自雍正十三年（1735年），清高宗即位，改元乾隆。便下令鑄行“乾隆通寶”，要求仍重一錢二分，該錢書法鑄工都比雍正時更為精美。最初清朝政府仍繼續執行通貨緊縮的政策。錢局較雍正時有所增減，首先在乾隆四年，停了寶河、寶鞏、寶濟三局，于乾隆五年時開寶福局，七年開寶桂局，十年開寶直局。乾隆朝以前的制錢不加錫，以銅、鉛、鋅配制，稱之為“黃錢”，在乾隆五年規定在鑄錢銅料之中加百分之二的錫，稱為“青錢”。官方說是為杜絕私錢，實際上無異于減重。乾隆四十年時，私鑄情況日盛，各省官員出現盜鑄，政府對此無計可施，加上云南銅產量逐年遞減，導致銅價飛漲，鑄錢成本也隨之水漲船高。
Since Yongzheng thirteen years (1735), Emperor Gaozong of Qing Dynasty assumed the throne and changed to Qianlong of Yuan Dynasty. He ordered the foundry of "Qianlong Tongbao" to weigh one dollar and two cents, which was more exquisite than Yongzheng. At first, the Qing government continued to implement deflation policy. Compared with Yongzheng, the Qian Bureau increased or decreased. Firstly, in the four years of Qianlong, the three bureaus of Baohe, Baogong and Baoji were stopped. In the five years of Qianlong, the Baofu Bureau was opened, in seven years, and in ten years, the Baogui Bureau was opened. Before the Qianlong Dynasty, money was made without tin. It was made up of copper, lead and zinc. It was called "yellow money". In the five years of the Qianlong Dynasty, it was stipulated that 2% tin should be added to the copper material for casting money, which was called "blue money". Officially speaking, it's to stop private money. In fact, it's like losing weight. During the forty years of Qianlong reign, the situation of private casting became more and more prosperous. Officials of various provinces stole casting. The government could not do anything about it. In addition, the copper production in Yunnan decreased year by year, which led to the soaring price of copper and the rising cost of casting money.
清政府繼而又采取了通貨緊縮政策，先后停鑄了寶直、大理、廣西、臨安等局，同時鼓勵商人從海外進口銅材。但是這些措施未能從根本上解決問題，私鑄雖有所減少，但官錢不見增加，民間交易缺錢，就出現了使用古錢的現象。到了乾隆五十年后，又相繼開了寶直等局，同時放寬了鑄錢的標準，所以導致乾隆后期制錢的質量參差不齊，大不如初的情況。此外在乾隆朝時期在新疆出了“乾隆通寶”紅錢（也做普爾錢，“普爾”維語即錢的意思），是以新疆產銅為原料，在新疆地區鑄行的，此后各朝均有鑄行。
The Qing government then adopted a deflationary policy, stopping casting Baozhi, Dali, Guangxi and Lin'an bureaus successively, and encouraging businessmen to import copper from overseas. However, these measures failed to solve the problem fundamentally. Although private casting has been reduced, official money has not increased, and private transactions are short of money, so the phenomenon of using ancient money has emerged. Fifty years after Qianlong, Baozhi Bureau and other bureaus were opened one after another. At the same time, the standard of casting money was relaxed. As a result, the quality of making money in the later period of Qianlong was uneven, much worse than that in the early period. In addition, during the Qianlong Dynasty, "Qianlong Tongbao" red money was issued in Xinjiang (also known as "Puer Qian", "Puer Uygur" means money). It was made from copper produced in Xinjiang and cast in Xinjiang. Since then, it has been cast in all dynasties.
軒宇藝術有幸征得兩枚乾隆通寶，錢幣雖歷經時間洗練，但仍可看出其信息，錢幣正面鈐有“乾隆通寶”，書體為楷書。背文沿用雍正滿文錢式，穿左為“寶”，穿右鑄滿文，傳世品，外緣的澆鑄口未經修整。寬外緣，細內廓，扁“乾”長“寶”。藏品雖經歷了無窮歲月，但紋路依然清晰可見，也見證了其歷史的積淀，具有非常明顯的歷史過渡性特征，實乃罕見，且附帶著特殊的歷史意義，是集收藏與投資于一身的難能可貴的精品。
Xuanyu art was lucky to obtain two Qianlong Tongbao coins. Although the coins have been washed for a long time, their information can still be seen. On the obverse of the coins there is "Qianlong Tongbao" in regular script. The back text is in the style of Yongzheng Manchu coin, with the left side as the "treasure" and the right side as the Manchu. It is handed down. The outer edge of the casting mouth is not trimmed. Wide outer edge, thin inner outline, flat "dry" long "treasure". Although the collection has gone through endless years, the lines are still clearly visible and witness the accumulation of its history. It has very obvious historical transitional characteristics, which is rare, with special historical significance. It is an invaluable boutique collection and investment.
隨著時間的推移和朝代的變更，古代錢幣也隨之悄然的流失，逐漸的減少，并且古代錢幣有著不可復制的特性。因此，人們逐漸意識到錢幣收藏的意義和價值，古錢幣的收藏，創造出來了神話般的奇跡，古幣雖然早已不再作為錢幣在市面上流通使用，但卻有著非凡的收藏價值，從而給收藏者帶來了意想不到的財富。
With the passage of time and the change of dynasties, ancient coins also quietly disappeared and gradually decreased, and ancient coins have the characteristics of non-replicability. Therefore, people gradually realize the significance and value of coin collection. The collection of ancient coins has created a mythical miracle. Although ancient coins are no longer used as coins in the market, they have extraordinary collection value, which brings unexpected wealth to collectors.
豐富藝術生活，傳遞藝術價值！如果您對此組古錢幣感興趣，歡迎聯系軒宇（廣州）藝術傳媒有限公司！
Enriching artistic life and transferring artistic value! If you are interested in this ancient coin, please contact Xuanyu (Guangzhou) Art Media Co., Ltd.
分享是一種美德，分享是一種快樂，學會分享，快樂他人！
Sharing is a virtue, sharing is a pleasure, learning to share, happy others!
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