2019年新加坡拍賣精品推薦
【藏.薦】欄為藏品強(qiáng)大的傳播效應(yīng)向各位買家推薦經(jīng)國(guó)家一級(jí)鑒定專家甄選的藝術(shù)珍品,為藏家牽線搭橋,讓千百件藝術(shù)珍品價(jià)值被發(fā)掘與重視,在拍賣會(huì)上得以高價(jià)成交。
[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.
【名稱】：宋代紫竹觀音銅鏡
【類型】： 雜 項(xiàng)
【年代】： 宋代
【規(guī)格】：直徑：19.2cm 重量：418.5g
[name]: bronze mirror of Zizhu Guanyin in Song Dynasty
[type]: Miscellaneous
[time]: Song Dynasty
[Specification]: diameter: 19.2cm; weight: 418.5g
銅鏡是中國(guó)古代藝術(shù)品中的典型作品，明以來(lái)備受重視。雖然銅鏡本為生活用具之一，但春秋以來(lái)，精品層出不窮，逐漸成為歷代工藝美術(shù)作品的代表性作品之一。在道教和佛教中，銅鏡也是重要的法器。就我個(gè)人而論，先秦銅鏡最有創(chuàng)造性，漢代銅鏡最為抽象，唐代銅鏡最為華麗，宋遼銅鏡典故性加強(qiáng)，明代以后的銅鏡藝術(shù)性大大降低而民俗性卻更強(qiáng)了。銅鏡收藏和研究，大家眾多，銅鏡也是各博物館收藏的重鎮(zhèn)
銅鏡本身是一種工藝美術(shù)品，這些紋飾的圖案造型與銘文，往往濃縮了各歷史時(shí)期的社會(huì)思想觀念與審美情趣，它制作精細(xì)，既體現(xiàn)了較高的工藝制作技術(shù)水平，又具有很高的藝術(shù)價(jià)值
銅鏡被使用了近4,000年，它已經(jīng)超越了日常生活中照面飾容的用途，深深融入了我們的社會(huì)生活和文化意識(shí)，譬如人們常說(shuō)的“破鏡重圓”、“明鏡高懸”、“以史為鑒”(古書“鑒”與“鏡”常互通)等等，都反映出銅鏡文化已經(jīng)成為中國(guó)文化的一個(gè)組成部分。古代銅鏡除了作為照面飾容的工具之外，更濃縮著文化，見證著歷史，默默記錄著悠悠歷史長(zhǎng)河中的波瀾起伏。
宋代是我國(guó)銅鏡發(fā)展史上新的發(fā)展。在銅質(zhì)的合金中加大了錫的成份，在銅鏡的質(zhì)地上就顯得銀亮，既美觀又適用。在銅鏡的造型上，除了繼續(xù)沿用前代的圓形、方形之外，又創(chuàng)造了菱花式及較厚的鳥獸葡萄紋鏡。并且把反映人民生活和人們對(duì)理想的追求、吉祥、快樂(lè)的畫面應(yīng)用到鏡上，如月宮、仙人、山水等。
特別是隨著社會(huì)進(jìn)入相對(duì)穩(wěn)定及繁盛的局面，宋代時(shí)期的銅鏡亦擺脫了兩漢以來(lái)的神秘怪誕氣氛，更接近于現(xiàn)實(shí)社會(huì)大眾的生活；這是強(qiáng)盛唐朝高度藝術(shù)水平的產(chǎn)物，充分顯示出宋代銅鏡的特點(diǎn)。
香港佳士得在2017年4月拍出一件唐海獸葡萄銅鏡366萬(wàn)的港幣，18年12月新加坡環(huán)球國(guó)際拍賣拍出了一件海獸葡萄紋銅鏡以575萬(wàn)人民幣的價(jià)格成交。
收藏家的眼睛都是雪亮的，市場(chǎng)價(jià)格更是說(shuō)明了問(wèn)題。宋代銅鏡由于以上方面的原因，在收藏市場(chǎng)里面受到了應(yīng)有的關(guān)注，在銅鏡藝術(shù)品里面，宋代銅鏡的價(jià)格目前仍處于頭把交椅的位置。在前些年的銅鏡價(jià)格階段性高峰期，已經(jīng)出現(xiàn)千萬(wàn)級(jí)別的藏品，是值得投資和長(zhǎng)期持有的高估藝術(shù)精品門類。
此銅鏡為宋代紫竹觀音銅鏡，紫竹觀音：又稱"水月觀音"，是全國(guó)罕見的北宋石刻藝術(shù)珍品。背倚浮雕紫竹和柳枝凈瓶，頭戴裝飾華麗的寶冠，上身著披肩短袖薄裟，袒胸露臂，瓔珞像虬曲而下的金色飄帶，翠環(huán)網(wǎng)墜于胸腹，下身彩帶結(jié)一繡花輕薄如蟬翼的長(zhǎng)裙，裙角皺紋飄逸自然。其容貌風(fēng)姿恰似出水芙蓉側(cè)身蹺足坐于蒲葉座上，左手下?lián)危易闵宪E，赤足分別踏在蒲葉座和蓮花蕊上，鳳眼下視，巍峨莊重，柔和親昵，如 韶華絕倫的妙齡女郎。其 世俗化風(fēng)味很濃，具有人的美，神的儀，被稱為美神，造像的設(shè)計(jì)和雕技達(dá)到了令人傾倒的程度，觀賞后的專家、學(xué)者譽(yù)之為東方的" 阿芙洛蒂德"(希臘美神)。1984年，英籍著名女作家 韓素英參觀后對(duì)其極為贊賞，稱之為" 東方維納斯"。此藏品，品相保存很好，包漿自然，圖案清晰，是藏家家傳之寶，難得一見，可遇不可求，值得收藏。
Bronze mirror is a typical work of ancient Chinese works of art, which has been attached great importance since Ming Dynasty. Although the bronze mirror is one of the living utensils, since the spring and Autumn period, excellent works have emerged in an endless stream, and gradually become one of the representative works of Arts and crafts in the past dynasties. In Taoism and Buddhism, bronze mirrors are also important instruments. As far as I'm concerned, the bronze mirrors in the Pre-Qin Dynasty are the most creative, the bronze mirrors in the Han Dynasty are the most abstract, the bronze mirrors in the Tang Dynasty are the most gorgeous, the allusions of the bronze mirrors in the song and Liao dynasties are strengthened, and the artistry of the bronze mirrors after the Ming Dynasty is greatly reduced while the folklore is stronger. There are many people who collect and study bronze mirrors, and they are also the important collection town of museums
The bronze mirror itself is a kind of Arts and crafts. The patterns, shapes and inscriptions of these patterns often concentrate the social ideas and aesthetic interests of each historical period. It is made with fine workmanship, which not only embodies the high level of technology, but also has high artistic value
The bronze mirror has been used for nearly 4000 years. It has gone beyond the use of face decoration in daily life and deeply integrated into our social life and cultural consciousness. For example, people often say "reunite the mirror", "hang the mirror high", "take history as a mirror" (ancient books "mirror" and "mirror" often communicate), etc., which reflect that the bronze mirror culture has become an integral part of Chinese culture. In addition to being a tool for face decoration, ancient bronze mirrors are more concentrated in culture, witness history and silently record the ups and downs of a long history.
Song Dynasty is a new development in the history of bronze mirrors. In the copper alloy, the tin component is increased, and the copper mirror is silvery, beautiful and applicable. In terms of the shape of the bronze mirror, in addition to continuing to use the previous generation of round and square, it also created the rhombic pattern and thicker bird and animal grape pattern mirror. Moreover, the pictures reflecting people's life and people's pursuit of ideals, auspiciousness and happiness are applied to the mirror, such as the Moon Palace, immortal, landscape, etc.
Especially as the society entered a relatively stable and prosperous situation, the bronze mirrors in the Song Dynasty also got rid of the mysterious and weird atmosphere since the Han Dynasty, which is closer to the real life of the public. This is the product of the high artistic level of the Tang Dynasty, which fully shows the characteristics of the bronze mirrors in the Song Dynasty.
Christie's in Hong Kong sold a 3.66 million Hong Kong dollar Tang sea animal bronze mirror in April 2017, and a 5.75 million yuan sea animal bronze mirror was sold in global auction in Singapore in December 18.
The eyes of collectors are all bright, and the market price shows the problem. Because of the above reasons, the bronze mirrors in Song Dynasty received due attention in the collection market. In the bronze mirror works of art, the price of bronze mirrors in Song Dynasty is still in the top position. In the previous years, during the periodical peak period of copper mirror price, there have been ten million level collections, which are worth investment and long-term holding over valued fine art categories.
This bronze mirror is the Guanyin bronze mirror of Zizhu in the Song Dynasty. It is also called "shuiyueguanyin". It is a rare stone carving art treasure in the Northern Song Dynasty. With its back resting on the embossed purple bamboo and willow branch bottle, its head wearing a gorgeous crown, its upper body wearing a short sleeved shawl and thin robe, its bare chest and bare arms, its Yingluo like a golden streamer under the curve, its Cuihuan net falling on its chest and abdomen, its lower body wearing a long skirt with embroidery as thin as cicada wings, and its skirt corners wrinkled naturally. Its appearance and demeanor are similar to that of Hibiscus emerging from the water sitting on the puyezuo with her left hand propped down and her right foot propped up. Barefoot treads on the puyezuo and the lotus pistil respectively. Looking down from the eyes of the Phoenix, she is majestic, solemn, soft and intimate, like a gorgeous young girl. Its earthly flavor is very strong. It has the beauty of human beings and the appearance of gods. It is called the God of beauty. The design and carving skills of the statues have reached an amazing level. The experts and scholars after watching it call it "Aphrodite" (Greek god of beauty) in the East. In 1984, Han Suying, a famous British woman writer, paid a visit to her and praised her very much, calling her "Oriental Venus". The product is well preserved with natural wrapping and clear design. It is a treasure of the family. It's rare to see it, and it's worth collecting.
此件藏品為本次新加坡場(chǎng)核心推薦藏品，歡迎各位藏友蒞臨倫新加坡場(chǎng)咨詢競(jìng)拍，機(jī)會(huì)難得！
This collection is the core recommended collection of this Singapore market. Welcome to London Singapore market for consultation and auction. It's a rare opportunity!
