青花鳳穿牡丹雙耳瓶
青花瓷器是最富有東方民族風情的瓷器品種,它起源于唐代,元代發(fā)展成熟后主要為外銷瓷,從明代起成為中國瓷器生產(chǎn)的主流。到清代,青花瓷器仍占主導地位,上服務于皇室,下普及于民間,外遠播于世界,無論是在工藝技術、繪畫水平還是產(chǎn)量方面都達到了歷史上的又一高峰。論技術復雜效果華麗,高溫顏色釉、粉彩、琺瑯彩各擅勝場;論歷史悠久源遠流長,傳統(tǒng)的青瓷當仁不讓。只因成熟的青花瓷,必須滿足: 具有潔白的瓷胎和純凈的透明釉,運用鈷料產(chǎn)生藍色的圖案花紋,熟練掌握釉下彩繪的工藝技術這三個要素。青花是單一的顏色,但有深有淺,層次豐富,暈散自然,雖簡樸而華美,但單一復雜,明凈素雅。十分具有中國畫墨分五彩的藝術效果。
Blue and white porcelain is the most oriental porcelain variety. It originated in the Tang Dynasty. After the Yuan Dynasty matured, it was mainly exported to China. It became the mainstream of Chinese porcelain production from the Ming Dynasty. In the Qing Dynasty, blue and white porcelain still dominated, serving the royal family, spreading to the people, spreading to the world, and reached another historical peak in terms of craftsmanship, painting level, and output. On the technical complexity of the effect is gorgeous, high-temperature color glaze, pastel, enamel color each excel in the field; On the long history and long history, the traditional celadon is not to be allowed. Because of mature blue-and-white porcelain, it must meet the following three factors: a white porcelain tyre and a pure transparent glaze, the use of cobalt materials to produce a blue pattern, and proficiency in the under-glaze painting process. Blue and white is a single color, but it has deep, light, rich layers, and faint natural. Although simple and gorgeous, it is simple and complex, and clean and elegant. It has the artistic effect of Chinese painting. The following year, the Qing government ordered the imitation of the coastal provinces along the Yangtze River. Therefore, when the ten copper round casting sites are different, this is the most obvious feature that distinguishes different ten copper circles.
中國勞動人民瓷器燒造水平可謂登峰造極。數(shù)千年的經(jīng)驗,加上景德鎮(zhèn)的天然原料,督陶官的管理,清朝初年的康熙、雍正、乾隆三代,因政治安定,經(jīng)濟繁榮,皇帝重視,瓷器的成就也非常卓越,皇帝的愛好與提倡,使得清初的瓷器制作技術高超,裝飾精細華美,成就不凡,充分體現(xiàn)了古代勞動人民的卓越才能和藝術創(chuàng)造力。是悠久的中國陶瓷史上最光耀燦爛的一頁。
The firing level of the porcelain of the working people in China can reach its peak. Thousands of years of experience, combined with the natural materials of Jingdezhen, the management of the superintendent of Tao, and the three generations of Kangxi, Yongzheng, and Qianlong in the early Qing Dynasty. Due to political stability and economic prosperity, the emperor attached great importance to the achievement of porcelain. The advocacy and advocacy made the porcelain production technology in the early Qing Dynasty superb, the decoration is exquisite and gorgeous, and the achievements are extraordinary, which fully reflects the outstanding talents and artistic creativity of the ancient working people. It is the most brilliant page in the long history of Chinese ceramics.
青花鳳穿牡丹雙耳瓶胎質堅硬、細膩,青花發(fā)色沉穩(wěn),紋飾合理,畫工精細,開光技法,所繪鳳紋生動傳神、飄逸,主題紋飾周圍環(huán)繞纏枝花卉,別具典雅,殊為難得。構圖雖繁,但密而不亂,主賓分明,腹部所繪“鳳穿牡丹”作為主題紋飾也得到突出,所繪鳳鳥體態(tài)舒展,姿態(tài)優(yōu)美,一鳳引頸飛翔,一鳳回首相望,取鳳求凰之意,整體畫風飄逸,運筆流暢,極為典雅,寓意吉祥。古代傳說,鳳為鳥中之王;牡丹為花中之王,寓意富貴。丹、鳳結合,象征著美好、光明和幸福。民間常把以鳳凰、牡丹為主題的紋樣,稱之謂“鳳穿牡丹”、“鳳喜牡丹”及“牡丹引鳳”等,視為祥瑞、美好、富貴的象征。元青花瓷器開辟了由素瓷向彩瓷過渡的新時代,其富麗雄渾、畫風豪放,繪畫層次繁多,與傳統(tǒng)的審美情趣大相徑庭,實在是中國陶瓷史上的一朵奇葩,其制作精美而傳世極少,故而異常珍貴,本件即為傳世元青花中的一例精品。
This blue-and-white phoenix wears a peony pattern. The texture of the tire is hard and delicate. The blue-and-white hair color is stable, the decoration is reasonable, the painting is fine, and the lighting technique is used. The painted phoenix pattern is vivid and elegant. The motif is surrounded by tangled flowers. rare. Although the composition is complicated, it is dense but not chaotic. The guests and guests are clear. The motif painted on the abdomen is also highlighted as a motif. The phoenix bird has a stretched body and a graceful posture. One phoenix leads the neck to fly, and one phoenix looks back. Taking the meaning of asking for the phoenix, the overall painting style is elegant, the strokes are smooth, extremely elegant, and it means auspicious. Ancient legend, the phoenix is the king of birds; the peony is the king of flowers, which means wealth. The combination of Dan and Feng symbolizes beauty, light and happiness. The folk often regards the patterns with the theme of the Phoenix and Peony as "Feng Peony", "Phoenix Peony" and "Peony Leading Phoenix", etc., as the symbol of auspiciousness, beauty and wealth. Yuan blue and white porcelain opened a new era in the transition from plain porcelain to polychrome porcelain. Its richness and magnificence, the style of painting is magnificent, the levels of painting are diverse, and it is very different from the traditional aesthetic taste. It is indeed a wonderful work in the history of Chinese ceramics. Very few, so it is extremely precious, this piece is an example of fine art in the blue and white of the Yuan Dynasty.
此青花鳳穿牡丹雙耳瓶是朱先生收藏的珍品,青花鳳穿牡丹雙耳瓶胎質堅硬、細膩,青花發(fā)色沉穩(wěn),紋飾合理,畫工精細,開光技法,所繪鳳紋生動傳神、飄逸,主題紋飾周圍環(huán)繞纏枝花卉,別具典雅,殊為難得。構圖雖繁,但密而不亂,主賓分明,腹部所繪“鳳穿牡丹”作為主題紋飾也得到突出,所繪鳳鳥體態(tài)舒展,姿態(tài)優(yōu)美,一鳳引頸飛翔,一鳳回首相望,取鳳求凰之意,整體畫風飄逸,運筆流暢,極為典雅,寓意吉祥,極具審美意味和收藏價值。
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