在清代，從順治、康熙、雍正、乾隆、嘉慶、道光、咸豐到同治、光緒、宣統(tǒng)，每個(gè)朝代都鑄有錢幣，但鑄行當(dāng)百、當(dāng)千面值大錢的，則只有咸豐一朝，流通時(shí)間很是短，十分少見。咸豐錢可分為重寶、元寶、通寶三種,當(dāng)五十及以下計(jì)值稱為“咸豐重寶”，高于當(dāng)五十計(jì)值稱為“咸豐元寶”，以區(qū)別于小平錢“咸豐通寶”。咸豐重寶有“當(dāng)五”、“一十”、“二十”、“五十”和“一百”等版別。由于咸豐錢刊行量少，相對(duì)來說較量少見。
In the Qing Dynasty, from Shunzhi, Kangxi, Yongzheng, Ganlong, Jiaqing, Daoguang and Xianfeng to Tongzhi, Guangxu and Xuantong, coins were cast in each dynasty, but only Xianfeng once had a short circulation time and was very rare when it was used to cast hundreds or thousands of coins. Xianfeng money can be divided into three types: precious treasure, silver ingot and tongbao. when the value is 50 or less, it is called "Xianfeng precious treasure", while when the value is higher than 50, it is called "Xianfeng silver ingot", which is different from "Xianfeng tongbao" of xiaoping money. Xianfeng Heavy Treasure has "Dang Wu", "Shi", "20", "50" and "100" editions. Due to the small amount of Xianfeng money published, the contest is relatively rare.
【藏品名稱】：咸豐元寶當(dāng)千母幣
"Collection Name": Xianfeng Yuanbao File Thousand Mother Coins
【類別】：錢幣
[Category]: Coin
據(jù)相關(guān)史料記載，清代咸豐年間(1851-1861年)，當(dāng)時(shí)正值太平天國(guó)農(nóng)民起義運(yùn)動(dòng)，這一運(yùn)動(dòng)發(fā)展迅速，天平天國(guó)政府迅速在江蘇南京建都，所以當(dāng)時(shí)清政府賴以鑄錢的滇銅就因?yàn)榈缆返淖钄喽鵁o法運(yùn)進(jìn)北京。鎮(zhèn)壓起義急需大量的軍餉開銷，但是由于道路阻斷，鑄錢的原材料卻是十分緊缺，這給清政府造成了嚴(yán)重的財(cái)政困難，最終迫使清政府自咸豐三年開始發(fā)行紙幣和改鑄大錢來彌補(bǔ)財(cái)政虧空。咸豐元寶當(dāng)百錢幣就是在這樣的大背景下產(chǎn)生的。
According to relevant historical records, during the reign of Xianfeng in the Qing Dynasty (1851-1861), it was during the peasant uprising movement of the Taiping Heavenly Kingdom, which developed rapidly. The Tianping Heavenly Kingdom government quickly established its capital in Nanjing, Jiangsu. Therefore, Yunnan copper, which the Qing government relied on to make money at that time, could not be transported into Beijing due to the blocking of roads. The suppression of the uprising urgently required a large amount of military expenses. However, due to the blocking of roads, the raw materials for casting money were very scarce, which caused serious financial difficulties to the Qing government. Eventually, the Qing government was forced to issue bank notes and recast large amounts of money to make up for the financial deficit since Xianfeng's third year. Xianfeng Yuanbao became a hundred coins under such a big background.
清代咸豐四年八月(1854年10月)，在塞北山城承德開設(shè)了一個(gè)新的鑄錢局——寶德局，鑄廠設(shè)在承德府郡西大街。“寶”字意為錢或鑄錢，錢為通貨、寶貨、國(guó)家之寶，財(cái)富的標(biāo)志，故名為寶。寶字起首，是明清兩代錢局的習(xí)慣紀(jì)名法。“德”字意為鑄錢地在熱河地區(qū)承德府。“寶德”二字用滿文(清文)鑄于咸豐通寶、重寶、元寶6類面值銅、鐵錢的錢背。
In August of the fourth year of Xianfeng in the Qing Dynasty (October 1854), a new money casting bureau, Baode Bureau, was set up in Chengde, a mountainous city in the northern part of the country. The casting factory was located in the West Street of Chengde Prefecture. The word "treasure" means money or casting money. Money is currency, treasure goods, national treasure and a symbol of wealth, hence the name treasure. Treasure word first, is the Ming and Qing dynasties money bureau custom discipline name method. The word "De" means to cast money in Chengde Prefecture in Jehol Prefecture. The word "Baode" is cast in Manchu (Qing) on the backs of 6 kinds of copper and iron coins of Xianfeng Tongbao, Chongbao and Yuanbao.
這枚咸豐元寶母幣，錢面文字雕工精湛、字口深峻，如斧削刀切，錢文舒暢，富有神韻。正面“咸豐元寶”為楷書，背穿上“當(dāng)”，穿下“千”，底部“有一官”，官錢，屬罕見，穿孔左右滿文。該錢錢文字體深俊，結(jié)構(gòu)端莊規(guī)整，鑄造精美絕倫，其文字及穿孔處均呈拔模斜度，尤其該錢的錢文筆畫，點(diǎn)劃撇捺分明，錢文線條有粗有細(xì)，粗若含雷霆萬鈞之力，細(xì)則如蛟龍游絲相連，從錢文中透露出一股抑揚(yáng)頓挫的剛毅之勁，令人嘆為觀止。此幣十分精美，字跡清晰深俊，銅材優(yōu)良，錢文精美，沒一絲一毫拖泥帶水，比同版流通的錢稍大些、厚重些，珍稀罕見。底部“有一官”，官錢極其罕見，據(jù)報(bào)道調(diào)查此類帶有官字的咸豐元寶母幣世存不足五之?dāng)?shù)，尤其次品相實(shí)屬難得，不管是收藏還是投資都是前途大好！收藏中的重要稀缺品種。
This Xianfeng Yuanbao mother coin has exquisite carvings and deep and strict characters, such as cutting with axes and knives. Qian Wen is comfortable and full of verve. "Xianfeng Yuanbao" on the front is in regular script, with "Dang" on the back and "Qian" on the back. At the bottom, there is "an official". Official money is rare. Perforated or so is Manchu. The Qian Qian writing style is deep and handsome, the structure is dignified and regular, and the casting is exquisite. Its writing and perforation are of draft angle. In particular, the Qian Wen strokes of the money are clearly marked, and the Qian Wen lines are thick and thin, if thick, with thunderous force. The detailed rules are connected like dragon wands, revealing a resolute strength of cadence from Qian Wen, which is amazing. This coin is very exquisite, the handwriting is clear, deep and handsome, the copper material is fine, golden yellow, and Qian Wen is exquisite. It is not a bit sloppy. It is slightly larger and thicker than the money circulating in the same edition. It is rare and rare.
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