鼎是我國青銅文化的代表。鼎在古代被視為立國重器，是國家和權力的象征。直到現在，中國人仍然有一種鼎崇拜的意識，“鼎”字也被賦予“顯赫”、“ 尊貴”、“盛大”等引申意義，如:一言九鼎、大名鼎鼎、鼎盛時期、鼎力相助，鼎又是旌功記績的禮器。周代的國君或王公大臣在重大慶典或接受賞賜時都要鑄鼎，以旌表功績，記載盛況。鼎被賦予神圣的色彩，起源于禹鑄九鼎的傳說。
Ding is the representative of Chinese bronze culture. In ancient times, Ding was regarded as an important tool for building a country and a symbol of state and power. Until now, Chinese people still have a sense of tripod worship, and the word "tripod" has also been given extended meanings such as "distinguished", "distinguished", "grand", etc., such as: nine tripods in one word, famous tripod, heyday, great help, tripod is also a ritual instrument for performance. In the Zhou Dynasty, the monarchs or princes and ministers should make tripods to mark their achievements and record their grand occasion in major celebrations or when receiving rewards. The tripod was endowed with sacred color, which originated from the legend of Yu casting nine tripods.
【藏品名稱】：三足青銅鼎
[collection name]: tripod bronze tripod
【規格】：高：14cm 寬：17.5cm 口內徑：10.5cm 重：1190g
[Specification]: height: 14cm, width: 17.5cm, inner diameter: 10.5cm, weight: 1190g
交易方式：拍賣
Transaction mode: Auction
價格詳情咨詢我部
Consult our department for price details
鼎本來是古代的烹飪之器，相當于現在的鍋，用以燉煮和盛放魚肉。許慎在《說文解字》里說:“鼎，三足兩耳，和五味之寶器也。”有三足圓鼎，也有四足方鼎。最早的鼎是黏土燒制的陶鼎，后來又有了用青銅鑄的銅鼎。東周尤其是春秋戰國以后，在周王室衰微、禮樂制度崩潰、政治多元化格局的背景下，代表王權的青銅禮器從全盛的頂峰逐漸衰落下來。各國開始制作新的器型及紋飾，表現出自由性、多樣性、地方性的藝術風格。尤其是裝飾紋飾的變化象征意味更加深遠，體現了春秋、戰國時期的審美取向。
The tripod was originally an ancient cooking utensil, equivalent to the current pot, used to stew and hold fish. Xu Shen said in Shuowen Jiezi, "tripod, three feet and two ears, and five flavors of treasure." There are three round tripods and four square tripods. The earliest tripod was made of clay. Later, there was a bronze tripod. In the Eastern Zhou Dynasty, especially after the spring and Autumn period and the Warring States period, under the background of the decline of the Zhou royal family, the collapse of the system of rites and music, and the diversified pattern of politics, the bronze rites representing the royal power gradually declined from the peak of its prosperity. Countries began to make new types of utensils and ornaments, showing freedom, diversity and local artistic style. In particular, the symbolic meaning of the change of decorative patterns is more profound, reflecting the aesthetic orientation of the spring and Autumn period and the Warring States period.
中國傳統審美文化中美的理想有兩種，繁復華麗之美和簡約素凈之美。從春秋到戰國，是由繁縟向簡約過度的階段。紋飾器形無論是具體寫實的，還是抽象表意的，都有了寫意的意味。幾何紋飾除了承載著演化前的實物韻味引發聯想外，間接的寓意更為豐富，甚至具有朦朧多義的象征意味。因而此時期的器物多帶有這種風格轉變的特征。中國青銅器以其“特有的三足器--鼎為核心代表，器制沉雄厚實，紋飾獰厲神秘，刻鏤深重凸出”，是我國青銅藝術成熟期最具審美價值的青銅藝術品。
There are two kinds of ideals in Chinese traditional aesthetic culture, the complicated and gorgeous beauty and the simple and pure beauty. From the spring and Autumn period to the Warring States period, there was a transition from red tape to simplicity. Both the concrete and abstract forms of the ornaments have the meaning of freehand brushwork. In addition to bearing the physical charm before evolution, the indirect implication of geometric ornamentation is more abundant, even has the symbol of hazy polysemy. Therefore, most of the artifacts in this period have the characteristics of this style change. Chinese bronze ware, with its "unique tripod tripod - tripod as the core representative, is the most aesthetic bronze art in the mature period of Chinese bronze art. It has a strong and solid system, a ferocious and mysterious pattern, and a deep and protruding carving.
此三足鼎紋飾，包漿較為自然渾厚，古樸有氣韻，具有一定的經濟價值、藝術價值和收藏價值。
This tripod decoration is natural and thick, simple and charming, with certain economic value, artistic value and collection value.
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