御尚文化藝術精品賞析：御世珍藏，尚博古今！
光緒元寶 雙旗幣
合同號：YSWHZLFW-C8014
規格：雙旗重：9.5 g 直徑：3.24 cm 光緒重：23.8g 直徑：3.89cm
北洋光緒元寶是清朝光緒年間流通的貨幣之一。由湖北兩廣總督張之洞率先引進英國鑄幣機器鑄造銀元和銅元，之后各省紛紛仿效。共有十九個省局鑄造，除中央戶部，地方省所鑄銅元，皆在其正面上緣鐫寫省名。
Guangxu yuan bao was one of the currency circulated during the guangxu period of the qing dynasty. Zhang zhidong, governor of hubei province, guangdong province, was the first to introduce the British coinage machine to cast silver and copper yuan, which was followed by other provinces. A total of 19 provincial bureau casting, except the central ministry of household, the local province cast copper yuan, all engraved on its front edge province name.
藏品的背面內圈是神龍圖騰，紋路如刀刻所成，鑄造工藝神乎其技，且龍身紋路精美，龍身纖細，龍首威嚴霸氣，極其瑰麗，美得動人心魄！神龍圖騰紋飾自然純正，光潔細潤。外環珠圈，錢幣的版面設計優雅，而且存世量極為稀少，知名度極大的一種，具有無法估量的學術與歷史價值。
The back inner circle of the collection is the divine dragon totem, the pattern is like a knife carved into, the casting technology god to its skill, and the dragon body pattern is exquisite, the dragon body is fine, the dragon head is majestic and domine, extremely magnificent, beautiful moving soul! Dragon totem decoration is natural and pure, smooth and smooth. Outer ring of beads, the layout of money elegant, and the existence of a very rare, great popularity of a, with immeasurable academicand historical value.
北洋光緒元寶是大清光緒年流通大面值貨幣之首，是我國首批引進海外技術的印發流通貨幣，對于現今也蘊藏了一定歷史意義。
Guangxu yuanbao is the first large-denomination currency in circulation in guangxu period of the qing dynasty. It is the first printed and circulated currency that introduced overseas technology in China.
北洋是現在天津地區的舊稱，在清朝時被稱為直隸省。北洋機器局(又稱軍貨機器總局、天津機器制造局)是中國早期的現代化兵工廠，由北洋三口通商大臣崇厚等人于1867年創辦，1870年由李鴻章接辦。光緒十三年(公元1887年)，李鴻章在天津創建附屬于北洋機器局的機器鑄錢局（寶津局），鑄造機制銅錢，鑄幣設備部分來自北洋機器局，部分從英國進口。光緒二十五年，清政府又準許北洋機器局繼續鑄造銀幣，北洋機器局更名為北洋銀元局，其后鑄造的銀幣改為“北洋造”。光緒年間鑄造了一系列銀幣，但北洋造光緒元寶由于不便于流通使用，故鑄額極其稀少，更顯珍貴。
Beiyang is the old name of tianjin area, which was called zhili province in the qing dynasty. Beiyang machinery bureau (also known as the general bureau of military machinery and tianjin machinery manufacturing bureau) was an early modern Arsenal in China. It was founded in 1867 by chonghou, minister of commerce of beiyang three companies, and succeeded by li hongzhang in 1870. In the thirteenth year of guangxu reign (AD 1887), li hongzhang set up the machine casting money bureau (baojin bureau) in tianjin, which was attached to beiyang machinery bureau. It cast copper COINS with machinery and imported some coinage equipment from beiyang machinery bureau and some from Britain. In the 25th year of guangxu's reign, the qing government allowed beiyang machinery bureau to continue minting silver COINS, which was renamed beiyang silver dollar bureau. During guangxu period, a series of silver COINS were minted, but because it was not convenient to use in circulation, the amount of silver COINS was very rare, which was more precious.
此枚是“湖南省造雙旗幣”，其誕生的歷史背景就是在清政府垮臺之后，以孫中山先生指導的北方反動黨成立了“民國政府”，百廢待興，但是由于錢幣機制并未形成良好的機制制度，所以大部分地方緊急采取制幣機制，中華民國沿用清代的造幣設備和造幣技術，鑄造了“湖南省造雙旗幣”。雙旗幣就是在這種情況下形成的。湖南造幣總廠的“雙旗幣”造型簡單，設計合理，被廣泛推廣。This medal is made double flag currency "in hunan province", the historical background of the birth of is in following the collapse of the qing government, under the guide of sun yat-sen, the northern opposition parties has established "the government of the republic of China", the newborn, but because the coin mechanism has not formed a good mechanism system, so most of the local emergency take coin mechanism, continue to use the coinage of equipment in the qing dynasty of the republic of China and coinage technology, casting a "build double flag currency" in hunan province. This is where the double-flag coin came into being. The "double-flag coin" of hunan coinage general factory is simple in shape, reasonable in design and widely popularized.
正面圖案中央為兩面交叉的國旗，上方為“湖南省造”四字，下方為記值：當制錢二十文；左右分列花枝，背面圖案為稻穗組成的嘉禾紋，寓意“家和”，寓意國家注重農桑和百姓生活，畫面造型極為和諧。紋飾別致，邊緣環英文。The front of the central pattern for the two crossed national flag, the upper part of the "hunan province made" four words, the bottom of the record value: when the money twenty; Flowers and twigs are arranged on the left and right, and the pattern on the back is golden harvest grain composed of rice ears, which means "home harmony". It means that the country pays attention to the life of farmers, mulberry trees and common people, and the picture modeling is extremely harmonious. Unique decoration, edge ring English.
雙旗幣普遍流通的都是當十文的，二十文的發行數量較少，民國在中國歷史上僅僅存在了幾十年的時間。雖說民國時期的錢幣版本較多，但這種正面鐫刻有“二十文”楷體字、在當今的藏品市場中并不多見。因此，在兵荒馬亂、國內戰爭頻發的期間內，依然可以保留下來，具有很高的收藏價值。Double-flag COINS are generally circulated in the form of ten languages, while the number of twenty languages is relatively small. The republic of China only existed for several decades in Chinese history. Although the republic of China period coin version more, but this front engraved with "20 text" regular character, in today's collection market is not often seen. Therefore, during the period of chaos and frequent civil wars, it can still be preserved and has a high collection value.
錢幣雖小，也可管窺當時社會文化及經濟一斑，更凸顯當時制造工藝的精湛，此枚錢幣歷經歲月流逝，表面稍有磨損，因流通轉手摩挲而發出自然光亮，具有無可估量的學術、收藏、研究價值！
Although the coin is small, it can also get a glimpse of the social culture and economy at that time, and highlight the exquisite manufacturing technology at that time. This coin goes through the passage of time, the surface is slightly worn down, and it gives out natural brightness because it changes hands in circulation. It has immeasurable academic, collection and research value!
特級老天青帝王云錦紫砂壺
合同號：YSWHZLFW-C8011
規格：重：324.9 g
詹經建，1966年生于陶都宜興丁蜀鎮。1988年進工貿合營宜興紫砂工藝三廠徒工班，跟隨民間老藝人董新華學習紫砂壺藝，勤奮好學，工作嚴謹，后又得到顧道榮、王三大等工藝美術大師的悉心指導，技藝有了突飛猛進，作品以花貨見長，創意新穎，特別是對自然器物表現，在不失傳統的基礎上，融入個人風格，追求整體上的和諧，和局部細微處理，搭配的自然過渡，使作品充滿精氣神韻，造型樸素優雅，是當代青年紫砂藝人中佼佼者，所制作品深受業內人士好評，多次在展覽會上獲金、銀獎,博物館爭相收藏，并被紫砂藏家追捧推崇。于2006年創辦紫砂工作室-壺藝閣。
獲獎經歷：
《 大彬六方 》榮獲2014年首屆沈陽·宜興紫砂精品文化節金獎。《 八面玲瓏壺 》榮獲山東省第二屆工藝美術精品暨家居用品博覽會2014“神龍杯”工藝美術精品獎金獎。《 時來運轉 》榮獲第十六屆中國【國家級】工藝美術大師精品博覽會“中國工藝美術金獎”。《 情緣 》榮獲第2015年中國工藝美術精品博覽會金獎。《 刻龍大仿古 》榮獲第十五屆中國[國家級]工藝美術大師精品博覽會中國工藝美術金獎。《 福君 》作品被江蘇無錫博物館永久收藏。此云錦壺運用黃龍山特級老天青泥塑造而成，造型大方，端莊威嚴，壺身線條流暢均勻，觸之溫潤如玉，顯示出敦厚溫潤的質感創造了一個全新的藝術形象，光可鑒人，雋永耐看，嘴、把銜接渾然一體；口蓋緊密而不凝滯，壺身內壁清爽利落。
壺身紋飾的裝飾應溶紫砂陶藝于一體，既藝顛添錦，又不奪壺藝自然質樸的美感素質。充分表現了紫砂藝術的美感。壺身一側纂刻著集司空曙、李群玉詩題卷石洞天群玉山房：漁浦浪花搖素壁; 玉峰晴色上朱欄。另一側則刻畫著象征一側詩詞的山水畫。兩者結合寓境美好，仿佛身臨其境。此壺身上的詩詞畫將云錦壺整體的美和藝術感完美融合，非常具有藝術收藏價值。
Zhan Jingjian was born in 1966 in Dingshu Town, Yixing, the capital of Tao.In 1988, he joined the apprenticeship class of Yixing Zisha Craft Factory No. 3, an industrial and trade joint venture. He studied purple sand kettle with Dong Xinhua, an old folk artist, and studied diligently and rigorously. After that, he received careful guidance from arts and crafts masters such as Gu Daorong and Wang Sanda. His skills advanced by leaps and bounds. His works are famous for their flowers and goods, and their creativity is novel, especially for the performance of natural objects. On the basis of tradition, they integrate into their personal style and pursue harmony as a whole. The natural transition with local fine treatment and collocation makes the works full of refined charm, simple and elegant shape, and is one of the outstanding contemporary young purple sand artists. The works have been well received by people in the industry, and have won gold and silver awards in exhibitions many times. Museums compete for collection, and are sought after by purple sand collectors. Founded Purple Sand Studio-Huyi Pavilion in 2006.
Award-winning experience:
Dabin Liufang won the gold medal of the first Shenyang Yixing Purple Sand Fine Culture Festival in 2014. "exquisite pots on all sides" won the gold medal of the 2014 "Dragon Cup" Arts and Crafts Award of the second Shandong Arts and Crafts Fine Arts and Household goods Fair. "good fortune" won the "China Arts and Crafts Gold Award" of the 16th China [National] Arts and Crafts Masters Fair."Love" won the gold medal of the 2015 China Arts and Crafts Fair. "carved Dragon Great Antique" won the Chinese Arts and Crafts Gold Award of the 15th China [National] Arts and Crafts Masters Fair. The works of Fujun are permanently collected by Wuxi Museum in Jiangsu Province. This cloud brocade pot is molded by Huanglongshan super heaven green clay, the shape is generous, dignified and dignified, the kettle body lines are smooth and even, touch the warm and moist as jade, showing a sincere and moist texture to create a new artistic image, light can learn from people, meaningful to see, mouth, the connection is integrated; the mouth cover is tight but not stagnant, and the inner wall of the kettle body is fresh and neat.
The decoration of the kettle body should dissolve the purple sand ceramic art in one, not only add brocade to the art, but also do not take away the natural and simple aesthetic quality of the kettle art.It fully expresses the beauty of purple sand art. One side of the kettle body is engraved with the poems of Ji Kongshu and Li Qunyu, the stone cave Tianqun Yushan room: Yupu spray shakes the plain wall, and the clear color of Jade Peak is on Zhu Lan. The other side depicts the landscape painting that symbolizes the poetry on one side. The combination of the two is beautiful, as if in person. The poems and paintings on this pot perfectly integrate the overall beauty and artistic sense of Yunjin kettle, which is of great value for art collection.
