在瓷器世界中，粉彩是唯一能撼動青花霸主地位的瓷器，由于粉彩的色彩豐富、色調淡雅柔和，做工精美，自問世后，立即成為清朝皇室的新寵。而且直到現在，粉彩依舊備受人們的青睞。在拍場上，粉彩一直以來其價格就占據清瓷中的金字塔尖，特別是雍正和乾隆兩朝的粉彩精品一直以來都是市場炙手可熱的珍品，創出數千萬天價的也往往集中在這兩朝的粉彩珍品上。只要是那些系出名門、流傳有序或被藏家多年秘藏、鮮有露面的曠世稀珍現身市場，一定會掀起一波競購狂瀾。
In the world of porcelain, pastel is the only porcelain that can shake the dominant position of blue and white. Because of its rich color, elegant and soft color and exquisite workmanship, pastel immediately became the new favorite of the Qing Dynasty Royal family. And until now, pastels are still popular. In the shooting field, the price of pastels has always occupied the top of the pyramid in Qing porcelain, especially the fine pastels of Yongzheng and Qianlong dynasties have always been the hottest treasures in the market, and the ones with tens of millions of days' price are often concentrated on the pastels of these two dynasties. As long as those rare treasures which are famous, spread orderly or hidden by collectors for many years appear in the market, there will be a wave of bidding.
所謂粉彩，是景德鎮御窯廠的陶工在琺瑯彩的啟發和影響下，引進銅胎琺瑯不透明的白色彩料(玻璃白)，并借鑒琺瑯彩多色階的配置技法創燒的一種釉上彩新品種。粉彩的燒造過程相當復雜，需在預先燒制好的白瓷上經過設計畫樣、勾線、配色、研色、打底、填色、洗染、燒制等多道工序才能完成，粉彩二次入窯的燒成溫度一般在750℃左右。粉彩瓷創燒于康熙中晚期，興盛于雍正、乾隆時期，成為清代瓷業生產的一個主要品種。
The so-called pastel is a new kind of glaze color created by the potters of Jingdezhen imperial kiln, who, inspired and influenced by enamel, introduced the opaque white color material (glass white) of copper body enamel, and used the configuration technique of enamel multi-color steps for reference. The firing process of pastels is quite complicated. It needs to go through many processes such as design, drawing, color matching, research, priming, filling, washing and dyeing, firing, etc. on the pre fired white porcelain. The firing temperature of pastels entering the kiln for the second time is generally around 750 ℃. Pastel porcelain was created and burned in the middle and late Kangxi period and flourished in the Yongzheng and Qianlong periods. It became a main porcelain product in the Qing Dynasty.
景德鎮的制瓷業亦盛極一時，集歷代之大成者于一身。道光粉彩創造出許多新穎的粉彩瓷器。清宮內務府造辦處道光時記事檔中記載了許多道光時景德鎮御廠為宮廷制瓷的史實，也反映出皇帝直接關注制瓷的情況。據記載，道光對有些粉彩器物的用途、型體、花紋的要求常有諭旨，制作前要有畫樣或木樣，審查后才能正式燒制。器物的款識或有或無，寫什么樣的款識以及配合紋飾的詩句等都須經過道光皇帝的批準。
Jingdezhen's porcelain making industry is also very prosperous, integrating the great achievements of the past dynasties. Daoguang pastels create many new pastels. There are many historical facts about Jingdezhen imperial factory making porcelain for the court in Daoguang time recorded in the records of Daoguang time, which also reflects the emperor's direct concern about porcelain making. According to records, Daoguang often has an edict on the use, shape and pattern of some pastel wares. Before making, there should be a painting or wood sample, and only after examination can it be formally fired. It is necessary to get the approval of Emperor Daoguang for the recognition of objects, for what kind of recognition to write, and for poems to match the decoration.
此大清道光年制紅地粉彩花卉紋瓶，小口，直頸，溜肩，橢圓腹，圈足外撇。周身施紅釉，釉色瑩潤，瓶腹以粉彩繪各色花卉紋，百花各具其態，或傲然挺立，或雍容華美，或靈秀高潔，或柔美謙和，在其枝葉繁茂、群芳爭艷之間凸顯出旺盛的生命力。外圍青花雙線圈。此瓶器形制別致秀美，釉質滋潤明亮，將彩繪與色釉裝飾巧妙結合，各臻其妙，繪制精湛，紋飾布局有致，色彩艷麗，協調的色彩與精美紋飾渾然一體，為道光官窯精品，極具藝術鑒賞價值和收藏價值。
This is a red ground pink flower vase made by the light age of the Qing Dynasty. It has a small mouth, straight neck, slip shoulders, oval abdomen, and round feet. Red glaze is applied all over the body, the glaze is bright and lustrous, and the belly of the bottle is painted with various colors of flower patterns. Each flower has its own state, or stands proudly, or is elegant, or elegant, or elegant, or gentle and gentle, showing strong vitality between the luxuriant branches and leaves, and the blooming flowers. Outer blue and white double coil. The bottle is unique and beautiful in shape, moist and bright in glaze. It skillfully combines color painting and color glaze decoration, each of which is perfect, exquisite in drawing, beautiful in layout and color. The coordinated color and exquisite decoration are integrated together. It is a high-quality product of Daoguang official kiln, with great value of art appreciation and collection.
