銅墨盒最早起源于清中期同治時期（1861年至1875年）。據史書齊如山的《北京三百六十行》中記載：“刻墨盒始于陳寅生”。文物學家鄧之誠在《骨董瑣記》中也記載：“京師廠肆專業墨盒者，推萬禮齋為最先；刻字則始詳于陳寅生秀才…時同治初元也。
Copper ink cartridge originated from the Tongzhi period (1861-1875) in the middle of Qing Dynasty. According to Qi Rushan's "three hundred and sixty lines of Beijing", it is recorded that "ink box carving began with Chen Yinsheng". Deng Zhicheng, a cultural relic expert, also recorded in the story of Gudong: "the four professional ink cartridges in the capital factory are the first to promote wanlizhai; the lettering is detailed in Chen Yinsheng's scholar At the same time, the early Yuan Dynasty.
光緒初年，京城開始有了銅墨盒作坊，以后日漸增多，較有名氣的有萬禮齋、義合成、京明齋、古松齋、明遠閣、來薰閣、同古堂，以及文古南紙店等。清末震鈞《天咫偶聞》云：“墨盒盛行，端硯日賤，宋代舊坑，不逾十金，賈人亦絕不識，士夫案頭，墨盒之外，硯臺寥寥。”可見銅墨盒在晚清已成為文人雅士愛用的時髦之物。
In the early years of Guangxu, there began to be a copper ink cartridge workshop in Beijing, which has been increasing gradually since then. The more famous ones are wanlizhai, yisynthetic, jingmingzhai, gushongzhai, mingyuange, Laixun Pavilion, tonggutang, wengunanzhidian, etc. In Zhenjun's "a glimpse of the sky" at the end of the Qing Dynasty, it is said: "ink cartridges are in vogue, Duan inkstones are in low price day by day, the old pits in the Song Dynasty are no more than ten gold, and Jia people never know them. Besides the ink cartridges, there are few inkstones." It can be seen that the copper ink cartridge has become a fashionable thing for literati in the late Qing Dynasty.
從文物角度說，收藏銅墨盒應首先集存舊盒，但因舊時刻銅藝人的水平參差不齊，所以在收藏過程中必須去粗取精。此外，陳寅生的刻銅墨盒代表了近代刻銅工藝的最高水平，成為近代以來收藏家們悉心追求的對象，這便刺激了對其作品的仿制行為，因此落款“寅生刻”的作品中贗品極多，在晚清民國時期大約就能占到80%，當代就更難見真品，去偽存真成為必然。1990年代中期以來，舊銅墨盒市場行情逐年上升，有人借機牟利，制售假貨，地攤上出現了大量粗劣低俗的仿制銅墨盒
From the perspective of cultural relics, the collection of copper ink cartridges should first collect and store the old boxes, but because the level of copper artists in the old times is uneven, so we must take the rough and refined in the collection process. In addition, Chen Yinsheng's engraved copper ink cartridge represents the highest level of modern engraved copper technology, which has become the target of collectors' careful pursuit since modern times, which stimulates the imitation behavior of his works. Therefore, there are a lot of forgeries in the works of "Yinsheng engraved", which can account for 80% in the late Qing Dynasty and the Republic of China. Nowadays, it is more difficult to see the real ones, so it is inevitable to eliminate the forgeries and save the real ones. Since the mid-1990s, the market of old copper ink cartridge has been increasing year by year. Some people take advantage of the opportunity to make profits, manufacture and sell fake goods, and a large number of crude and vulgar imitation copper ink cartridges have appeared on the stall
收藏者要加強歷史、文化、書畫藝術方面的修養，廣泛、深入地了解陳寅生、姚茫父等名家的文化底蘊和創作背景，多看他們的真品精品，把握其藝術風格。真品布局章法大方、舒展而緊湊，書畫刻工形神兼備，線條堅定、流暢、爽利、深刻；而仿品布局章法則往往委瑣、局促而散漫，書畫刻工有形無神，線條猶豫、板滯、軟弱、虛浮。
Collectors should strengthen the cultivation of history, culture, calligraphy and painting art, understand the cultural background and creation background of famous artists such as Chen Yinsheng and Yao Mangfu extensively and deeply, see more of their authentic works and master their artistic style. The layout of authentic products is generous, flexible and compact, with both shape and spirit, firm, smooth, refreshing and profound lines; while the layout of imitated products is often cumbersome, cramped and scattered, with no spirit, hesitation, rigidity, weakness and vanity.
使用過的墨盒凝結著歷史的滄桑感，得以留存至今，這本身就是一種價值。但是任何事情總有例外，近些年，也發現過個別從未使用過的老銅墨盒，有的里面不僅沒有墨痕，連絲綿都沒有。一種原因是，墨盒工藝水平極高，舍不得使用;還有一種原因是，墨盒受贈于大名人，或受獎者覺得榮譽很高，舍不得使用。這樣的墨盒等于天生就是收藏品，一經發現，珍貴程度往往名副其實，文化價值和經濟價值要超過那些曾經被使用過的墨盒。
The used ink cartridge condenses the vicissitudes of history, which is a value in itself. But there are always exceptions to everything. In recent years, some old copper ink cartridges that have never been used have been found. Some of them have no ink marks or even silk. One reason is that the ink cartridge has a high level of technology and is reluctant to be used; the other reason is that the ink cartridge is given to celebrities or the recipients feel that the honor is very high and they are reluctant to use it. Such ink cartridges are natural collectibles. Once found, they are often worthy of the name, and their cultural and economic value are higher than those used before.
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