永宣青花為一代名品，此盤(pán)即為宣德青花珍品。盤(pán)造型端莊敦實(shí)，胎體厚重堅(jiān)致，敞口，淺弧形壁，矮圈足，底部無(wú)釉，胎質(zhì)縝密。盤(pán)形規(guī)整，內(nèi)口沿繪卷草紋，內(nèi)壁繪纏枝花卉，繪畫(huà)流暢自然;外壁則以卷草紋、纏枝花卉紋、回紋三層紋飾裝飾。盤(pán)心繪把蓮紋，即有蓮葉、蓮蓬、蓮花、蓼草、茨菰等水生植物用錦帶扎束在一起，隨著水流動(dòng)的波紋輕輕蕩漾。布局疏密有致，盤(pán)心蓮之花葉姿態(tài)秀美清雅，寓清廉之意。此盤(pán)畫(huà)意疏朗，古樸典雅，筆法流暢，白釉肥潤(rùn)細(xì)膩，青花色澤濃艷，深入胎骨，為明宣德時(shí)期青花之典型作品。
Yongxuan blue and white is a famous product of the generation. This plate is the treasure of Xuande blue and white. The shape of the plate is dignified and solid, the carcass is thick and firm, open, shallow arc wall, short circle foot, no glaze at the bottom, and the tire quality is meticulous. The shape of the disc is regular, the inner edge is painted with rolling grass pattern, the inner wall is painted with tangled flowers, and the painting is smooth and natural; the outer wall is decorated with rolling grass pattern, tangled flower pattern and palisade. The lotus patterns are tied together with brocade by the lotus leaves, lotus plants, lotus flowers, Polygonum plants, and Zizania, which gently ripple with the waves of water flow. The layout is dense and elegant, and the flowers and leaves of panxinlian are beautiful and elegant. This plate is a typical work of blue and white in Xuande period of Ming Dynasty. It has a clear and elegant painting, smooth strokes, rich and delicate white glaze, rich blue and white color, and deep into the fetal bone.
此藏品為青花大盤(pán)，胎釉精良，撫之溫潤(rùn)如玉，徑寬滿(mǎn)尺，屬于同類(lèi)尺幅較小者。內(nèi)外壁裝飾纏枝四季花卉紋，勾畫(huà)婉轉(zhuǎn)流暢,其布局疏密有致，畫(huà)工細(xì)膩雅致，花紋柔美風(fēng)姿，盡在筆端，青花一色秾美蒼妍，流露出濃厚的筆墨趣味。底部無(wú)釉，胎質(zhì)縝密。此盤(pán)胎重體大，形制規(guī)整，整個(gè)紋飾布局層次清晰，主題鮮明。所繪花卉筆法優(yōu)美流暢，因使用蘇泥勃青料而產(chǎn)生自然暈散，使線(xiàn)條柔和綿軟，富有質(zhì)感。別具清淡高雅之韻味。在白胎的映襯下，罩于釉下的青花色澤濃艷，局部有鐵銹斑疵。這種豪放瀟灑、疏密有致的裝飾風(fēng)格充分顯示出明初青花藝術(shù)的特色。
This collection is a large blue and white plate, with excellent glaze and jade like touch. Its diameter is wide and full. It belongs to the smaller one of its kind. The interior and exterior walls are decorated with Four Seasons flower patterns. The sketch is gentle and smooth. The layout is dense and elegant. The painting is delicate and elegant. The patterns are soft and beautiful. They are all on the end of the brush. The blue and white are beautiful and beautiful, showing strong ink interest. There is no glaze at the bottom, and the tire quality is meticulous. This plate has a large body, regular shape, clear layout and distinct theme. The painting method of flowers is beautiful and smooth, and the natural halo is produced by using Su Ni Bo green material, which makes the lines soft and full of texture. It has a light and elegant charm. Under the background of the white tire, the blue and white under the glaze are very colorful, and there are rust spots in some parts. This kind of bold and unrestrained, dense and unique decoration style fully shows the characteristics of blue and white art in the early Ming Dynasty.
后世雍乾二帝對(duì)永宣青花心儀不已，曾不遺余力仿制，其中此式盤(pán)摹制極多，然僅構(gòu)圖一項(xiàng)就遠(yuǎn)遜原作，規(guī)整呆板，筆道纖弱，工致有余而古意不足，缺乏永宣時(shí)期自然豪邁的氣韻。永宣時(shí)期青花瓷器作為我國(guó)青花發(fā)展史上的黃金時(shí)代，他對(duì)后世青花瓷在紋飾、造型等各個(gè)方面的深遠(yuǎn)影響。故本件作為永宣青花同類(lèi)器物中之上佳者，且保存極為完好，十分難得。
Later emperor Yongqian was very fond of the blue and white flowers of Yongxuan. He did his best to copy them. There were many disc copying systems, but only one composition was far inferior to the original one. It was neat and rigid, with delicate strokes, more work and less ancient meaning. It lacked the natural and heroic charm of Yongxuan period. As the golden age in the history of Chinese blue and white porcelain, Yongxuan blue and white porcelain had a profound influence on the following blue and white porcelain in various aspects, such as pattern, shape and so on. Therefore, this piece is the best one among the same kind of blue and white wares of Yongxuan, and it is very well preserved, which is very rare.
