范曾書法嘉峪關
范曾先生是當代畫壇巨擘,或以開拓求新為時尚,或以固守傳統為榮,都無法詮釋他。他接受過嚴格的學院訓練,這使他的造型手段迥然不同于傳統中國畫家。他浸染傳統之深,使他的筆墨技巧達到了極高的水準,甚至使古人瞠乎其后。他博學多才,“致廣大而盡精微”,又使他的畫面富有詩的意蘊境界。范曾先生是當代繪畫界的巨人。無論是他的開拓和創新時尚,還是他對堅持傳統的驕傲,都無法解釋他。
Mr. Fan Zeng is a giant in the contemporary art world. He cannot interpret him if he is fashionable to open up new ideas, or proud to stick to tradition. He received rigorous academy training, which made his modeling methods quite different from traditional Chinese painters. He was soaked in tradition, which made his brush and ink skills reach a very high level, and even made the ancients lag behind. He is knowledgeable and versatile, "to the vast and subtle", and makes his pictures full of poetic implication. Mr. Fan Zeng is a giant in contemporary painting. Neither his pioneering and innovative fashion, nor his pride in upholding tradition can explain him.
他接受過嚴格的大學培訓,這使他的風格與中國傳統畫家截然不同。他深深地沉浸在傳統中,因此他的筆墨技巧達到了很高的水平,甚至讓古人驚訝不已。他知識淵博,多才多藝,“在廣闊而微妙的程度上”,使他的畫面富有詩意蘊涵境界。范曾提倡“回歸古典,回歸自然”,身體力行“以詩為魂,以書為骨”的美學原則,對中國畫的發展厥功至鉅,開創了“新古典主義”藝術的先河。范曾主張“回歸古典,回歸自然”,實踐“以詩為魂,以書為骨”的美學原則。他為中國畫的發展做出了巨大貢獻,開創了“新古典主義”藝術。其作畫主張用石濤“一畫論”之精義,力追天籟之境,精于白描,尤喜寫意人物。為表現歷史人物之神韻,他潛心研究歷史,悉心揣摩古今中外諸名家之作,他特別推崇陳老蓮和任伯年,范曾的歷史人物畫清新典雅,瀟灑飄逸,栩栩如生。因此他的作品都很受市場熱捧,值得收藏。此幅為范曾書法“嘉峪關”。字跡風格清新俊朗,新穎大方,表現手法嫻熟質樸,依然是范大師的典型風格,范曾運用了國畫鉤線技法中“釘頭鼠尾”的技法,功底蒼勁有力,充滿生命力。
He received rigorous university training, which made his style quite different from traditional Chinese painters. He was deeply immersed in tradition, so his pen and ink skills reached a high level, and even surprised the ancients. His knowledge and versatility, "to a wide and subtle degree," made his pictures full of poetic implication. Fan once advocated "returning to classics and returning to nature", and physically practiced the aesthetic principle of "taking poetry as soul and books as bones", and made great contributions to the development of Chinese painting, creating a precedent for "neoclassical" art. Fan once advocated "returning to classical and returning to nature" and practicing the aesthetic principle of "taking poetry as soul and books as bones". He has made great contributions to the development of Chinese painting and pioneered the "neoclassical" art. His painting advocates using the essence of Shi Tao's "One Painting Theory" to pursue the realm of nature, and to be proficient in freehand drawing, he especially likes freehand figures. In order to express the charm of historical figures, he devoted himself to studying history and carefully considering the works of ancient and modern Chinese and foreign masters. He especially praised Chen Laolian and Ren Bonian. Fan Zeng's historical figure paintings are fresh and elegant, elegant and elegant, lifelike. Therefore, his works are very popular in the market and worth collecting. This picture is Fan Zeng's calligraphy "Jiayuguan". The handwriting style is fresh and handsome, novel and generous, and the expression is skillful and rustic. It is still the typical style of Master Fan. Fan used the "head and mouse tail" technique in the hook and line technique of Chinese painting, with strong strength and full of vitality.
此件書法作品氣勢磅礴,筆酣墨飽,用筆剛勁流暢,最大程度上展現了作者的書法功底,也反映了作者當時的心境,實為一件難得的佳作。近年來作者同類作品無一不是被高價收藏,并且隨著作者創作數量的減少,作品價值一直不斷攀升新高,這樣一件佳作極具收藏和投資價值。
This calligraphy work is magnificent, the pen is filled with ink, and the pen is firm and smooth. It shows the author's calligraphy skills to the greatest extent and reflects the author's state of mind at the time. It is a rare masterpiece. In recent years, all of the author's similar works have been collected at high prices, and with the decrease in the number of authors' creations, the value of works has been rising to a new high. Such a masterpiece has great collection and investment value.
此副范曾嘉峪關書法是羅先生收藏的珍品,此書法出自當代著名文學藝術家范曾之手,以詩為魂,以書為骨”,這是范曾繪畫的顯著特色,是他幾十年創作甘苦的體味與總結,也是他為中國畫提出的箴言。范曾認為,舉凡中國先哲深睿高華之感悟,史家博雅浩瀚之文思,詩家沉雄逸邁之篇章,皆為中國畫源頭活水。加之畫家對宇宙人生,入乎其內,出乎其外,以詩人之眼觀物,以詩人之舌言事,胸次既博大而格調又清新,其所創制,自非一般。范曾生長于詩人世家,受詩歌環境之熏陶培育,且有厚實的儒、釋、道等中國傳統文化的滋養,因此其內心就蘊含著一份涵養深厚的詩魂,這份詩魂又氤氳在他的筆墨深處。收藏價值和升值空間都值得期待。
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