汪野亭的作品早、中、晚期風格各異，特點突出。早期作品追隨程門、金品卿等淺絳彩名家技法，采用“洋彩”畫瓷，并逐漸摸索粉彩色料的調配以及使用方法，開創了用線細密，具淺絳彩風格的早期粉彩山水畫；中期作品構圖嚴謹，線條流暢灑脫；晚年作品用線粗獷，色彩明快，極顯蒼古與奔放之勢。此副山水四條屏瓷板畫，共四塊屬上品。山水構圖虛實相生，筆墨疏秀清潤，山石尤稱佳妙，淡皴濃苔，毫鋒穎脫，墨法精微，令人嘆止。施彩秀麗清雅，設色雋永，較渾然蒼雅深厚之感。圖中所畫草亭、樹木、江岸、遠山等，用色鮮明，用筆古拙，筆法健勁，色彩絢麗，十分精彩。題款行書圓潤厚實，筆力蒼勁。繪畫題材與技法使用皆蕩漾出濃厚的文人意蘊。
Wang yeting's early, middle and late works have different styles and outstanding features. The early works follow the techniques of Cheng men, Jin Pinqing and other famous artists of light crimson color. They use "foreign color" to draw porcelain, and gradually explore the deployment and use of pink and color materials, creating the early pastel landscape painting with fine lines and light crimson color style. The middle works have rigorous composition and smooth lines. The later works use rough lines and bright colors, showing the ancient and unrestrained trend. This painting is made of four screens of mountains and rivers, four of which are top grade. The composition of mountains and rivers is a combination of the real and the virtual. The brush and ink are sparse and clear. The mountains and stones are particularly beautiful. They are light, chapped and thick moss. They have no sharp edge, and the ink method is delicate, which is amazing. The color is beautiful, elegant, meaningful and profound. The grass Pavilion, trees, river bank, distant mountains, etc. in the picture are bright in color, clumsy in use, vigorous in strokes, gorgeous in color and wonderful. The inscribed running script is round and thick with vigorous strokes. The themes and techniques of painting have a strong implication of literati.
汪野亭(1884—1942)，名平，字鑒，號平山、平生、老平、垂釣子，亦號傳芳居士，平山草堂主人，齋名平山草堂，江西省樂平縣人，近現代著名繪瓷藝家。為瓷都景德鎮20世紀20年代形成的珠山八友大師之一，工畫花鳥、山水。在繪瓷技法上，采用油料，以水粉敷色，作品別具一格。汪野亭是20世紀前期景德鎮陶瓷美術革故鼎新的著名陶瓷藝術家。他的山水畫，一直為后人所仰重、仿效，足足影響了半個多世紀。他從藝30多年從未離開過景德鎮，創作了許多代表那個時代的精美作品，受到了世界收藏.汪野亭山水畫構圖，以通景法為多。構思完整，布局講究，畫面多是翠峰煙云，路轉溪橋，景點連接安排合理，意境別開生面，這種山水通景畫法形式。因為通景畫法的布局，要根據器型轉折面的變化而變化，主景與配景的搭配穿插十分講究，二是汪氏畫山石多用折帶皴，用線如折彎的帶子，橫折層疊構成水邊巖石的特有結構，并且滲入斧劈皴的擦筆技巧，主次分明，皴、擦、點、染，形質俱佳，深濃淺淡，濕潤華滋，具備石質的重量感。
Wang yeting (1884-1942), named Ping, Zijian, No. Pingshan, Pingsheng, Laoping, diaoyuzi, also No. Chuanfang resident, master of Pingshan thatched cottage, Zhai named Pingshan thatched cottage, born in Leping County, Jiangxi Province, is a famous porcelain painter in modern times. Jingdezhen, the capital of porcelain, is one of the eight masters of Zhushan mountain formed in the 1920s. They are skilled in painting flowers and birds and landscapes. In the technique of porcelain painting, oil is used and water powder is used to apply color. The work is unique. Wang yeting is a famous ceramic artist in Jingdezhen in the early 20th century. His landscape painting, which has been admired and imitated by later generations, has influenced for more than half a century. He has never left Jingdezhen for more than 30 years, and has created many exquisite works representing that era, which have been collected by the world. Wang yeting's landscape painting composition is mainly based on the method of connecting landscapes. The design is complete, the layout is exquisite, the pictures are mostly green peaks and clouds, the road turns to the stream bridge, the scenic spot connection arrangement is reasonable, the artistic conception is unique, this kind of landscape painting form. Because the layout of Tongjing painting method should be changed according to the change of the turning surface of the tool type. The main scenery and matching scenery should be interspersed very carefully. The second is that Wang's painting of mountains and stones often uses folding tape to textur, using lines such as bending tape, horizontally folding and laminating to form the unique structure of the water edge rock, and infiltrating the skill of chopping and texturing, with distinct primary and secondary, texturing, rubbing, dot, dyeing, good shape and quality, deep, thick, light and moist Huazi, with the sense of weight of stone.
