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唐三彩是一種盛行于唐代的陶器，以黃、褐、綠為基本釉色，后來人們習(xí)慣地把這類陶器稱為"唐三彩"。唐三彩是一種低溫釉陶器，在色釉中加入不同的金屬氧化物，經(jīng)過焙燒，便形成淺黃、赭黃、淺綠、深綠、天藍(lán)、褐紅、茄紫等多種色彩，但多以黃、褐、綠三色為主。唐三彩的色釉有濃淡變化、互相浸潤、斑駁淋漓的效果。在色彩的相互輝映中，顯出堂皇富麗的藝術(shù)魅力。唐三彩用于隨葬，做為明器，因?yàn)樗奶ベ|(zhì)松脆，防水性能差，實(shí)用性遠(yuǎn)不如當(dāng)時(shí)已經(jīng)出現(xiàn)的青瓷和白瓷。唐三彩器物形體圓潤、飽滿，與唐代藝術(shù)的豐滿、健美、闊碩的特征是一致的。它的種類繁多，主要有人物、動物和日常生活用具。三彩人物和動物的比例適度，形態(tài)自然，線條流暢，生動活潑。在人物俑中，武士肌肉發(fā)達(dá)，怒目圓睜，劍拔弩張;女俑則高髻廣袖，亭亭立玉，悠然嫻雅，十分豐滿。動物以馬和駱駝為多。

唐三彩的產(chǎn)地西安、洛陽、揚(yáng)州是陸上和海上絲綢古道的聯(lián)接點(diǎn)。在古絲綢之路上，唐代的交通工具主要是駱駝。可以想見，在沙漠中，人和駱駝艱難跋涉，相依為命，所以人和駱駝有一種親密感。它那高大的形態(tài)和堅(jiān)毅負(fù)重的神情，似乎還帶著絲綢古道的萬里風(fēng)塵。

唐三彩是唐代陶器中的精華，在初唐、盛唐時(shí)達(dá)到高峰。安史之亂以后，隨著唐王朝的逐步衰弱，由于瓷器的迅速發(fā)展，三彩器制作逐步衰退。后來又產(chǎn)生了"遼三彩"、"金三彩"、但在數(shù)量、質(zhì)量以及藝術(shù)性方面，都遠(yuǎn)不及唐三彩。

唐三彩早在唐初就輸出國外，深受異國人民的喜愛。這種多色釉的陶器以它斑斕釉彩，鮮麗明亮的光澤，優(yōu)美精湛的造型著稱于世，唐三彩是中國古代陶器中一顆璀璨的明珠。

Sancai porcelain pillow, subtle color changes, the erosion of the fetal period shows the vicissitudes of nature, as time goes by, there will only be a Harley light, it is a thousand years left in the shadow of Sancai instrument table No forger can travel a thousand years with his own copy. Harry's light shows up in all colors of glaze, no matter what light it is in. The real three-color objects of treasure light, trance, such as a dream floating in the gorgeous and colorful glaze, all the high imitation of the dream of light will feel helpless. Sancai is a popular pottery in the Tang Dynasty, with yellow, Brown, Green as the basic glaze color, later people used to call this kind of pottery "Sancai. ". Sancai is a kind of low temperature glazed pottery, adding different metal oxides in the glaze, after roasting, will form light yellow, ochre, light green, dark green, Sky Blue, brown red, eggplant purple and other colors, but mostly yellow, Brown, green. Sancai's color glaze has the effect of shading, mutual infiltration, mottled dripping. In the mutual reflection of colors, it shows the artistic charm of magnificence and magnificence. Sancai was used for burial as a burial utensil, because of its crisp texture and poor water resistance, and was far less practical than the Celadon and white porcelain that had appeared at the time. Sancai's objects are round and full, which is in accordance with the characteristics of the art of the Tang Dynasty. It has a wide variety of people, animals and tools for daily life. Tri-color figures and animals of moderate proportion, natural shape, smooth lines, lively. Among the figures, the warriors are well-muscled, with their eyes wide open and their swords tense; the women, with their long sleeves and high Chignon, are graceful and graceful. The animals are mostly horses and camels. Sancai's production areas of Xi'an, Luoyang, Yangzhou is the land and Sea Silk Road Junction. On the ancient Silk Road, camel was the main means of transportation in the Tang Dynasty. As you can imagine, in the desert, people and camels trudging, dependent on each other, so people and camels have a sense of intimacy. It that tall form and the expression of a resolute load, it seems to take the ancient Silk Road of ten thousand miles of dust. Sancai was the cream of the Tang dynasty, reaching its peak in the early and prosperous Tang Dynasty. After An Lushan Rebellion, with the gradual decline of the Tang Dynasty, as a result of the rapid development of porcelain, the production of tricolor gradually declined. Then came the Liao Tricolor and the Golden Tricolor, but they were far inferior to Sancai in quantity, quality and artistry. Sancai had been exported abroad since the beginning of the Tang Dynasty, and was greatly loved by the foreign people. This multi colored pottery is famous for its gorgeous glaze, bright luster and exquisite shape, and Sancai is a shining pearl in ancient Chinese pottery.