋，如意紋陪襯。下腹繪十字杵變形蓮紋托畫。
Bottle height: 25.3cm mouth diameter: 2.5cm bottom diameter: 6.9cm. The shape is dignified, with garlic mouth, thin neck, shoulder cutting, strong waist, bulging abdomen, straight Circle and slight skimming. It is a refined fetus with a round foot in the shape of a heavy Loach's back and a moderate hand weight. The tire is fine, the jade is strong, and the floorboard is made of kaolin. The inside and outside are covered with glaze, crisp, elegant and moist. When facing the light, you can see the pore pattern, and the bubbles are even. Decoration of fighting color, mouth edge and flower tracing gold. There are palindrome, chrysanthemum and mouth edge, white neck, deformed lotus and beacon pattern shawl, palisade and Ruyi pattern. The lower abdomen is painted with the shape of a cross pestle.
主題紋繪畫人物，花草，連理枝等折技三花，近根處均有如意靈芝，足以波濤紋為飾，紅、綠、金與青花相得益彰。不但畫面情趣生輝。吉祥如意的寓意也十分明瞭。此種三多的繪畫題材明清時廣泛使用。此瓶繪畫精致，用筆嫻熟流暢，首屈一指。粗看有永宣青花的潤散現象，細看為運筆故意點觸所為。
There are three kinds of folding techniques, such as figure painting, flowers and plants, connecting branches and so on. Near the root, there is Ruyi Ganoderma lucidum, which is enough to be decorated with waves. Red, green, gold and blue and white complement each other. Not only the picture is full of interest. The meaning of good luck is also very clear. These three kinds of painting themes were widely used in Ming and Qing Dynasties. This bottle is exquisite in painting, skillful and fluent in writing. In a rough view, there is the runsan phenomenon of Yongxuan blue and white, which is caused by the deliberate touch of Yunbi.
底部浙青料篆書“大明成化年制”款，筆跡清晰，力透瓷胎。百倍放大鏡觀察，釉面硬傷痕跡鈍化明是，氣泡稀疏明朗，個別泡破結晶。彩料下沉致胎。斗彩始于明成化。有別于五彩。五彩嘉萬時期出現最多。斗彩是在坯胎上先用青料畫好框架，只留下少量空白處，經第一次燒制后再補上其它色彩第二次燒制完成。也就是斗彩是以青花為主體，而五彩青料是作為藍色與其它顏色是一樣地位。
At the bottom of the seal script of Zhejiang green material is the "Ming Dynasty Chenghua annual system", with clear handwriting and penetrating porcelain body. Through the observation of 100x magnifying glass, it can be seen that the marks of enamel hard injury are passivated, the bubbles are sparse and clear, and some bubbles are broken and crystallized. The color material sinks and causes the tire. The fighting began with mingchenghua. Different from multicolored. Colorful Jiawan period appears most. Doucai is to use green material to draw the frame on the blank first, leaving only a small amount of blank space, and then fill in other colors after the first firing and complete the second firing. That is to say, the main body of the fighting color is blue and white, while the five-color blue material is the same status as other colors.
斗彩瓷繪成化期盛行，一直沿襲到現在，但因其需二次彩繪,二次入窯瓷界并不常用。清三代雖然是瓷業高峰期也不多見。此蒜頭瓶的面世也是一件罕見之器物。此藏品極具投資及收藏價值。
The painting period of doucai porcelain is very popular, which has been followed until now. However, because of the need of secondary painting, it is not commonly used in the field of kiln porcelain. Although the three dynasties of Qing Dynasty was the peak period of porcelain industry, it was rare. The appearance of this garlic bottle is also a rare artifact. This collection is of great investment and collection value.
