邵文金.又名亨祥,明萬歷四年—清順治三年(公元1576—1646)、邵文銀又名亨裕,明萬歷七年—順治四年(公元1576—1647)人。原籍江西婺源,乃同胞兄弟,時大彬弟子,制作文巧。仿漢方壺獨絕，有雙環耳瓶傳世。
Shao Wenjin, also known as Hengxiang, was born in the fourth year of Wanli in the Ming Dynasty to the third year of Shunzhi in the Qing Dynasty (1576-1646 A.D.), Shao Wenyin, also known as Hengyu, from the seventh year of Wanli in the Ming Dynasty to the fourth year of Shunzhi (1576-1647 A.D.). Originally from Wuyuan, Jiangxi Province, he is a brother of his compatriots and a disciple of Shi Dabin. He is skilled in writing. It's unique to imitate Han square pot, with double ring eared bottle handed down.
邵文金和我們所處的年代相隔甚遠，流傳作品稀少且珍貴，作品有強烈的明式風格，且制作文巧，可以抓住這兩個要點去做鑒別。
Shao Wenjin is far away from our time. The popular works are rare and precious. The works have a strong Ming style, and they are skillful in making. We can grasp these two points for identification.
明代萬歷時(1573-1619)宜興制壺高手。又名亨祥。明代萬歷時(1573-1619)宜興制壺高手。又名亨祥。唐天如孝廉云：據壺史記載，亨祥即文金。時大彬弟子。生卒不詳。弟文銀，亦為大彬徒弟。所制茗壺，善仿漢方，為士大夫所珍愛。明·周高起的陽羨茗壺系·雅流記載：“邵文金，仿時大彬漢方，獨絕。今尚壽。”民國·李景康、張虹的陽羨砂壺圖考·正傳記載：“吳槎客和張叔未詩，有句云：勇喚邵文金，渠帥在吾握。其制作為士大夫珍賞，于此可見。”
Ming Dynasty wanlishi (1573-1619) Yixing pot master. Also known as Hengxiang. Ming Dynasty wanlishi (1573-1619) Yixing pot master. Also known as Hengxiang. Tang tianru xiaolianyun: according to the records of the pot history, Hengxiang is Wenjin. Shi Dabin's disciple. Birth and death are unknown. His brother Wen Yin is also Dabin's Apprentice. The tea pot is good at imitating the Han Dynasty and is cherished by the scholar officials. According to Yaliu, the Yangxian Minghu system, which was raised in the Ming Dynasty and Zhou Dynasty, "Shao Wenjin is unique in imitating the Han Dynasty. It's a lifetime. " According to Li Jingkang and Zhang Hong's Yangxian sandpot map in the Republic of China, there is a saying in Wu Chake's and Zhang Shuwei's Poems: "bravely call Shao Wenjin, and Qu Shuai is in my hand.". It can be seen here that the system is a valuable reward for scholar officials. "
琺瑯彩紫砂壺，也就是紫砂畫琺瑯，它是在紫砂素胎的表面，用琺瑯彩裝飾。可以說是內斂含蓄的東方藝術和奔放肆意的西方藝術的綜合。所以琺瑯彩紫砂壺有純紫砂壺無法比擬的優點。
Enamel color red clay pot, that is, the enamel of red clay painting, is decorated with enamel color on the surface of red clay plain tire. It can be said that it is a combination of implicit Oriental Art and unrestrained western art. Therefore, the enamel color red clay pot has the advantages that the pure red clay pot can't match.
純紫砂壺，用琺瑯彩裝飾之后，則是色彩鮮亮，絢麗奪目。在紫砂壺素胎上施滿釉，又保持了紫砂壺宜茶性，透氣性和可養性的天然特質。和純紫砂壺相比，琺瑯彩紫砂壺更具觀賞性、藝術性、收藏性。
Pure red clay pot, decorated with enamel, is bright and gorgeous. The natural characteristics of tea suitability, air permeability and maintainability of the teapot are maintained by applying full glaze on the plain tire of the teapot. Compared with pure red clay pot, enamel red clay pot is more ornamental, artistic and collectible.
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