【藏.薦】欄為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.
【名 稱】：雄才卓越 連枝佳偶清代刺繡
【藏 品 類 型】：雜項
【藏 品 年 代】：清代
【藏 品 信 息】：36.5cm*25.3cm 36.1cm*26cm
清代初中時期，國家繁榮，百姓生活安定，刺繡工藝得到了進一步地發展和提高，所繡物像變化較大，富于很高的寫實性和裝飾效果；又由于它用色和諧和喜用金針及墊繡技法，故使繡品紋飾具有題材廣泛、造型生動、形象傳神、獨具異彩、秀麗典雅、沉穩莊重的藝術效果。折射出設計者及使用者的巧思和品味，體現了清代刺繡所具有的豐富內涵和藝術價值。
In the Middle School of the Qing Dynasty, the country was prosperous, the people's life was stable, the embroidery technology was further developed and improved, the embroidered objects changed greatly, and they were full of high realism and decorative effect; and because of its harmonious use of color and the love of gold needle and pad embroidery techniques, the embroidered patterns had a wide range of themes, vivid shapes, vivid images, unique colors, beautiful and elegant, calm and solemn Artistic effect. It reflects the ingenuity and taste of designers and users, and embodies the rich connotation and artistic value of embroidery in Qing Dynasty.
清代刺繡，另有兩點值得視為突出成就：
一是地方性繡派如雨后春筍般興起，著名的除有“四大名繡”蘇繡、粵繡、蜀繡、湘繡，還有京繡、魯繡等，各自樹立自我特色，形成爭奇斗妍的局面。
二是晚清吸收日本繪畫長處，甚至融和西洋繪畫觀點入繡，江蘇蘇州沈壽首創的“仿真繡”，為傳統刺繡注入新血和新面目。
There are two other outstanding achievements in Qing embroidery:
First, local embroidery schools have sprung up like mushrooms. The famous ones include Suzhou embroidery, Yue embroidery, Shu embroidery and Xiang embroidery, as well as Beijing embroidery and Lu embroidery. They have set up their own characteristics to compete for beauty.
Second, the late Qing Dynasty absorbed the advantages of Japanese painting, and even integrated Western painting ideas into embroidery. The "simulation embroidery" initiated by Shen Shou in Suzhou, Jiangsu Province, injected new blood and face into traditional embroidery.
富有吉祥圖案的老繡片，不僅帶著古人祈求富貴壽喜、平安幸福的人生理想，帶給人們美好的祝愿，同時也是非常有收藏價值的藏品。將它嵌入鏡框中，掛在居室的墻壁上，也能使四壁生輝，頓添主人的文化品位和修養。
The old embroidered pieces with auspicious patterns not only bring the ancient people's life ideals of praying for wealth, longevity, peace and happiness, but also bring people good wishes, as well as a very valuable collection. Embed it in the mirror frame, hang on the wall of the bedroom, also can make four walls glow, add host's cultural taste and accomplishment.
大約從漢代起，刺繡就成為閨中技藝。中國女子從小就學習刺繡，因而刺繡又叫做“女工”。女孩子在出嫁以前，要為自己繡一批繡品做陪嫁之物;婚后家里的擺設、家人的衣物也需要刺繡來點綴。
Embroidery has been a boudoir art since about the Han Dynasty. Chinese women have been learning embroidery since childhood, so embroidery is also called "female worker". Before marriage, girls need to embroider a batch of embroideries for themselves as dowry objects; after marriage, home furnishings and family clothes also need to be embroidered.
中國人家里幾乎所有的布料做成的東西都可以加繡，從椅墊、桌圍、門簾、壁掛、屏風、床單、被面、枕套，以致大人小孩的外出禮服、帽子、鞋子，以及后來出現的荷包、錢袋、扇套、眼鏡套、表套、鑰匙袋、扳指套、褡褳等，都是心靈手巧的女子們永遠也做不完的繡活。
Almost all the fabrics in Chinese families can be embroidered, from the cushion, table, curtain, wall hanging, screen, bedspread, quilt cover, pillow case, even the out dresses, hats, shoes of adults and children, as well as the purse, purse, fan cover, glasses cover, watch cover, key bag, trigger cover, purse, etc., which later appeared, are all ingenious women who can never make them Finished embroidery.
刺繡工藝最基本的功能是對服飾的裝飾，這種裝飾并非只是起到簡單的美化作用，同時發揮著諸多重要的功能，如標識身份，顯示社會地位。刺繡服飾在長期的演變過程中逐漸形成了許多特定的模式和裝飾部位，如馬面、團花、挽袖、補子等，這些都是刺繡服飾的典型代表。
The most basic function of embroidery is to decorate clothes. This kind of decoration not only plays a simple role in beautifying, but also plays a lot of important functions, such as identifying identity and showing social status. In the long-term evolution process of embroidered clothing, many specific patterns and decorative parts have gradually formed, such as horse face, Tuan Hua, pull sleeve, complement, etc., which are typical representatives of embroidered clothing.
云肩：是隋唐以后發展而成的一種衣飾，其主要作用在于加強肩部裝飾從而突出人面。制作多以綢緞為材料，繡有富有地域民俗含義的圖案，題材多由寫實或寫意的花鳥魚蟲動植物形態聯想而來，清以后，逐漸從日常服飾中消失。
Cloud shoulder: it is a kind of clothing developed after Sui and Tang Dynasties. Its main function is to strengthen shoulder decoration so as to highlight human face. Silk and satin are mostly used as materials, embroidered with patterns rich in regional folk customs. The themes are mostly associated with realistic or freehand patterns of flowers, birds, fish, insects, animals and plants. After the Qing Dynasty, they gradually disappeared from daily clothes.
