御尚文化藝術精品賞析：御世珍藏，尚博古今！

齊白石蝦

合同號：YSWHPMFW-A3054

規格：長：1.8m 寬：5.8cm

齊白石（1864—1957），原名純芝，字渭青，號蘭亭，后改名璜，字瀕生，號白石、白石山翁、老萍、餓叟、借山吟館主者、寄萍堂上老人、三百石印富翁，湖南湘潭人，近現代中國繪畫大師，世界文化名人。齊白石早年曾做過木工，后以賣畫為生，五十七歲后定居北京。無論是花鳥、蟲魚、山水、人物，齊白石都勇于嘗試，其筆墨雄渾滋潤，色彩濃艷明快，造型簡練生動，意境淳厚樸實。他曾任中央美術學院名譽教授、中國美術家協會主席等職。
Qi Baishi (1864mur1957), formerly known as Chunzhi, Weiqing, Orchid Pavilion, later renamed Juan, the character is close to birth, Baishi, Baishishan Weng, Lao Ping, hungry old man, owner of the mountain inscription hall, Jipingtang old man, 300 Shiyin millionaire, Xiangtan native of Hunan, modern Chinese painting master, world cultural celebrity.Qi Baishi worked as a carpenter in his early years, then made a living by selling paintings, and settled in Beijing after the age of 57. Whether it is flowers and birds, insects and fish, landscapes and characters, Qi Baishi has the courage to try, his pen and ink is vigorous and moist, the color is rich and bright, the shape is concise and vivid, and the artistic conception is simple and simple. He has served as honorary professor of the Central Academy of Fine Arts and chairman of the Chinese artists Association.

齊白石畫蝦可說是畫壇一絕，靈動活潑，栩栩如生，神韻充盈，用淡墨擲筆，繪成軀體，浸潤之色，更顯蝦體晶瑩剔透之感。以濃墨豎點為睛，橫寫為腦，落墨成金，筆筆傳神。細筆寫須、爪、大螯，剛柔并濟、凝練傳神，顯示了畫家高妙的書法功力。畫家寫蝦，來自生活，卻超越生活，大膽概括簡化，更得傳神妙筆。

齊白石畫蝦堪稱畫壇一絕。齊白石畫蝦通過畢生的觀察，力求深入表現蝦的形神特征。

齊白石從小生活在水塘邊，常釣蝦玩；青年時開始畫蝦；40歲后臨摹過徐渭、李復堂等明清畫家畫的蝦；63歲時齊白石畫蝦已很相似，但還不夠“活”，便在碗里養了幾只長臂蝦，置于畫案，每日觀察，畫蝦之法也因此而變，蝦成為齊白石代表性的藝術符號之一。

齊白石畫蝦表現出了蝦的形態，活潑、靈敏、機警，有生命力。是因為齊白石掌握了蝦的特征，所以畫起來得心應手。寥寥幾筆，用墨色的深淺濃淡，表現出一種動感。一對濃墨眼睛，腦袋中間用一點焦墨，左右二筆淡墨，于是使蝦的頭部變化多端。硬殼透明，由深到淺。而蝦的腰部，一筆一節，連續數筆，形成了蝦腰節奏的由粗漸細。

齊白石用筆的變化，使蝦的腰部呈現各種異態，有躬腰向前的，有直腰游蕩的。也有彎腰爬行的。蝦的尾部也是寥寥幾筆，既有彈力，又有透明感。蝦的一對前爪，由細而粗，數節之間直到兩螯，形似鉗子，有開有合。蝦的觸須用數條淡墨線畫出。他的畫都具有極高的收藏價值。
Qi Baishi painting shrimp can be said to be a unique painting, lively, lifelike, full of charm, throwing a pen with light ink, painted into the body, infiltrating the color, showing the feeling of glittering and translucent shrimp. Take the thick ink vertical point as the eye, write horizontally as the brain, drop the ink into gold, and the pen is vivid. Fine brush strokes, claws, big claws, strong and soft, concise and vivid, showing the painter's excellent calligraphy skills. The painter writes shrimp, which comes from life, but transcends life, boldly generalizes and simplifies, and is even more vivid. 
Qi Baishi's shrimp painting can be called a unique painting. Qi Baishi paints shrimp through life-long observation, strives to deeply show the shape and spirit characteristics of shrimp. 
Qi Baishi lived by the pond from an early age and often fished shrimp. When he was young, he began to draw shrimp. At the age of 40, he copied shrimp painted by painters of the Ming and Qing dynasties, such as Xu Wei and Li Futang. At the age of 63, Qi Baishi painted shrimp very similar, but not "alive" enough. He raised several long-armed shrimp in a bowl and placed them in a painting plan. Daily observation, the method of shrimp painting also changed, and shrimp became one of Qi Baishi's representative artistic symbols. 
Qi Baishi painting shrimp shows the shape of shrimp, lively, sensitive, alert and full of vitality. It is because Qi Baishi has mastered the characteristics of shrimp, so it is easy to draw. A few strokes, with the shade of ink, show a sense of movement. A pair of thick ink eyes, a little coke ink in the middle of the head, two light ink left and right, so that the head of the shrimp changes a lot.The hard shell is transparent, from deep to shallow. And the waist of the shrimp, a stroke, several strokes in succession, forming the rhythm of the shrimp waist from thick to thin. 
The change of Qi Baishi's pen makes the waist of shrimp show all kinds of abnormal behavior, some bow forward, some wander straight waist. There are also people who bend over and crawl.The tail of the shrimp is also a few strokes, both elastic and transparent. A pair of front claws of shrimp, from thin to thick, between several nodes until the two claws, shaped like pliers, open and close. The tentacles of shrimp are drawn with several light ink lines. His paintings are of great collection value.

光緒元寶5°錯版

合同號：YSWHZLFW-B7105

規格：重：10 g 直徑：3.27 cm

光緒元寶錯版幣，字體端莊清秀，筆畫圓潤飽滿；錢幣背面是蟠龍圖，紋路如刀刻所成，龍身紋路精美。此件藏品正面光字與后面龍頭相差5度。世上獨一無二。制作精良，品相俱佳，乃錢幣絕品。
Guang Xu Yuanbao wrong version of the coin, the font is dignified and elegant, the strokes are round and full; the back of the coin is a picture of Panlong, the pattern is like a knife, and the dragon body is beautifully tattooed. There is a 5-degree difference between the front light and the rear faucet of this collection. It's unique in the world. With excellent production and good appearance, it is the best coin.

光緒元寶是錢幣收藏的大類，歷來都受到很多藏家的關注，不同版別的光緒元寶都有獨特的韻味，值得藏家深品。特別以光緒元寶為例，錢幣類的在線拍賣中，成為很多買家追逐的焦點 造光緒元寶由于存世量少，越來越受收藏家的喜愛，近年來造光緒元寶的價格逐步上升。
Guangxu Yuanbao is a major category of coin collection, which has always been concerned by many collectors. Different versions of Guang Xu Yuanbao have a unique charm, which is worthy of deep collection. In particular, take Guang Xu Yuanbao as an example. In the online auction of coins, it has become the focus pursued by many buyers to make Guang Xu Yuanbao. Due to its small stock, it is becoming more and more popular among collectors. In recent years, the price of Guang Xu Yuanbao has gradually risen.
蘊藏著豐富的歷史元素。如今遺傳在世的精品古錢幣然而并不多，此枚精品古幣價值卻是不菲。古錢幣的價格是由存世量、藝術價值和歷史價值判斷的，而且隨著市場供需關系的變化而產生不同程度的波動。古錢幣雖然經歷無窮歲月的洗禮，品相或許受到影響，所以收集到精品古錢幣難度就非常大。價值連城。此件藏品收藏價值極高。升值空間巨大
It contains rich historical elements. Today, there are not many fine ancient coins inherited in the world, but this fine ancient coin is worth a lot of money. The price of ancient coins is judged by the stock, artistic value and historical value, and fluctuates to varying degrees with the change of the relationship between supply and demand in the market.Although ancient coins have experienced the baptism of endless years, their appearance may be affected, so it is very difficult to collect fine ancient coins. very valuable. This collection is of great value.There is huge room for appreciation.

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