近日本公司征集精品推薦：精銅麒麟獻(xiàn)瑞滿工堂盤、銀元銀幣銅制銀元大頭
【藏品名稱】：精銅麒麟獻(xiàn)瑞滿工堂盤
[collection name]: Fine copper Kirin presents auspicious man Gong Tang pan
【類別】：雜項(xiàng)
Class: miscellaneous
【規(guī)格】：15*3厘米，重量:880克
[Specification]: 15 * 3cm, weight: 880g
青銅器的制造在我國有著源遠(yuǎn)流長的的歷史。古代“國之大事，在祭與戎”， 進(jìn)行祭祀、征討等國家大事需要大量的青銅器。先秦青銅器不僅與我國的歷史、冶金、文字都有著重要的聯(lián)系，還為工藝美術(shù)的發(fā)展奠定了基礎(chǔ)。仿古青銅器的出現(xiàn)是人們出于復(fù)古宣傳傳統(tǒng)禮教之目的，或出于對古代文化的尊重與愛好。仿造先秦青銅器的歷史大約可以追溯至宋代，當(dāng)時(shí)金石學(xué)興起，公私以收藏商周青銅器為樂事，宮廷曾據(jù)內(nèi)府所藏商周青銅禮樂器大量仿制，以為郊廟之用。
The manufacture of bronze ware has a long history in China. In ancient times, a large number of bronzes were needed for state affairs, such as sacrifice and conquest. Pre Qin bronzes not only have important relations with Chinese history, metallurgy and characters, but also lay a foundation for the development of Arts and crafts. The appearance of antique bronzes is for the purpose of reviving the ancient and propagating the traditional ethics, or for the respect and love of ancient culture. The history of imitating the bronze wares of pre Qin period can be traced back to Song Dynasty. At that time, with the rise of epigraphy, the public and private used to collect the bronze wares of Shang and Zhou dynasties as their entertainment. The court once made a large number of imitations of the bronze ritual instruments of Shang and Zhou dynasties, which were collected by the inner government, for the use of suburban temples.
作為滿族貴族建立的清王朝，從入主中原至清中晚期，經(jīng)歷了一個(gè)從生活方式、語言文字、社會制度、價(jià)值觀念等全方位吸收漢文化的過程。乾隆時(shí)期，疆域一統(tǒng)，海宇又安，經(jīng)濟(jì)發(fā)展，清王朝處于全盛時(shí)期。乾隆帝大力提倡文治，“帝王敷治，文教是先”。乾隆年間仿《宣和博古圖》編纂宮廷收藏古器1436件為《西清古鑒》四十卷，復(fù)出《西清續(xù)鑒》二卷，后又出《寧壽鑒古》十六卷，這三部書對于推動宮廷和達(dá)官顯貴的青銅器收藏起了很大的作用。
As a Manchu aristocrat, the Qing Dynasty experienced a process of absorbing Chinese culture from life style, language, social system, values and so on. During the Qianlong period, the territory was unified, the sea was safe and the economy developed, and the Qing Dynasty was in its heyday. Emperor Qianlong strongly advocated the rule of culture, "the emperor applied the rule of culture and education first". During the Qianlong period, the court compiled 1436 pieces of ancient wares in imitation of Xuanhe bogutou, which were forty volumes of Xiqing Gujian, two volumes of Xiqing Gujian and sixteen volumes of ningshoujian Gujian. These three books played a great role in promoting the collection of bronze wares of the court and dignitaries.
乾隆朝是制作仿古銅器的鼎盛期，但無論在用途上，還是性質(zhì)上，清代銅器與商周時(shí)期的青銅器都是截然不同的。商周時(shí)期，青銅器是貴族世家的標(biāo)志，貴族為了弘揚(yáng)祖德、刻紀(jì)功烈，鑄造銅器并記錄在銘文中。禮器使用的多寡，更是體現(xiàn)貴族等級制度上下尊卑的象征。到了清代，銅器已失去了這些意義，它只不過是生活中的一種器皿，或是人們手中賞玩的藝術(shù)品。
The Qianlong Dynasty was the heyday of making antique bronzes, but the bronzes of Qing Dynasty were quite different from those of Shang and Zhou dynasties in terms of use and nature. During the Shang and Zhou dynasties, bronze ware was the symbol of aristocratic families. In order to carry forward the virtues of ancestors and engrave the merits, the aristocrats cast bronze ware and recorded it in the inscriptions. The use of ritual utensils is more a symbol of the nobility. By the Qing Dynasty, bronze ware had lost these meanings. It was only a kind of utensil in life, or a work of art enjoyed by people.
精銅麒麟獻(xiàn)瑞滿工堂盤尺寸15*3厘米，重量:880克，精銅之上一層古樸內(nèi)斂的包槳，邊緣之間精銅吉金之色展露。其工如畫，飄逸流暢，中國傳統(tǒng)瑞獸.性情溫和，傳說能活兩千年。古人認(rèn)為:麒麟出沒處，必有祥瑞。
The size and weight of the refined copper Kirin sacrificing ruiman Hall plate are 15 * 3cm and 880g respectively. There is a layer of simple and introverted oars on the refined copper, and the color of refined copper and auspicious gold is exposed between the edges. Its work is picturesque and flowing. It is a traditional Chinese auspicious beast. It has a gentle temperament and is said to live for two thousand years. The ancients believed that there must be auspiciousness in the presence of unicorns.
清乾隆時(shí)期宮中先后設(shè)立了銅作和爐作，大量制造各種銅器，以為內(nèi)廷陳設(shè)、佛堂供奉、太廟郊壇等使用。尤以乾隆朝宮廷仿古器最盛，這當(dāng)然與乾隆帝博雅好古的性格與情懷有關(guān)。當(dāng)時(shí)制作的仿古銅器造型與原器相似，如鼎、觚、爵、壺、鐘等。紋飾則有繼承也有創(chuàng)新，器物上常見的紋飾有龍紋、卷云紋、浪花紋、花卉紋、變形獸面紋、變形夔紋、回紋，這些紋飾有的在商周青銅器上尚未出現(xiàn)，有的圖形發(fā)生了一定的變化。器物上常鑄有“大清乾隆年制”銘文。銅器的鑄造方法仍然沿襲古代的失蠟法。到了清代，這一鑄造技藝已達(dá)爐火純青，能夠制作出各種復(fù)雜的造型，而且形體規(guī)范，端莊精致。裝飾方法亦多種多樣，有鏨刻、鏤空、燒古、鎏金銀、嵌金銀絲、灑金等，在繼承的同時(shí)又力求發(fā)展。在器物的皮色方面更是變化多端，造辦處檔案記載的就有石青斑、石綠斑、朱砂斑、豬肝色、銅綠色、茶葉末色、翡翠綠、蟹殼青及鱔魚黃等。這些生動的色澤柔和溫潤，寶色內(nèi)涵，珠光外顯。從中可以領(lǐng)略清代宮廷銅器的精美考究，以及古意盎然的韻味。
During the Qianlong period of the Qing Dynasty, bronze and stove were successively set up in the palace, and various kinds of bronze ware were manufactured in large quantities for the use of the inner court furnishings, the Buddha Hall offerings, and the suburban altar of Taimiao. In particular, the most abundant antique wares in the court of Qianlong Dynasty are related to Emperor Qianlong's elegant and good ancient character and feelings. At that time, the shape of the antique bronze ware was similar to the original one, such as Ding, Gu, Jue, Hu, Zhong, etc. The patterns are not only inherited but also innovated. The common patterns on the implements are dragon pattern, cirrus pattern, spray pattern, flower pattern, deformed animal face pattern, deformed Kui pattern and palisade. Some of these patterns have not yet appeared on the bronze wares of Shang and Zhou dynasties, and some of the patterns have changed to some extent. The inscription "made in Qianlong period of the Qing Dynasty" is often cast on the implements. The casting method of copper still follows the ancient lost wax method. By the Qing Dynasty, this casting technique had reached a high level of perfection. It was able to produce a variety of complex shapes, and the shape was standard, dignified and exquisite. There are also various decoration methods, such as carving, hollowing, burning ancient, gilding gold and silver, inlaying gold and silver wire, sprinkling gold, etc., which strive to develop while inheriting. In terms of the skin color of the utensils, there are many changes. The archives of the production office record the spots of slate, green, vermilion, pig liver, copper green, tea powder, emerald green, crab shell green and eel yellow. These vivid colors are soft and moist, with precious color connotation and pearlescent appearance. From it, you can enjoy the exquisite and elegant bronze wares of the Qing Dynasty and the ancient charm.
清代是我國歷史上文化藝術(shù)發(fā)展的一個(gè)重要時(shí)期，各種類別與形制的器物枚不勝舉，爭奇斗艷，堪稱大觀。
Qing Dynasty is an important period in the development of culture and art in the history of our country.
【藏品名稱】：銀元銀幣銅制銀元大頭(中華民國三年)
[collection name]: Silver dollar, silver coin, copper system, silver dollar, large head (three years of the Republic of China)
【類別】：錢幣
Class: coins
【規(guī)格】：直徑:39.7毫米，厚:2.5毫米
[Specification]: diameter: 39.7mm, thickness: 2.5mm
袁大頭在貨幣收藏界被稱為銀元之寶，它是中國近千種近代銀幣中流傳最廣、影響最大的銀元品種，也是近代中國幣制變革中的一個(gè)重要角色。袁大頭的出現(xiàn)促進(jìn)了銀元的統(tǒng)一，也為日后廢兩改元埋下了伏筆。袁大頭銀元的誕生，也是銀元發(fā)展的必然結(jié)果。在辛亥革命后，袁世凱為了解決軍費(fèi)和提高個(gè)人政治地位而發(fā)行的銀元貨幣，因這些銀元鑄有他的側(cè)身圖像而得名。
Yuan Datou is known as the treasure of silver coins in the field of currency collection. It is the most popular and influential variety of silver coins among nearly one thousand kinds of modern silver coins in China, and it is also an important role in the reform of currency system in modern China. The emergence of yuan Datou promoted the unification of silver dollar, and laid a foreshadowing for the abolition of the two reforms in the future. The birth of yuan Datou silver dollar is also the inevitable result of the development of silver dollar. After the 1911 Revolution, Yuan Shikai issued silver coins in order to solve the problem of military expenditure and improve his political status, which was named after his side image.
民國三年版直徑:39.7毫米，厚:2.5毫米，正面為袁世凱側(cè)面像，上列“中華民國三年”。“年”字后沒有“造”字，其他年版都在“年”字后面有一“造”字。三年版“民”字中有一“點(diǎn)”，而其他年版民字無“點(diǎn)”。鑄造量較少的版別有：“O”記版、粗發(fā)版、三角圓版、開口貝版、加鑄“甘肅”兩字版、背雙星版、大胡須版、大耳朵版等。
In the third edition of the Republic of China, the diameter is 39.7mm, the thickness is 2.5mm, and the obverse is the profile of Yuan Shikai, listed above as "the third year of the Republic of China". There is no word "Zao" after the word "Nian". In other versions, there is a word "Zao" after the word "Nian". There is a "dot" in the three-year version of "Min", while there is no "dot" in other versions. There are less castable editions: "O" type, rough hair type, triangle round type, kaikoubei type, plus cast "Gansu" type, back double star type, big beard type, big ear type, etc.
此藏品色澤光鮮，自然包漿，紋飾深淺適度，邊緣線條粗細(xì)均勻，間距也疏密一致。人像、發(fā)絲、胡須、穗芒等細(xì)微之處清晰有度，生動自然，有很高的藝術(shù)觀賞價(jià)值和文物價(jià)值，具有一定的保值和升值功能，是收藏價(jià)值很高的精品銀元，升值潛力無可限量，非常適合做投資和收藏。
This collection is bright in color, natural in paste, moderate in depth of decoration, uniform in thickness and spacing of edge lines. Portrait, hairline, beard, awn and other details are clear, vivid and natural, with high artistic value and cultural relic value, with a certain value preservation and appreciation function, it is a high-quality silver dollar with high collection value, with unlimited appreciation potential, which is very suitable for investment and collection.
豐富藝術(shù)生活，傳遞藝術(shù)價(jià)值！如果您對此錢幣感興趣，歡迎聯(lián)系庭杰網(wǎng)絡(luò)服務(wù)有限公司！
Enrich art life and transfer art value! If you are interested in this coin, please contact Tingjie Network Service Co., Ltd!
分享是一種美德，分享是一種快樂，學(xué)會分享，快樂他人！
Sharing is a virtue, sharing is a joy, learn to share, happy others!
