近日本公司征集精品推薦：宣和年制姜肉黃釉金絲鐵線橢圓形琮式瓶
【藏品名稱】：宣和年制姜肉黃釉金絲鐵線橢圓形琮式瓶
[collection name]: Xuanhe year made Cong bottle with ginger meat yellow glaze and gold wire
【類別】：瓷器
Class: Porcelain
“北宋哥(哥釉)窯”的款式：目前發(fā)現(xiàn)“金絲鐵線”、“紫口鐵足”“哥釉哥窯”陶瓷器物的款式有：“壽昌（1095年—1101年）五年（1099年）”、“哥”、“哥窯”、“大宋哥窯”、“大宋御哥”（見圖12）、“皇宋哥窯”、“元豐庚寅”、“宋徽宗（1101-1125年）”、“崇寧五年（1106年）汴京官窯王家造”、“崇寧五年清涼寺御制”、“大觀（1107年-1110年）元年清涼寺御制”、“政和元年（1111年）清涼寺御制”、“宣和年制（1119年）”、“宣和清涼寺御制”、“宣政年間.開封府督造.東京官窯.歸于天成.宋徽宗御貢”雙線橢圓型隸書印章款、“宣和二年魯山段家窯督造宋徽宗御貢（1120年是庚子年鼠年）”、“汴京官窯”、“奉華”、“壽成殿用”、“官”、“修內(nèi)司”等等的款式。還發(fā)現(xiàn)個(gè)把器物肩部有“大宋咸平年御制”手寫款、底部有方形印章款“大宋哥窯”的特殊器物。
The styles of "Ge (GE glaze) kiln in the Northern Song Dynasty": at present, the styles of "gold wire", "Purple mouth iron foot" and "Ge glaze Ge kiln" are found: "shouchang (1095-1101) five years (1099)", "Ge", "Ge kiln", "Da song Ge kiln", "Da Song Yu Ge" (see Figure 12), "Huang song Ge kiln", "Yuan Feng Gengyin", "Song Huizong (1101-1125)" "Made by the royal family of Bianjing official kiln in the fifth year of Chongning (1106)", "made by Qingliang temple in the fifth year of Chongning", "made by Qingliang temple in the first year of Daguan (1107-1110)", "made by Qingliang temple in the first year of Zhenghe" (1111) "," made by Xuanhe annual system (1119) "," made by Xuanhe Qingliang temple in the first year of xuanzheng "," made by Kaifeng government in the second year of xuanzheng. Made by Tokyo official kiln. Attributed to Tiancheng. Made by Emperor Huizong of Song Dynasty " In the second year of Xuanhe, duanjiayao in Lushan supervised the manufacture of imperial tribute of Huizong in Song Dynasty (1120 is the year of the rat in the year of gengzi), Bianjing official kiln, Fenghua, Shoucheng hall, official, xiuneisi and other styles. It is also found that there is a hand-written version of "the reign of emperor Xianping of the Song Dynasty" on the shoulder and a special version of "the song Ge kiln" with a square seal on the bottom.
這些款式有四種字體：一是楷書、二是宋體、三是隸書、四是篆書；有陽印紋、陰印紋、陰刻紋、（彩繪）手寫款；印章款大多是印在含鐵較高的胎體上、也有一些印在土黃色等顏色的胎體上，這因窯口而異，窯口地方不同，采集胎土就不同、燒出來的胎色也就不同；當(dāng)然窯口相同，采集胎土不同、用不同工藝燒出來的胎色也可以相同。有方形章、長方形章、圓形章和橢圓形章等；這些印章款基本都在底胎上，也有一些在底胎上直接陰刻款和釉上寫款，還有一些印章款在器物的 邊上，而手寫款一般是寫在底部或肩部上；從這些印章、刻紋、手寫款看，這些“哥釉哥窯”陶瓷器物的燒制年限，一些在北宋中早期，大部分在北宋晚期。從北宋晚期的陶瓷器物的工藝特征的成熟和精美的狀況看，這不是一朝一夕能燒出來的，是經(jīng)過幾十年以上的工藝積累，才能燒出如此精美大氣“金絲鐵線、紫口鐵足”“歸于天成”的“哥釉哥窯”陶瓷來，在當(dāng)時(shí)這類“哥釉哥窯”陶瓷應(yīng)該是不可多得的精品，時(shí)間飛快，瞬間千年一晃而過，到了今天，而這些陶瓷卻已成為非常難得的古代藝術(shù)珍品了。宋代“哥釉哥窯”陶瓷從明清開始一直成為眾多收藏愛好者爭相追捧的收藏品。
There are four types of fonts in these styles: regular script, song style, official script, and seal script; there are Yang print, Yin print, Yin print, and (color painting) handwritten style; most of the seal styles are printed on the carcass with high iron content, and some are printed on the carcass with earth yellow and other colors, which vary with the kiln mouth and different places of the kiln mouth, so it is different to collect the carcass and burn the carcass color The same; of course, the same as the kiln mouth, the tyre color can be the same when the tyre soil is collected and burnt by different processes. There are square seal, rectangle seal, round seal, oval seal, etc.; these seal types are basically on the bottom tire, and some of them are directly engraved on the bottom tire and glaze, and some of them are on utensils On the edge, the handwritten money is generally written on the bottom or shoulder; from these seals, engraved lines and handwritten money, we can see that the firing years of these "Ge glaze Ge kiln" ceramic wares were some in the middle and early Northern Song Dynasty, most in the late Northern Song Dynasty. Judging from the mature and exquisite state of the technical characteristics of the late Northern Song Dynasty's ceramic wares, it can't be fired overnight. Only after decades of technological accumulation, can such fine and magnificent "gold wire, purple iron foot" and "Ge glaze Ge kiln" ceramics "be fired. At that time, such" Ge glaze Ge kiln "ceramics should be rare Now, these ceramics have become very rare ancient art treasures. Since the Ming and Qing Dynasties, "Ge glaze Ge Yao" ceramics in the Song Dynasty have become a popular collection of many collectors.
“宣政年間.開封府督造.東京官窯.歸于天成.宋徽宗御貢”款式的“金絲鐵線”“官窯哥釉”陶瓷器物，應(yīng)該是宋徽宗代表宋朝給北方“納貢”的器物；因此，款式中才有“宋徽宗御貢”字樣。“歸于天成”直接告訴我們，“金絲鐵線”片紋是陶瓷在燒制過程中自然天成，并非出窯后染色的！
"In xuanzheng period, Kaifeng Prefecture supervisor, Tokyo official kiln, attributed to Tiancheng, song Huizong Yugong" style "gold wire" and "official kiln brother glaze" ceramic artifacts, should be the artifacts that song Huizong represented Song Dynasty to "pay tribute" to the north; therefore, the style only has the word "song Huizong Yugong". "Attributed to Tiancheng" tells us directly that the "golden wire" pattern is naturally formed in the firing process of ceramics, not dyed after going out of the kiln!
隨著改革開放大興土木，這批“壽昌五年”、“宣政年間.開封府督造.東京官窯.歸于天成.宋徽宗御貢”、“宣和二年魯山段家窯督造宋徽宗御貢”等款式的“哥釉”陶瓷“納貢”物品（當(dāng)然“納貢”物品還有汝窯和官窯等陶瓷），也就重見天日了。
With the rapid development of reform and opening up, the "tribute" items (of course, the "tribute" items also include Ru kiln and Guan kiln) of Ge glaze ceramics, which are attributed to the imperial tribute of Tiancheng, song Huizong, and Lushan Duan family kiln in Xuanhe.
豐富藝術(shù)生活，傳遞藝術(shù)價(jià)值！如果您對此感興趣，歡迎聯(lián)系庭杰網(wǎng)絡(luò)服務(wù)有限公司！
Enrich art life and transfer art value! If you are interested in this, please contact Tingjie Network Service Co., Ltd!
分享是一種美德，分享是一種快樂，學(xué)會(huì)分享，快樂他人！
Sharing is a virtue, sharing is a joy, learn to share, happy others!
